KNOCKED UP NOW ONLINE

KNOCKED UP NOW AVAILABLE TO DOWNLOAD
WE HAVE A GREAT QUALITY COPY OF KNOCKED UP THAT IS OUT NOW. IT STARS SETH ROGAN WHO WAS ON THE SHOW FREAKS AND GEEKS HE HAS A ONE NIGHT STAND AND ENDS UP GETTING HER PREGNANT. KATHRINE HEIGL FROM ROSWELL AND FROM GREY'S ANATOMY PLAYS THE GIRL HE GETS PREGNANT. ITS FROM THE CREATOR OF 40 YEAR OLD VIRGIN. ITS REALLY A FUNNY MOVIE.
HERE IS THE SUMMARY OF THE MOVIE KNOCKED UP FROM IMDB.
Sloppy Ben and up and coming career girl Alison meet at a bar, and end up having a one night stand. Eight weeks later, Ben is shocked when Alison meets him and reveals that she is pregnant. Despite having little in common, the two decide that they have to at least try to make some kind of relationship work for the baby's sake. Written by ENGAGED!!!!

HERE IS A REVIEW FROM DVDTALK FOR THE MOVIE KNOCKED UP.

One of the most impressive things about "Knocked Up" -- an impressively funny and bawdy comedy from the man behind "The 40-Year-Old Virgin" -- is that it's basically just another "men and women are different" premise, yet it lays out both sides realistically and with far more depth than you'd expect from a movie called "Knocked Up."

Just as Judd Apatow's "The 40-Year-Old Virgin" had a surprisingly old-fashioned chastity message buried under all that raucous humor, "Knocked Up" dares to suggest that two people who accidentally make a baby should see it through together. It also derives laughs from men and women failing to understand each other, but the characters feel like real people, not like the cardboard joke-dispensers they could have been. It's the thinking man's R-rated sex comedy.

It begins with this nightmare premise: What if a drunken one-night stand led to a pregnancy? Alison Scott (Katherine Heigl) is a pretty E! Channel production assistant who's just been given a shot at on-air work. Her career is starting to take off. Foolishly, she hooked up one night with Ben Stone (Seth Rogen), who's average-looking and chubby, though he makes up for it by being funny. Ben and his several housemates, all in their mid-20s and going nowhere, have vague plans of launching a lucrative website that catalogs movie nudity for leering males. Specifics on how this site will operate or how it will make money have not yet been nailed down.

Alison and Ben's liaison was a mistake, obviously, but the li'l fetus in Alison's tummy means they must continue to interact. An abortion is not an option, of course, as it would end the movie immediately, and (though this is a lesser factor) because Alison doesn't want one. Ben, a decent and honest guy underneath all the pot-smoking and general uselessness, says he'll be as involved with the pregnancy and child-rearing as Alison wants him to be. He accepts responsibility for his actions, though not before going through the usual stages of anger and disbelief.

So Alison and Ben set out to get to know each other over the next eight months, to see if they could work as a couple, to determine how best to raise the child they've accidentally made. The comedy of two very different strangers being thrust together is abundant, and it would be sufficient for one movie. Heck, that's the premise of most romantic comedies: We're opposite, and we don't like each other, but we'll eventually fall in love. Apatow's brilliant twist is to include another couple: Alison's sister Debbie (Leslie Mann) and Debbie's husband Pete (Paul Rudd).

Alison lives in Debbie and Pete's pool house and is witness to their dull, crabby marriage, which has now produced two little girls (both played by Apatow's real-life children; Leslie Mann is Apatow's wife). Once Ben enters the picture, he and Pete become buddies. Alison and Debbie commiserate about their relationship woes, eating ice cream and complaining; Ben and Pete crack jokes and drive to Las Vegas, where they watch Cirque du Soleil while high on mushrooms. You can hear the resentment in Debbie's voice when she asks why Ben and Pete don't just get in a time machine and go back and have sex with each other, instead of Ben having sex with Alison.

"Who needs a time machine?" Pete says in a mock seductive voice while gazing at Ben.

Ben holds up a glass of booze and replies, "This is my time machine."

And that's the film's big joke in a nutshell: Men get along with each other so much better than they do with women, and even better than women get along with each other. Apatow perfectly captures the camaraderie of young men -- the idiotic bets (one of Ben's friends has been dared not to cut his hair or shave his beard for a year), the vulgar but good-natured ribbing, the revelry-as-therapy that men use to work through their problems.

