10,000 BC NOW AVAILABLE

10,000 BC NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE 10,000 BC FROM IMDB

A prehistoric epic that follows a young mammoth hunter named D'Leh's journey through uncharted territory to secure the future of his tribe. When a band of mysterious horse-riding warlords raid the Yaghal camp and kidnaps his heart's desire - the beautiful Evolet along with many others, D'Leh is forced to lead a small group of hunters south to pursue the warlords to the end of the world to save her. Driven by destiny, the unlikely band of warriors must battle saber-toothed cats and terror birds in the Levant. Written by Anthony Pereyra {hypersonic91@yahoo.com}

HERE IS A REVIEW FOR THE MOVIE 10,000 BC FROM DVDTALK

Once upon a time Roland Emmerich made greasy popcorn entertainment that was buoyant and exciting ("Stargate," "Independence Day"). Ever since the epic failure of 1998's "Godzilla," Emmerich has been desperately trying to rekindle his old blockbuster flame, but the results have been lackluster at best ("The Day After Tomorrow"). "10,000 B.C." is a further step backward for the event movie prince, sending the audience to the mystical world of cavemen, yet offering little in the way of substance beyond the abundant special effects.

A young hunter in his clan, D'Leh (Steven Strait) finds his fate intertwined with Evolet (Camilla Belle), an orphan embraced by the elders who hope she will fulfill a great prophecy. When invaders attack D'Leh and his clan, they snatch Evolet and imprison her as a slave, starting a quest for D'Leh and a small pack of warriors traveling across treacherous terrain to get her back. During their dangerous journey, D'Leh befriends other tribes who want similar revenge on their oppressors, finding the relentless warrior fulfilling his own prophecy as a leader brought to the world to unite good and topple evil.

That's right, two prophecies. That's how hollow this screenplay is: they needed two ways to figure out how to take tedious characters and lend them a false sense of otherworldly intent.

"10,000 B.C." is not a cerebral journey of anthropological investigation; it's more a Saturday matinee thrill ride using prehistoric iconography to molest audience-pleasing explosions of action and chest-thumping drama. On the page, I'm sure the project looked amazing with grand displays of adventure and numerous openings for eye-popping visual effects; however, Emmerich's execution of the whole shebang is sleepy, and the screenwriting downright deplorable.

Stealing cues from "Apocalypto," "Braveheart," and his own "Stargate" (not to mention numerous other films), Emmerich has assembled a funky bouillabaisse of derivative material glued together by the CG sequences, which imagine a land populated with grazing mammoths, fierce saber-tooth tigers, and massive ostrich-like creatures that allow Emmerich a chance to rip-off the Velociraptor attack from "Jurassic Park." Admittedly, "B.C." is a gorgeous widescreen production, with sweeping vistas and towering scale. Emmerich knows how to go big, but his touch with human interaction is laughable, and "B.C." is his most emotionally distanced movie yet.

Thrust into this world by Omar Sharif's perplexing narration, "B.C." never gets off the ground. Emmerich is more enamored with selling the characters as action figures than human beings, breaking the critical bonds between them that supposedly motivate the entire movie. The worst offense is found between D'Leh and Evolet, who are offered to the screen as the destined, tragic lovers of the piece. The script doesn't give them much time to intertwine, and it's not long before they're separated, leaving D'Leh to do his Conan-lite routine and for Evolet to commence her...whatever she actually does in this movie. I'm not sure. I detected a lot of painful-color-contact blank stares and falling. Perhaps the "natural lady" caveman wig on Belle was too cumbersome. There's really no sense of community in the picture, just a filmmaker checking off disposable action beats from his creased, yellowed "to do" list as the production plods along aimlessly.

Without any tangible interest in the characters, "B.C." is reduced to a highlight reel of flavorless set-pieces. Trust me, if you've seen one mammoth stampede, you've seen them all. Emmerich has never been one to rely on the wizardry of nuance, but I was stunned to feel numb to nearly everything "B.C." offered, as if my mind immediately detected a filmmaker looking to brazenly cash in on his past successes. I miss the fun-loving Roland Emmerich, who once made stupid undeniably rousing. These days, he's just riding gimmicks and special effects and "10,000 B.C." is a culmination of every lazy impulse he's been harboring for years.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE 10,000 BC.

CAMP ROCK NOW AVAILABLE

CAMP ROCK NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE CAMP ROCK FROM IMDB.

