THE INCREDIBLE HULK NOW AVAILABLE

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HERE IS THE SUMMARY FOR THE MOVIE THE INCREDIBLE HULK FROM IMDB

Depicting the events after the Gamma Bomb. 'The Incredible Hulk' tells the story of Dr Bruce Banner, who seeks a cure to his unique condition, which causes him to turn into a giant green monster under emotional stress. Whilst on the run from military which seeks his capture, Banner comes close to a cure. But all is lost when a new creature emerges; The Abomination. Written by Graham Kroon

A cure is in reach for the world's most primal force of fury: THE INCREDIBLE HULK. We find scientist Bruce Banner, living in shadows, scouring the planet for an antidote. But the warmongers who dream of abusing his powers won't leave him alone, nor will his need to be with the only woman he has ever loved, Betty Ross. Upon returning to civilization, our brilliant doctor is ruthlessly pursued by The Abomination -- a nightmarish beast of pure adrenaline and aggression whose powers match The Hulk's own. A fight of comic-book proportions ensues as Banner must call upon the hero within to rescue New York City from total destruction. One scientist must make an agonizing final choice -- accept a peaceful life as Bruce Banner or the creature he could permanently become: THE INCREDIBLE HULK. Written by Babak A.

HERE IS A REVIEW FOR THE MOVIE THE INCREDIBLE HULK FROM DVDTALK


HULK SMASH! And he does in a big way in "The Incredible Hulk," a Hollywood patch job of sorts; a production aiming to realign the comic book chi lost to Ang Lee's angst-riddled "Hulk" back in 2003. Now, instead of heavy characterization and a glum attitude, "Incredible" reinstates the basics of the big green hero: destruction and solitude.

Hiding out peacefully in South America to keep his Gamma-induced mutation in control, Bruce Banner (Edward Norton) is looking for help to cure his affliction, trying to keep himself out of the hands of General Ross (William Hurt), who wants what's inside Banner to create an army of super-soldiers. Heading back to America, Banner makes contact with longtime love Betty Ross (Liv Tyler), who urgently wants to help the ailing man cure himself. Hot on their tail is Emil Blonsky (Tim Roth), a brutal, unforgiving soldier who encourages the General to experiment further with Gamma poisoning by injecting him with a dose.

Now, to keep matters in perspective, I was one of the 15 people who embraced Lee's previous take on the comic book titan. Sure, the film was glacial, contained an atrocious final reel, and refused to crack a smile, but Lee gave the property a mesmerizing screen intensity. The director took risks with Hulk and his heavy-muscled misery. Hulk didn't smash much under Lee's watch, but the lack of brutality offered something infinitely more demonstrative to process in a genre not known for its intellectual persuasion.

"Incredible Hulk" changes all that.

Now with orders to simplify matters, director Louis Leterrier returns Hulk to his car-throwing origins with a non-stop carousel of violence in "Incredible." This picture is popcorn entertainment all the way; Leterrier indulges his extreme visual instincts to fashion a peppier "Hulk" for the crowds who felt alienated by Lee's experimentation. The quest is noble and "Incredible" is stuffed with enough limb-cracking attitude to give the faithful exactly what they want from a Hulk movie.

What I'm having difficulty accepting is the price paid for such a high velocity diversion. "Incredible" is dense with exposition, but it's all stuffed carelessly into the few quiet moments the picture barely makes room for. "Incredible" acts like a sequel to the 2003 film in the matter it plunges forward without much introduction time with Bruce or Betty, and it doesn't allow for much bonding during the action either. "Incredible" feels paired down from a more extensive cut, with little cracks in the plot felt throughout the proceedings. Leterrier is in a hurry to get from one action sequence to the next, and while it's all comfortably numbing, there's not much characterization to get excited about here. "Incredible" comes off more as a wonderful video game than a meaningful exploration of the isolated soul.

Speaking of video games, "Incredible" suffers from an extremely off-putting lack of polish in the special effects department. It's been five years since Lee's film, not to mention the massive budget Leterrier is playing with here, and "Incredible" looks pathetically unfinished. The sweeping Hulk movement is accounted for, but the clarity is missing, with the creature lacking crucial big screen crispness. I found it embarrassing to watch at times, especially since Lee's Hulk was such a dynamite visual exclamation point. I'd hand over all the deafening explosions that litter this film for one single scene of awe. For a film titled "Incredible," the CG Hulk is anything but.

Granted, I'm making "Incredible" sound like a drag, and it really isn't. It's a spirited ride boosted by some nice performances, strong romantic chemistry between Norton and Tyler, and several swell tributes paid to the "Hulk" television series of the 1970s. When Hulk lets loose, there's a horde of building-leveling mayhem to enjoy, and Leterrier is the right man for the job, infusing new momentum to the character and taking his trail of destruction to pleasing extremes.