But for as male-centric as the movie could have been, it gives the women their due, too, making it one of the few battle-of-the-sexes comedies where both sides make good points. There are scenes dealing with Debbie's fears of getting older and becoming less attractive, her love for her husband that keeps getting caught up on her fear of losing him. Alison is young and has unlimited potential, and now she has a baby on the way that could ruin everything. She's scared, but she's strong. She needs a man to step up and be a true partner. She needs Ben to quit being a lazy, unemployed 25-year-old and DO something.

The man-child-grows-up story is common these days, and so is the opposites-attract romantic comedy, and we've certainly seen our share of married-people-discover-marriage-is-sometimes-boring angst. But "Knocked Up" blends these familiar elements into something fresh and heartfelt, not to mention breathtakingly funny. It's over two hours long, which is highly unusual for a comedy, and while I can identify scenes that could have been cut, to do so would have been to lessen the film's impact. Most of the material surrounding Pete and Debbie's marriage could have been eliminated, and the movie would have been 95 minutes long. But it also would have been a forgettable, throwaway sex comedy instead of the multi-layered relationship story it is.

Seth Rogen, from Apatow's TV shows "Freaks and Geeks" and "Undeclared," is perfectly cast as Ben. Ben is not handsome or ambitious, but with his good-natured sense of humor and unassuming demeanor, you can see why a girl would like him. By the same token, Katherine Heigl (of "Gray's Anatomy") demonstrates far more comedic agility than I'd have guessed she had in her, and makes Alison more than just the Pretty Blonde Who Gets Stuck with the Loser.

At some point in the last few years, without anyone noticing, Paul Rudd somehow became one of the funniest men in America, and Leslie Mann's drunk driving scene in "40-Year-Old Virgin" is still one of that movie's highlights. They add a pleasantly tart flavor to "Knocked Up," ad-libbing and riffing as merrily as you please.

Let us also mention Martin Starr, Jonah Hill, Jason Segel, and Jay Baruchel as Ben's housemates, all quick-witted and goofy and, at one point, stricken with pinkeye as the result of an ill-conceived flatulence prank. Numerous familiar faces -- Harold Ramis, Joanna Kerns, Tim Bagley, "SNL's" Bill Hader and Kristen Wiig, Loudon Wainwright, Alan Tudyk, Mo Collins, B.J. Novak, and Ken Jeong, to name several -- pop up for one or two scenes each, steal some laughs, then scurry off again. It's the kind of film where even if a character only has one line, chances are that one line is funny.

"Knocked Up" has some of the year's funniest moments, some of them centered on hip pop-cultural knowledge (there are references to "Munich," Matisyahu, and "Murderball"), and most of them verbal rather than physical. A second viewing didn't yield quite as many laughs for me as the first one did -- though it's worth noting that even that second viewing was more enjoyable than 95 percent of all Hollywood comedies are on their first viewing. It's a near-perfect mix of juvenility and intelligence, and of coarseness and sweetness.
HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE KNOCKED UP

VAN WILDER PART 2 RISE OF TAJ NOW ONLINE

VAN WILDER 2 THE RISE OF TAJ NOW ONLINE
YES ITS VAN WILDER 2 THE RISE OF TAJ. ITS FROM THE MAKERS OF NATIONAL LAMPOONS SO YOU KNOW ITS GOT TO BE AT LEAST A LITTLE FUNNY. I SAW THIS RIGHT AFTER I SAW VAN WILDER AND THOUGH I THOUGHT THIS MOVIE ISN'T AS GREAT AS VAN WILDER WAS THIS MOVIE IS STILL PRETTY GOOD AND VERY FUNNY.

HERE IS THE SUMMARY OF VAN WILDER 2 RISE OF TAJ FROM IMDB.