"Camp Rock," centers on a teen girl who desperately wants to spend her summer at a prestigious rock camp, but can only attend if she works in the kitchen as one of the cooks. When she's overheard singing - but not seen -- by a teen pop star at the camp, he is completely taken and sets out to find the girl behind the beautiful voice. But first she must confront her fears, step out of the kitchen and into the spotlight. Written by fmmini

Camp Rock is a musical that mostly focuses on a teen girl Mitchie (Demi Lovato) who desperately wants to spend her summer at a rock camp, but can only attend if she works in the kitchen as one of the cooks. When she's overheard singing by teen pop star Shane Gray (Joe Jonas) at the camp, he has fallen head over heals and sets out to find the girl with the beautiful voice. Written by alrc2007

"Camp Rock," centers on a teen girl who desperately wants to spend her summer at a prestigious rock camp, but can only attend if she works in the kitchen as one of the cooks. When she's overheard singing - but not seen -- by a teen pop star at the camp, he is completely taken and sets out to find the girl behind the beautiful voice. But first she must confront her fears, step out of the kitchen and into the spotlight to show how she really is Written by smily_558

Camp Rock tells the rock n' roll Cinderella story of Mitchie Torres (Demi Lovato), a teen with an amazing voice and a driving ambition to be a pop singer who wants to spend her summer at a prestigious rock camp. Unfortunately, an expensive music camp is a bit out of reach for her family, but her mother gets a job as Camp Rock's cook so that Mitchie can attend as long as she helps out in the kitchen between classes. Befriended by fellow camp member Caitlyn (Alyson Stoner) but intimidated by the immensely talented Tess Tyler (Meaghan Jette Martin) and her friends Peggy (Jasmine Richards) and Ella (Anna Maria Perez de Tagle), Mitchie lives a double life hiding that she is the cook's daughter and posing as a well-to-do camper in order to become part of the hottest clique at camp. When she's overheard singing, but not seen, by teen pop star and celebrity camp instructor, plus lead singer of Connect Three, Shane Gray (Joe Jonas), he is completely taken and sets out to find the girl behind the beautiful voice. Meanwhile, Mitchie will have to learn how to confront her fears, step out of the kitchen and into the spotlight as herself. Written by asumamori

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CAMP ROCK.

SPEED RACER NOW AVAILABLE

SPEED RACER NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE SPEED RACER FROM IMDB

The story begins with Speed Racer who is a young man with natural racing instincts whose goal is to win The Crucible, a cross-country car racing rally that took the life of his older brother, Rex Racer. Speed is loyal to the family business, run by his parents Pops and Mom. Pops designed Speed's car, the Mach 5. The owner of Royalton Industries makes Speed a lucrative offer, Speed rejects the offer, angering the owner. Speed also uncovers a secret that top corporate interests, including Royalton, are fixing races and cheating to gain profit. With the offer to Speed denied, Royalton wants to ensure that Speed will not win races. Speed finds support from his parents and his girlfriend Trixie and enters The Crucible in a partnership with his one-time rival, Racer X, seeking to rescue his family's business and the racing sport itself. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Hurtling down the track, careening around, over and through the competition, Speed Racer is a natural behind the wheel. Born to race cars, Speed is aggressive, instinctive and, most of all, fearless. His only real competition is the memory of the brother he idolized-the legendary Rex Racer - whose death in a race has left behind a legacy that Speed is driven to fulfill. Speed is loyal to the family racing business, led by his father, Pops Racer, the designer of Speed's thundering Mach 5. When Speed turns down a lucrative and tempting offer from Royalton Industries, he not only infuriates the company's maniacal owner but uncovers a terrible secret-some of the biggest races are being fixed by a handful of ruthless moguls who manipulate the top drivers to boost profits. If Speed won't drive for Royalton, Royalton will see to it that the Mach 5 never crosses another finish line. The only way for Speed to save his family's business and the sport he loves is to beat Royalton at his own game. With the support of his family and his loyal girlfriend, Trixie, Speed teams with his one-time rival-the mysterious Racer X - to win the race that had taken his brother's life: the death-defying, cross-country rally known as The Crucible. Written by Warner Bros. Pictures

HERE IS A REVIEW FOR THE MOVIE SPEED RACER FROM DVDTALK

The Wachowski Brothers have proven their skill with visual gymnastics and their affinity for high-octane action, but an ability to assemble a suitable family film will most likely always elude them. "Speed Racer" is an ocular slap, but it's strictly empty calories; a joyless, over-plotted nostalgia machine that barely limps out of the starting gate.

Ever since he was a child, Speed Racer (Emile Hirsch) has always wanted to join the family business and become a car-racing competitor. When the death of elder brother Rex pushes Speed into the driver's seat, he shows amazing ability on the track, making his family proud. When the ruthless owner of Royalton Industries (Roger Allam) makes Speed an offer to join his aggressive driving squad, Speed refuses, putting him in the crosshairs of corporate thugs. With the help of the mysterious Racer X (Matthew Fox), Speed partakes in several hazardous contests, hoping with each opportunity to further understand his brother's legacy and show up those who question his talents and threaten the livelihood of his family.

