PET SEMENTARY NOW AVAILABLE

PET SEMENTARY NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE PET SEMENTARY FROM IMDB

The Creeds have just moved to a new house in the countryside. Their house is perfect, except for two things: the semi-trailers that roar past on the narrow road, and the mysterious cemetary in the woods behind the house. The Creed's neighbours are reluctant to talk about the cemetary, and for good reason too. Written by Murray Chapman {muzzle@cs.uq.oz.au}

The Creed family has moved to a nice little community, but shortly after the move, their son is killed. Grief-stricken, the father fins out that there is a cemetery where you can bury your loved ones, and they can come back to life. He takes his son to this place, and he is brought back. It seems all is well again, until the son kills a person. That is where the father learns , "Not everything that comes back is the same." Now, he has to find a way to stop his son before he kills the whole town. Written by Brenleyman

Pet Sematary (PS) is a 1989 horror flick based on Stephen King's novel of the same name. After moving into their new home the Creed family's cat is killed after wondering onto the highway. Jud an elderly neighbor shows Louis, the father, to an isolated hill behind the local Pet Cemetery and instructs him to bury the deceased feline there. Not long after the cat reappears at the Creed home, only he is not the same. The docile cat is now vicious and destructive. When their youngest son meets with a fatal accident, the distraught Louis buries him in the same location hoping to revive him. Unfortunately he unleashes far more than he had bargained for. Written by Chris Dale

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STAR WARS CLONE WARS NOW AVAILABLE

STAR WARS CLONE WARS NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE STAR WARS CLONE WARS FROM IMDB

As the Clone Wars sweep through the galaxy, the heroic Jedi Knights struggle to maintain order and restore peace. More and more systems are falling prey to the forces of the dark side as the Galactic Republic slips further and further under the sway of the Separatists and their never-ending droid army. Anakin Skywalker and his Padawan learner Ahsoka Tano find themselves on a mission with far-reaching consequences, one that brings them face-to-face with crime lord Jabba the Hutt. But Count Dooku and his sinister agents, including the nefarious Asajj Ventress, will stop at nothing to ensure that Anakin and Ahsoka fail at their quest. Meanwhile, on the front lines of the Clone Wars, Obi-Wan Kenobi and Master Yoda lead the massive clone army in a valiant effort to resist the forces of the dark side ... Written by Warner Bros. Pictures

HERE IS A REVIEW FOR THE MOVIE STAR WARS CLONE WARS FROM DVDTALK

Out of all the astonishing sights and sounds plastered to the big screen by the George Lucas franchise juggernaut "Star Wars," I think the last item on the average fan's wish list of things to see was "Teen Girl Jedi." Not that the inclusion of more female warriors is something to be shamed, but this puberty-bound knight is indicative of the infantilized experience put forth by "The Clone Wars."

With the Clone Wars raging on, spreading out across the galaxy, a new predicament has appeared to challenge the Galactic Republic: the kidnapping of Jabba the Hutt's infant son, Rotta. Dispatching Anakin Skywalker (voiced by Matt Lanter) and Obi-Wan Kenobi (James Arnold Taylor) to return the baby to Jabba so critical space routes can be freed up, the Jedi are accompanied by young Ahsoka Tano (Ashley Eckstein), who is given to Anakin as is Padawan Learner. With Obi-Wan off to thwart Count Dooku's evil schemes, Anakin and Ashoka are left in charge of the smelly little slug, eager to return the child to Tatooine safely before Jabba sides with the Separatists and the war plunges further into chaos.

Essentially a pilot episode for the upcoming "Clone Wars" televisions series due this autumn, this CG-animated effort is making a pit stop on the big screen to goose some excitement for this unique detour in the "Star Wars" universe. Directed by Dave Filoni, "Clone Wars" attempts to drum up a few fistfuls of conflict within a plotline that runs between "Attack of the Clones" and "Revenge of the Sith." The audience already knows how the whole Skywalker saga concludes, but there's a horde of other action tangents and unanswered question to pursue here, such as: did Jabba have a gay uncle named Ziro?

Turns out he does! "Clone Wars" isn't shy reminding the audience that it's solely a cartoon and more or less meant for kids, not nitpicky, thirtysomething message-board vultures who hold all things canon dear to their plastic-lightsaber hearts. Instead, the film is a romp; a burst of wall-to-wall action and high-energy duels that plays merrily in the "Star Wars" sandbox without the burden of narrative connection. It's slight, but effective, only requiring a crash helmet for a few of the script's more outrageous and ill-conceived characterizations.

Rooted firmly in prequel iconography, "Clone Wars" takes what Lucas started with his controversial live-action efforts and embellishes the fantastical fringes further. While limited by stiff, budget, exaggerated CG animation (the lip-sync is distractingly terrible), the film works past the monetary limitations with a strong emphasis on adventure and smash mouth military campaigns. Filoni concentrates on the explosions and epic grandeur of intergalactic warfare, embedding the camera with the expendable clone troopers as they battle against clueless robot infantry. The action comes fast and furious, utilizing famous "Star Wars" vistas and sound cues while ratcheting up the velocity of the combat in a manner that live-action could never match. This extends to the lightsaber and spaceship skirmishes, which now ring with a cartoon polish that's immensely satisfying and often positively electric.

While "Clone Wars" remains a kick both in animated bravado and Skywalker nostalgia, the reality of the screenplay is a matter that pins the film down from true matinee greatness. While the traditionally-animated "Clone Wars" series of shorts released years back relied on silence to hook the viewer into Jedi precision, the new picture is a verbose affair, with each character breathlessly informing the audience of their every thought. And we're not talking Algonquin round table bon mots, but juvenile dialogue aimed directly at the nosepickers. It fits accordingly with the overall intent of the upcoming series, but remains extremely off-putting with these characters, who nickname the infant Rotta as "Stinky," and offer withered comedic retorts with every step they take.

Because the action is so forceful and imaginatively animated, it's easy to ignore the relentless chatter. However, it's hard to turn a blind eye toward a character like Ziro. A cocktail-hour Hutt stationed in a jazz bar on Coruscant, Ziro has painted himself purple, wears feathers around his head, and speaks with a lispy Cajun drawl. What this character means to the overall "Star Wars" universe is not for me to answer, but it's a strange, self-aware moment in a rather stoic picture. It's already a house of horrors thinking about how Jabba even conceived a child, I don't think introducing his party boy uncle was an artistically necessary detour. Well, at least Jar-Jar Binks can take a breather as the most loathed character to emerge from the Lucas magic wand.

With appearances by Jawas, sail barges, and familiar voices (Samuel L. Jackson, Anthony Daniels, and Christopher Lee contribute); a few impressive lightsaber and blaster duels; the rise of a formidable Sith apprentice threat in Asajj Ventress; and a delightful new elasticity to all things "a long time ago in a galaxy far, far away," "Clone Wars" can be a complete gas to more open-minded fans, and assured catnip to children. The occasional sexually-ambiguous Hutt or sassmouthed, premenstrual Jedi aside, it's an exciting picture and a tempting commencement for the television series.

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