Of East Indian origin, Taj Mahal Badalandabad lives in Coolidge, U.S.A. along with his dad, Dilip, mom, and sister. After hearing about his dad's exploits at Camford University in Britain, he re-locates there. When he arrives he is royally received by the elite, only to be humiliated and told this reception was because of a 'typographical error'. He thus re-locates to his new quarters in a distant wreck of a building called the 'barn' - reserved for 'losers'. When he gets over this welcome, Taj must now come to terms with the Queen's language, her dialect, and the racial profiling ('Curry-breath', 'Paki'), and a busty Charlotte Higginson, who is not only better at fencing, but is also intent to ensure his dismissal. Hilarious results follow when Taj decides to fight the Queen and her people at their own game(s) with the help of fellow losers and a horny bulldog. Written by rAjOo (gunwanti@hotmail.com)

HERE IS A REVIEW OF VAN WILDER 2 THE RISE OF TAJ FROM DVDTALK

If I could meet the person who told actor Kal Penn that he was funny, and should pursue a career in comedies, I would ask this question: why him? Why this guy when they're so many hilarious stand-up comics who could knock a whiffle ball like a "Van Wilder" film out of the park. Bryan Singer had the right idea to cut out all of Penn's dialogue in last summer's "Superman Returns," but now we have to confront "The Rise of Taj." It's 90 minutes of pure Penn.

Heading to England to work as a residence advisor at Camden University, Taj Mahal Badalandbad (Kal Penn) is stuck at the loser dorm, in charge of the biggest social rejects around. Channeling the great work of his friend Van Wilder (Ryan Reynolds wisely chose to pass on a cameo), Taj uses his people skills to build up his new fraternity, looking to upset the reign of the local snobs with his brand of cheeky monkey business.

If there was one film that didn't need a follow-up, "Van Wilder" would be near the top of that list. However, this is hardly a sequel. Forget the "2" in the title; this is purely a studio exploiting a brand name in a cost-saving manner.

As awful and mindless as the original was, it was famous for putting Ryan Reynolds on the map. His delirious and sweet-natured performance was the only saving grace in a truly wretched comedy. You remember how awful it was, right? The film with a scene that featured Van Wilder replacing éclair cream with dog semen before feeding it to his enemies? How could America forget.

Well, I know I tried, but "Rise of Taj" fastballs the horror right back to my brain.

It seems to me that to even try to mount a production without Reynolds is just insane. With the only redeeming quality gone, what's left to enjoy? That sums up the experience of watching "Taj" fairly succinctly.

The entire film is on Penn's shoulders, and if you've seen his work in "Wilder," you already know the one-joke nature of the Taj character. The script tries to wedge Taj into Van Wilderesque moments (including another with dog semen – a franchise calling card it seems), but Penn doesn't have that same impish spirit as Reynolds, and not even close to the same graceful comic timing. Penn basically has his exaggerated South Asian accent to hide behind (that is, when he can stay in it), and the promise of a million future DVD rentals to egg him on. I've yet to see actual comedic ability from this beloved stoner icon.

"Taj" runs through the expected collegiate battle basics, the nudity requirements, and the zero-to-hero dork metamorphosis character arcs. The British angle is refreshing to a certain degree, and the film's refrain from heading too deep into gross-out comedy waters genuinely shocked me. I mean, there are lewd jokes all over this production, but they appear to be muted on purpose. In an askew way, "Rise of Taj" is a better film than "Van Wilder," but when encountering cinematic crap on this level, it's hard to clearly distinguish the taste anymore.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE VAN WILDER 2 THE RISE OF TAJ.

EMPLOYEE OF THE MONTH NOW ONLINE

EMPLOYEE OF THE MONTH NOW AVAILABLE.
THAT IS RIGHT WE HAVE ONE OF JESSICA SIMPSONS BEST MOVIES ITS CALLED EMPLOYEE OF THE MONTH AND ITS VERY GOOD QUALITY PICTURE AND THE MOVIE IS VERY FUNNY. ITS FUNNY LIKE VAN WILDER WAS AND STARS DANE COOK.

HERE IS THE SUMMARY FOR THE MOVIE EMPLOYEE OF THE MONTH FROM IMDB.

At Super Club, a large warehouse store, the employees strive to obtain the "Employee of the Month" award with the benefits of having their picture featured on the wall of fame in the staff lounge. Zack Bradley, a box boy, and Vince Downey, a cashier, are two competitive Super Club employees. Vince has become head cashier of the store and winner of seventeen consecutive "Employee of the Month" awards. Zack, on the other hand, is a slacker but is popular with his colleagues. Zack has not won any "Employee of the Month" awards and has no desire to except when Amy, a new cashier who only dates "Employee of the Month" winners, transfers to the store. Zack and Vince compete to get Amy's attention through competition and courtship. Vince attempts to impress Amy with skills as a cashier and his seventeen "Employee of the Month" awards, while Zack attempts to use several methods of charm and comedy to win her affection. After realizing that Amy is falling for Vince, Zack believes his only chance to get her is to win Super Club's next "Employee of the Month" award. Written by Wikipedia

HERE IS A REVIEW OF THE MOVIE EMPLOYEE OF THE MONTH FROM DVDTALK.