A live-action aping of the cult 1960's Japanese anime television series, "Speed Racer" has been exhaustively expanded to fit big-screen needs. Written and directed by Larry and Andy Wachowski (their first since sealing off "The Matrix" with a double helping of provocative sequels in 2003), the brothers literally lunge into a kaleidoscopic realm of colors and cuts with this picture, taking the audience into the tight folds of animation and sensory overload. It's meant for families, but "Speed" will surely beguile stoners for years to come.

"Speed" is an intricately constructed movie, with every blinding detail imaginable up on the screen. Blanketed by CGI, the film's color scheme resembles a tipped bowl of Skittles, with all sorts of garish colors fighting for camera time. This blizzard of hues and extensive green-screen work acts to construct the cartoon world for Speed (think "Spy Kids" mixed with "Dick Tracy") as he puts the pedal-to-the-metal and zooms across twisted tracks of certain doom; not unlike a potent Hot Wheels fever dream. The Wachowskis don't just want Speed to speed, they turn the race sequences into acts of "Car-fu," as the vehicles cartwheel, flip, and battle each other for the lead, similar to the pod racing sequences from "Phantom Menace," only with a more pronounced cartoon glaze, if that's even possible.

The race sequences are the highlights of "Speed," if only because the directors possess a radiant gift for kinetic energy. Speed skidding around day-glo roads is the ideal venue for the Wachowskis to flame on their imaginations and smear the screen with a gloss of eye-crossing car choreography and distinct inspiration reference points, presented by two minds clearly in love with the source material.

However, that blinding devotion to "Speed Racer" is tricky to sort out, and the screenplay is a numbing jumble of allegiances and poor characterizations. In short: the film is a bore. The swirling opening titles and tease of the famous "Speed Racer" theme are quickly replaced by stifling racing legacy overtones, a horde of ill-defined villains, corporate financial jockeying (because nothing says "summer entertainment" quite like stock price bargaining), and uninteresting Racer family dynamics.

Not a typo here: the film runs 130 minutes, which is about 50 minutes too long for bubbly fun like this, but the Wachowskis are unwilling to scrape out any of the fat, and it hurts the film. What should've been Speed in danger, the question mark of Racer X, and heaps of flamboyant car racing is turned into an obese, exposition-heavy creation that fatigues easily. There's no emotional pull to any of it, and it puts Speed into the focal backseat for most of the feature.

Again, stock prices. There's this ungodly-looking world of towering loops and impossible jumps ready to smack the audience in the face, and there's a sequence where the bad guys hammer out the details of stock prices.

In retrospect, perhaps it's best that Speed isn't handed prime screen real estate, since Hirsch's performance barely shifts out of neutral. He's a cardboard standee here, physically embodying cartoon Speed nicely, but lacking any charisma to properly 3-D the icon. Better is John Goodman as Speed's father Pops, Korean star Rain as Speed's dubious ally, and Fox, who grits his teeth pleasingly as Racer X (not to mention pulling off the film's most absurd costume with panache). Unfortunately, the film's feminine contingent, Susan Sarandon (as Speed's mom) and Christina Ricci (Speed's love Trixie), are shuffled off to the corners of the movie in a hurry, and the absence is felt.

To counteract the thundering wall of artifice and adult-themed intrigue, the Wachowskis have activated the characters of Spritle (Speed's kid brother) and chimpanzee sidekick Chim-Chim to speak directly to the children in the audience (often literally). Practically existing in their own separate movie, the mischievous duo provides ear-piercing slapstick and broad comedic displays to the film, and every moment with these two clowns is catastrophic. Granted, the filmmakers have zero experience in family entertainment, but that doesn't excuse the aggressive pinch of these scenes or the eventual use of fecal matter and groin-hit sound stingers to get a laugh. Even worse, the Wachowskis direct young Paulie Litt to assume the cocktail-hour stance of an obnoxious borscht-belt comedian for Spritle, turning his every eye-bulging, neck-craning move into pure torture. 10 minutes in, I wanted Speed to run over the character with the Mach 5.

"Speed Racer" sure is pretty to look at, and the Wachowskis have accomplished amazing optical feats bringing the viewer into the living anime world of visual layering, spastic cutting, and bold coloring. However, the film is an inert sleeping pill; an anti-event movie that spends an inordinate amount of energy trying to drum up extremity, only to completely botch the results by permitting such cringing indulgence.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE SPEED RACER.