Hulk faces off against a towering enemy of equal measure for the picture's final showstopper, and, by that time, "Incredible" has sufficiently emptied its bag of tricks. It's a persuasive, fist-pumping summer film that's intent on returning a primal scream to Hulk, and to that end it's a triumphant reboot. Overall, "Incredible Hulk" feels dumbed down and truncated, tossing a wet blanket over the entire film. However, it's hard to remember such cries for dramatic nourishment when Hulk is getting pelted with a swarm of bullets, dodging fireballs, and breaking police cars in half for use as boxing gloves.

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IN THE ARMY NOW, NOW AVAILABLE

IN THE ARMY NOW, NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE IN THE ARMY NOW FROM IMDB

Two misguided youths join the reserves to make some money for their entrepreneurial dreams. No sooner than they finish basic training are they called up to do their part to save the free world. Written by Steve Walker {swalker@ionet.net}

Bones and Jack are two guys with very little going right in their lives. The two decide to join the Army as part of the water purification team and eventually find themselves on the front lines in the conflict between the northern African countries of Chad and Libya. The two men, along with a few companions, have it upon themselves to save the day in combat, something they know little about. Written by David Landers {dml@gwis.com}

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2012 DOOMSDAY NOW AVAILABLE

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HERE IS THE SUMMARY FOR THE MOVIE 2012 DOOMSDAY FROM IMDB

On December 21, 2012 four strangers on a journey of faith are drawn to an ancient temple in the heart of Mexico. For the Mayans it is the last recorded day. For NASA scientists it is a cataclysmic polar shift. For the rest of us, it is Doomsday. Written by Faith Films


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JOURNEY TO THE CENTER OF THE EARTH NOW AVAILABLE

JOURNEY TO THE CENTER OF THE EARTH NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE JOURNEY TO THE CENTER OF THE EARTH FROM IMDB

A science professor whose radical theories have completely tarnished his reputation. While backpacking across Iceland with his nephew Sean, the two explorers find a cave that leads them deep down into the bowels of the planet. And so they go on a quest to find out what has happened to the scientist's missing brother, a scientist, his nephew and their mountain guide discovers a fantastic and dangerous lost world in the center of the earth. There they discover a bizarre landscape filled with terrifying creatures. Written by Anthony Pereyra {hypersonic91@yahoo.com}

HERE IS A REVIEW FOR THE MOVIE JOURNEY TO THE CENTER OF THE EARTH FROM DVDTALK.

"Journey to the Center of the Earth" isn't a straight-jacket adaptation of the Jules Verne classic, but a vague photocopy that eschews daring adventure for cheap, plastic thrills, tarted up with a sickly glaze of 3-D to help prop up the anemic screenplay. It's a gimmick-driven movie and it's shocking how much the final product lacks the source material's intrinsic magic.

Taking care of his distracted nephew Sean (Josh Hutcherson), scientific researcher Trevor (Brendan Fraser) is stunned to discover clues to the whereabouts of his lost brother in a copy of the book "Journey to the Center of the Earth." Taking Sean with him to Iceland for further study, Trevor meets up with Hannah (Anita Briem), a tracker and daughter of a dead scientist who held faith in a land located beneath the planet's crust. Trekking through the mountains to further unravel the mystery, the trio stumbles upon the doorway to the center of the Earth, and once arrived in this dangerous place, they plan immediately for their escape before they become permanent residents.

"Journey" is a passive experience at the movies; a woeful synthetic creation that's powered by sophisticated thrill-ride mechanics and Crayola screenwriting aspirations. Director Eric Brevig is a longtime special-effects master with a host of Oscars and ornamental accolades under his belt, but he's at a loss when it comes down to nurturing even a tuft of human interface. "Journey" relentlessly dishes out the action and offers the bespectacled audience plenty of goopy, grabby 3-D jolts, but it all resembles a run of the mill video game. Brevig can't shake the material loose from its unbridled artificiality.

It's one thing to use CGI to further layer fantasy worlds beyond the reach of the human hand, it's another to bathe a motion picture in computer embellishment to cut corners. "Journey" strikes me as the latter. While the 3-D keeps the overall image muted and muddy, it's perhaps a better alternative to actually accepting Brevig's vision: a smothering, limited buffet of overactive CGI and cold studio environments that provide little to no depth. It's not that the computer work is shoddy, but more that Brevig doesn't grasp how to direct the actors to respond naturally to the astonishing sights they should be seeing. There's a frustrating disconnect between reaction and bejeweled visual in "Journey" that's distracting, and the more the film pumps in cartoonish action set-pieces (flying fish attacking a raft, a T-Rex encounter, a mine cart race), the more phony "Journey" becomes, further accented by the piercingly earnest performances, which grow more and more aggravating with each passing minute.

If Jules Verne could extract the wonder of visiting alien landscapes while remaining on Earth, "Journey" slowly sucks away that awe by twisting everything into lifeless arcade aesthetics. The film does have a few genuinely effective moments, but you have to keep your eyes peeled to find them underneath the ungodly amount of visual malarkey thrown at the screen to keep the impatient invested.

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