The Movie

For some, Dane Cook is the funniest comic to walk the earth since, well, ever. For others, he's a prime example of being in the right place at the right time: breathlessly billed as the "MySpace comedian" in the mainstream media, Cook built an empire of fans (and a small pile of blink-and-you'll-miss-it credits) before most of America had ever heard of him, which during 2006, was quite a bit. Cook hit the States with a full-frontal assault in '06, dropping a HBO comedy special, a HBO miniseries and a couple feature films on 'em. Granted, some projects were better than others (did anyone make it through all the "Tourgasm" episodes?") but all of them -- including a gig hosting "Saturday Night Live" -- put this intelligent meat-head front and center, a poster boy for smug hipsters to tear down as proof of pop culture's lack of good sense.

Adding fuel to the conflagration that was (and is) his budding career, Cook starred in Employee of the Month, finding himself in the path of a blonde tornado known as Jessica Simpson; the pair were briefly linked in the tabloids and while nothing substantial came of the rumors, it underlined (again) Cook's ability to find himself in well-timed situations. I'm sure plenty of people checked out Greg Coolidge's film that would've otherwise skipped it, if only to see if Cook and Simpson got all googly-eyed at each other onscreen.

Well, kind of -- fortunately, Simpson, while billed alongside Cook and Dax Shepard, is relegated to a supporting role that doesn't ask much from her, nor require much screen time. Employee of the Month is really Cook's show, a showcase for his not terribly challenging brand of funny and one which delivers sporadic laughs. If anything, Cook has the movie stolen out from under him by Efren Ramirez and Andy Dick (there's a sentence I never thought I'd write) as two goofball employees of the not-so-thinly veiled Sam's Club/Costco rip-off Super Club. Zack Bradley (Cook), a slacker whose aim in life is to do as little as possible, finds himself suddenly motivated when Amy (Simpson), a new cashier, starts working at his store. Rumor has it that she's hot for employees of the month, a title that Vince Downey (Shepard) has won going away for the last 17 months. You can see where this is going, but the journey isn't entirely painful, as Cook and his cast of co-stars manage some moderately amusing moments.

As with most movies of this stripe, you can tell the funniest moments were a result of ad-libbing and improvisation, rather than anything written down on the page; as such, it's hard to muster up much praise for Don Calame and Chris Conroy's script, since it's more of a blueprint than a road map. Employee of the Month is a solid C-level mound of multiplex mush -- you'll laugh at it, but you just might hate yourself for doing so. Cook likely isn't going to find anything but variations on this theme for the rest of his cinematic career, so if you love this, it's a cinch that you'll dig what lies ahead for this Boston-born comic.

The DVD

The Video:

Employee of the Month is presented with a fine 1.85:1 anamorphic widescreen transfer that exhibits moments of graininess (most notably during the more lowly lit scenes) but is otherwise as clean and sharp as you'd expect a film less than a year old to be. No major defects plague this image, but it stops just short of popping off the screen.

The Audio:

Sporting an equally adequate Dolby Digital 5.1 EX track, Employee of the Month is a film that relies heavily on the front trio of speakers, relegating the middling modern rock soundtrack to the surrounds -- dialogue is crisp and undistorted, with an optional Dolby 2.0 stereo track also included. Optional English and Spanish subtitles complete the disc.

The Extras:

There are plenty of supplements to sift through, leading off with a pair of commentary tracks -- one with Coolidge flying solo and one with Cook and Coolidge holding forth in tandem -- and six minutes worth of ad-libs, a two minute short titled "At Work with Lon," a three minute alternate opening (featuring cameos from Eva Longoria and John O'Hurley), with two of three MySpace-solicited contest winning videos and trailers for Crank, The Descent, Farce of the Penguins, The Invincible Iron Man and Unhitched rounding out the disc.

Final Thoughts:

As with most movies of this stripe, you can tell the funniest moments were a result of ad-libbing and improvisation, rather than anything written down on the page; as such, it's hard to muster up much praise for Don Calame and Chris Conroy's script, since it's more of a blueprint than a road map. Employee of the Month is a solid C-level mound of multiplex mush -- you'll laugh at it, but you just might hate yourself for doing so. Rent it.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE EMPLOYEE OF THE MONTH.

