SAW IV NOW AVAILABLE

SAW IV NOW AVAILABLE ONLINE


HERE IS THE SUMMARY FOR THE MOVIE SAW IV FROM IMDB


Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grizzly remains and piecing together the puzzle. However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences. Written by Lionsgate


HERE IS A REVIEW FOR THE MOVIE SAW IV FROM DVDTALK

• When we last left the "Saw" franchise, Jigsaw was revealed to be a victim of a broken heart (awwwwww), and the producers bent over backwards to cram new, outlandish twists into this head-slappingly dreadful franchise, hopeful to extend the profit trail long enough before horror fans start to realize they're being taken advantage of. After four of these harebrained features, I'm starting to think the audience enjoys the violation.

• With Jigsaw (Tobin Bell) and Amanda (Shawnee Smith) dead, two FBI profilers (Scott Patterson and Athena Karkanis) are called in to assist Detective Hoffman (Costas Mandylor) with his investigation of the homicides and elaborate torture devices Jigsaw left behind. When SWAT Commander Rigg (Lyriq Bent) is kidnapped and set off on game giving him 90 minutes to survive a series of traps, the cops are in close pursuit, leading them to the doorstep of Jigsaw's former ladylove Jill (Betsy Russell), where a few answers about Jigsaw's macabre modus operandi are provided, along with chilling plans for the future.

• There's a built-in audience for the "Saw" films at this point in the game. I get that. What I find more confusing about this phenomenon is the adoration of such amateurish filmmaking and feverishly corner-cutting, logic-be-damned screenwriting. "Saw" has become a Halloween staple, now in its fourth year of bloodshed production. The previous entries in the franchise have been laughably acted, frightfully directed exercises in voyeurism, somehow equating the salivating display of blunt ultraviolence and fountains of gore with a social message on appreciating the brevity of life. Would it be shocking if I wrote that "Saw IV" is simply another serving of the same stale soup?

• There's really no reason to shake up the series at this point, since prior "Saw" sequels have been rewarded with bewilderingly ardent fans and impressive (if not blockbuster) box office returns. "Saw IV" is only trying to reheat the Jigsaw myth into pliable form to stretch the material for two more planned sequels after this, and for that goal alone, the latest round of sadistic traps and melodramatic tribulations is a great success. As for elements like "acting" and "suspense," the latest "Saw" feature still leaves a lot to be desired.

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SUPERBAD NOW AVAILABLE

SUPERBAD NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE SUPERBAD FROM IMDB

Two co-dependent high school seniors (Hill and Cera) are forced to deal with separation anxiety after their plan to stage a booze-soaked party goes awry.

HERE IS A REVIEW FOR THE MOVIE SUPERBAD FROM DVDTALK

Just when you thought the raunchy teen comedy was dead and buried, here comes "Superbad" with its frontal assault of sex, drinking, nerds, chases, mischief, drugs, cursing, high school, bad fashions, gunfire, liquor store robbery, lube, separation anxiety, romance, and laser-precise portrayal of adolescent friendship. It makes one wonder what the world saw in that piece of muddled garbage titled "American Pie" not so long ago.

Seth (Jonah Hill) and Evan (Michael Cera) are two best friends living out their final weeks of high school before they face the future at different colleges. When the opportunity to attend a rowdy party is presented by the objects of their desire, they offer to buy the booze, forcing the guys to include dork Fogell (Christopher Mintz-Plasse) simply because he's the proud owner of a new fake ID. What transpires next is a citywide expedition involving misbehaving cops (scene-stealers Seth Rogan and Bill Hader), detergent-bottled booze, miscommunication, and desperation as the boys power their way through the night to realize their dream of inebriated sex with their dream ladies.

Make no mistake, "Superbad" is a caustic, frighteningly obscene teen comedy that spits on and completely ignores the lines of taste. It's a rowdy film, another product from the three-ring circus of producer Judd Apatow, acting as a curious counterweight to the similarly crewed-up "Knocked Up" from earlier this summer. All expectation of sensitivity and kindness should be placed aside when walking into this unruly picture.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE SUPERBAD.

GINGERSNAPS NOW AVAILABLE

GINGERSNAPS NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE GINGERSNAPS FROM IMDB

Is becoming a woman analogous, in some deep psychological way, to becoming a werewolf? Ginger is 16, edgy, tough, and, with her younger sister, into staging and photographing scenes of death. They've made a pact about dying together. In early October, on the night she has her first period, which is also the night of a full moon, a werewolf bites Ginger. Within a few days, some serious changes happen to her body and her temperament. Her sister Brigitte, 15, tries to find a cure with the help of Sam, a local doper. As Brigitte races against the clock, Halloween and another full moon approach, Ginger gets scarier, and it isn't just local dogs that begin to die. Written by {jhailey@hotmail.com}

HERE IS A REVIEW OF THE MOVIE GINGERSNAPS FROM DVDTALK

Werewolves are a bit long in the tooth in horror circles. Michael Landon was a teenage lycanthrope. So was Michael J. Fox. There was a little picture called American Werewolf in London that a few zillion folks may have seen. Truth is, there hasn't been that much to howl about since the Scream mushroom cloud irradiated all creativity from the genre. Bleak times indeed for gorehounds. School shootings didn't help. Scissor-happy studios didn't either. But truly creative people don't pay much mind to such things. They hire creature FX gurus, mix big ol' vats of stage blood, and bravely go where society and the all-mighty dollar warns them against. Folks like John Fawcett and Karen Walton just do it anyway. They made a picture that's as morosely witty as it is grotesque. They sharpened the teeth of the time-worn werewolf flick and created what will easily become a genre classic. They made Ginger Snaps (2000, 108 minutes). Inexplicably, it only garnered a spotty release on U.S. screens and a skeletal domestic DVD, so we must gleefully thank Canada for this richly-deserved special edition.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GINGERSNAPS.