TO ALL TRANSFORMER FANS I APPAULOGIZE

AN APPAULOGY TO ALL TRANSFORMER FANS ABOUT THE QUALITY

TO ALL TRANSFORMER FANS I APPAULOGIZE FOR THE BAD COPY THAT THE LATEST LINK FOR THE TRANSFORMER HAD I WE WILL HAVE TO WAIT FOR A BETTER COPY THOUGH I WILL KEEP THE OLD COPIES UP AND THEN ADD A NEW ONE WHEN A BETTER AND QUIETER VERSION HITS THE INTERNET. THIS ONE IS WAY TO NOISY FOR ME SO I BET HALF OF YOU THINKS SO TOO. SORRY AGAIN. OH AND I WILL PUT HARRY POTTER UP TO THIS WEEKEND PROBABLY IF A VERSION COMES OUT THAT IS OK.

JURASSIC PARK III

JURASSIC PARK III NOW AVAILABLE ONLINE
JURASSIC PARK III IS FINALLY HERE. ITS A MOVIE ABOUT DINOSAURS ON AN ISLAND AND PEOPLE ARE TRYING TO STAY ALIVE AND NOT BE EATEN BY DINOSAURS.

HERE IS THE SUMMARY FROM IMDB

Eight years after the InGen incident, Dr. Alan Grant is happy with his life far from any dinosaurs other than fossilized. Unfortunately, he is extremely short in research money, and therefore accepts the offer of wealthy businessman Paul Kirby: A low flight over isolated Isla Sorna, where InGen's second research site was located, and Dr. Grant can fund his future research for a long time. What Dr. Grant didn't know is that Kirby just needs a dinosaur expert to help him and his wife find their 14-year-old son Eric, who crashed on the island while paragliding. What he did suspect, but never wanted to witness, is that the Velociraptors have evolved into a communicating species (and seemingly all along had the capability to do so), now being smarter than primates. Written by Julian Reischl {julianreischl@mac.com}

Anxious to fund research for his new theory of velociraptor intelligence, renowned paleontologist Dr. Alan Grant is persuaded by wealthy adventurer Paul Kirby and his wife Amanda to accompany them on an aerial tour of Isla Sorna. This infamous island, once InGen's site B, has become both a primordial breeding ground for John Hammond's magnificent creations and a magnet for thrill-seekers eager to encounter them. When a tragic accident maroons the party of seven, Grant discovers the true reason his deceptive hosts have invited him along. In their perilous attempt to escape, the dwindling group encounters terrifying new creatures undisclosed by InGen, and Grant is forced to learn the dreadful implications of his raptor intelligence theory firsthand. Written by Sujit R. Varma

Adventure runs wild when renowned paleontologist DR. Alan Grant (Sam Neill) agrees to accompany a wealthy adveturer (William H. Macy) and his wife (Tea Leoni) on an aerial tour of Isla Sorna, InGen's former breeding ground for prehistoric creatures. But when they're terrifyingly stranded, Dr. Grant discovers that his hosts are not what they seem, and the island's native inhabitants are smarter, faster, fiercer and more brutal than he ever imagined. Written by Robert Lynch {docrlynch@yahoo.com}

HERE IS A REVIEW FROM DVDTALK

The Movie: Director Steven Spielberg revolutionized special effects with 1994's "Jurassic Park", which brought believably mobile and realistic looking dinosaurs to the big screen. Only a couple of years later though, Spielberg's sequel floundered - the name alone brought record crowds into theaters, but few could stand the relative lack of action and the nearly 40 minute buildup till anything intense showed. Although the second film dissapointed audiences, its grosses made it obvious that a third picture should be made. Come this year, Spielberg was a bit busy though - not only was he directing "A.I.", but he was about to skip forward onto "Minority Report". Obviously, a few years had passed and the amount of time that was left to make a sequel was starting to drain out. The choice of Joe Johnston ("Jumanji") was made and soon after, shooting began, but this would be a film that would take a different way when it came to storytelling. Where the other pictures were content to offer character development and a large chunk of buildup, Johnson follows a similar method to Renny Harlin's "Deep Blue Sea" - simply introduce the characters, isolate them and send in the villians. The remainder is simply action scene after action scene, with a little bit of breathing room in-between to not wipe out the audience. The film opens with Eric(Trevor Morgan) and his stepfather going parasailing off the coast of Isla Sorna, home to the dinos of the first feature. Of course, they're still there and the duo crash land into the middle of the forest. The boy's parents, Paul and Amanda Kirby (William H. Macy and Tea Leoni) trick Alan Grant (Sam Neill, from the first film) into being their island guide as they fly over the island - they simply have "forgotten" to tell him that they're actually going to land. The only question is - will they actually get off the island in the plane? The answer is obviously not, and it's only a matter of minutes before we're introduced to the latest dinosaurs to make appearances in the series including a late-in-the-game appearance by some flying friends. Johnston has taken the approach of simply going all out for 90 minutes, with only the least possible character development. Thankfully, he's able to do quite a wonderful job with the chase sequences, many of which are quite inventively staged - well enough, in fact, to make us care about characters that are almost entirely one-dimensional. Another terrific touch is that Grant has found that the Raptors can communicate with one another, which leads to another very nice layer of tension to the proceedings. The one element that doesn't work is the addition of the Leoni and Macy characters. Although Macy isn't bad, Leoni is suprisingly irritating, with her character almost constantly yelling her child's name loud enough for the entire population of dinosaurs on the island to overhear. The exasperation of Neill's character at who he's stuck with attempts to play for laughs, but it walks a thin line between amusing and repetitive. The fact that the Macy and Leoni characters act like being chased by dinosaurs is marriage therapy is also rather lame. Overall though, "Jurassic Park 3" is well-acted, generally passably written (by "Election"'s Alexander Payne and two other writers) and offers up just what it says it will - 90 minutes of solid thrills, well-staged and consistently exciting. It certainly won't go down as one of the year's finer films, but I definitely thought it was one of the Summer's most entertaining efforts. The DVD VIDEO: "Jurassic Park 3" is presented by Universal in 1.85:1 anamorphic widescreen. The picture quality is not flawless, but it remains consistently above-average. Shelly Johnson ("The Last Castle")'s cinematography is attractive and the picture presents it nicely; there's a few slight moments of softness, but overall, the picture remained well-defined and crisp throughout.

Aside from a few moments where some slight pixelation is visible, the picture was without concern. Given the fact that this is a new movie, I'd expect no print flaws and my expectations were met - I spotted nothing in the way of specks, hairs, scratches or anything of the like. Edge enhancement was also pleasantly absent for image quality that remained clean and clear for the entire film.

Colors tended to look subdued until the film reached the island sequences, where the greens of the trees and general plant life were presented in rich, bold fashion. Black level remained strong and flesh tones accurate and natural. Quite nice work from Universal.


SOUND: The film is presented in both Dolby Digital and DTS 5.1 audio (as many already know, the first "Jurassic" was the first picture to be presented in DTS). As with the first two pictures, this third edition is a model of exceptional sound design by sound designer Christopher Boyes ("Pearl Harbor", "The Rock", "Titan A.E."). As one might expect, the first bits of the film really don't have much to offer in terms of sound use, but once the film reaches the island, the surrounds start to become employed full-force. There are several demonstration-worthy sequences throughout the picture, including one lengthy stretch early on the island that goes from a plane crash to a battle between the T-Rex and Spinosaurus that seems to be taking place in the entire room. Several other impressive sequences occur, especially one that has several flying visitors coming in to attack the group. During the sequences where the raptors "called" each other, their sounds popped up from all points around the room, which was a very cool effect.

Although the most intense sequences remained thrilling and agressive with exceptional power, I was also pleased that the more subtle moments didn't simply fold-up. There's a generous amount of ambience during the quieter sequences, as the sounds of insects and other slight jungle life is distinctly heard all around the viewer. Also, the excellent score by Don Davis ("The Matrix") is enjoyably spread-out around the listening space, nicely balanced out with all of the other elements of the soundtrack.

Audio quality remained outstanding during the entire film. As one would expect, there are moments of extremely strong low-bass, which add nicely to the experience, but never become overwhelming. Surround use is exemplary; the film never misses an opportunity to immerse the viewer in the action. Dialogue also remains clear and easily understood, impressively remaining crisp amidst the chaos of the rest of the soundtrack.

Both the Dolby Digital and DTS soundtracks delivered an enjoyable experience, although the DTS version delivered a clearly improved experience over its Dolby counterpart. Slight details like the ambience during the quieter moments on the island seemed crisper and more defined in the DTS version, which also seemed to boast greater power during the more intense moments of the picture.

MENUS:: Animated clip opens up to a subtly animated menu with 5.1 audio providing ambience. Nice animated transitions between menus also add to the experience.

EXTRAS:: Commentary: Although one would expect a commentary from director Joe Johnston, he does not attend this chat, nor was he able to attend the commentary for his "Jumanji". Instead here, we get something that's still quite entertaining and exceptionally informative: a track from effects artists Stan Winston, Dan Taylor, John Rosengrant and Michael Lantieri. Although the other participants were responsible for terrific work here and in other films, it's really quite a highlight to hear from someone as famed as Winston, whose work on the "Jurassic" films and elsewhere is extremely well-known and highly-regarded. This track certainly could have been highly technical and rather slow, but the four are able to discuss the highly complex work that they had to do on this show in language that is not only interesting, but insightful and accessable. There's even a few moments where the four attempt to inject some humor into the conversation. The negatives about the track are few - the team does start to spend a bit too much time discussing how well they did with the effects and other elements. While I agree that the effects in the "Jurassic" films (and especially in this third entry) are excellent, I would have liked them to push ahead with more details. Still, these moments are brief and the majority of the track is well-worth listening to. The Making Of "Jurassic Park III": This 23 minute documentary is generally a rather superficial look at the making of the picture, as well as a bit of "history" about the two pictures leading up to this one. While there are some interesting interviews and behind-the-scenes clips, there's also moments that seem largely to revolve around selling the story - quite a few clips fill out the running time, as well. Interviews are included with director Joe Johnston, producer Kathleen Kennedy, Neill, the film's effects artists, Macy and others. Worth a viewing, but I'm not sure how much repeat-viewing potential this documentary has. New Dinosaurs of "Jurassic Park III": This is a short featurette that discusses the new dinosaur entries for this edition of the series, as well as some of the background and research that had to be done for the movie. Interviews with Paleontologist Jack Horner included here are particularly interesting. 7 Minutes/52 Seconds Tour Of Stan Winston Studios: This is another short, but interesting featurette, which allows the viewer to watch Winston and his crew working on and working with the animatronic creatures. 3 Minutes/13 Seconds. Trailers: Trailers for "Jurassic Park", "Jurassic Park: The Lost World" and "Jurassic Park III" are offered here in Dolby Digital 5.1. A Visit To ILM: This section is divided into four sub-sections: "The Process", "Concepts", "Muscle Simulation" and "Compositing". Each section offers an introduction by an ILM (Industrial Light & Magic) member, who gives a general overview. Then, smaller featurettes are offered - "Concepts" has "Spinosaurous", "Raptors" and "Pternanodons"; "Process" offers "Models", "T-Rex vs. Spinosaurus", "Pteranodon Air Attack" and "Raptors: Returning The Eggs"; "Compositing" offers "Definition" and "Demonstration" while "Muscle Simulation"'s only featurette is a demonstration. Dinosaur Turntables: These offer a 360 degree view of the dinos featured in the film. Behind-The-Scenes: Included in this section are three featurettes - "Spinosaurus Attacks The Plane", "Raptors Attack" and "The Lake". These featurettes are very nicely edited and offer a mixture of detailed behind-the-scenes footage with the final footage of the scene in the film itself. Storyboard-to-Feature Comparison: Storyboard-to-feature comparison for three sequences: "The Lab", "The Aviary" and "The Boat Attack". Jurassic Park Archive: This section is broken up into two smaller ones: "Production Photographs" and "Poster Gallery". The poster gallery is especially interesting, as it has quite a few unused variations that are very enjoyable to browse through. Montana: Finding New Dinosaurs: This is an extremely interesting (although unfortunately rather brief) featurette about actual honest-to-goodness dinosaur digs and what the group has been able to find, which is amazing. Also: Production notes, cast & crew bios, recommendations, DVD Newsletter, DVD-Rom weblinks and other features and "Jurassic Park 3 special offers". Final Thoughts: Some people seemed to be mixed on this third edition of "Jurassic Park", but I really thought it was one of the most entertaining and well-crafted of the Summer blockbusters that I've seen in recent years. Universal's DVD edition offers up just what we'd expect - terrific audio/video quality and superb supplements. Highly Recommended!.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE JURASSIC PARK III PART 1 OF 2.
HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE JURASSIC PARK III PART 2 OF 2.