Friday, August 08, 2008

STAR WARS EPISODE 3 REVENGE OF THE SITH IS NOW AVAILABLE

STAR WARS EPISODE 3 NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE STAR WARS EPISODE 3 FROM IMDB

It is three years after the Clone Wars. The leader of the droid army, General Grievous, has captured Chancellor Palpatine on board his ship, the Invisible Hand. Jedi Master Obi-Wan Kenobi and Jedi Knight Anakin Skywalker must fly through Coruscant safely, and enter the Invisible Hand so that they can rescue the captive Chancellor. Just when Palpatine is about to be released, Count Dooku shows up. Obi-Wan and Anakin both battle it out with him, but Obi-Wan ends up unconscious. Anakin slices off his head and kills him. Anakin carries Obi-Wan, and Palpatine follows him. They meet General Grievous face to face, and Anakin tries to fly the last half of the ship so that they can safely land on Coruscant. Later, Palpatine starts acting strange, constantly manipulating Anakin into believing that the Jedi Council is against him. Eventually, it is found out that he is the Dark Lord of the Sith. Jedi Master Mace Windu fights him, along with three other Jedi that accompany Windu. They all fail. Anakin becomes Darth Vader, believing that he can save Padme from death by becoming evil. After a fierce battle between Obi-Wan and Anakin, Anakin gets fried by the lava at Mustafar. Palpatine takes him to a medical facility, where he gets fake legs and a fake arm attached to him, along with a breath mask, and a helmet. And thus, Darth Vader was born...the Death Star is shown under construction, a weapon of mass destruction that is sure to be used in the future. Written by Super Slash

Three years after the onset of the Clone Wars; the noble Jedi Knights are spread out across the galaxy leading a massive clone army in the war against the Separatists. After Chancellor Palpatine is kidnapped, Jedi Master Obi-Wan Kenobi and his former padawan, Anakin Skywalker, are dispatched to eliminate the evil General Grievous. Meanwhile, Anakin's friendship with the Chancellor arouses suspicion in the Jedi Order, and dangerous to the Jedi Knight himself. When the sinister Sith Lord, Darth Sidious, unveils a plot to take over the galaxy, the fate of Anakin, the Jedi order, and the entire galaxy is at stake. Upon his return, Anakin Skywalker's wife Padme Amidala is pregnant, but he is having visions of her dying in childbirth. Anakin Skywalker ultimately turns his back on the Jedi, thus completing his journey to the dark side and his transformation into Darth Vader. Obi-Wan Kenobi must face his former apprentice in a ferocious lightsaber duel on the fiery world of Mustafar. Written by Anthony Pereyra {hypersonic91@yahoo.com}

A maturing Anakin Skywalker goes to the dark side of The Force and becomes Sith Lord Darth Vader. We experience the transformation in a dark, scary yet thrilling climax. The story here logically sets up the events of Episode IV, the original 1977 Star Wars movie in which Darth Vader goes to war against his own children, Luke and Leia. Written by heygimpy

The clone wars is near an end, Obi-wan and Anakin have been called to Coruscant which has been invaded by General Grievous and has abducted the Chancellor. As General Grievous tries to escape, Obi-wan and Anakin attempt to board Grievous' ship to rescue the Chancellor. If they fail then it could mean an end to the republic... Written by yatessixecho

Anakin's wife Padme is pregnant, but he is having visions of her dying in childbirth. Meanwhile a Sith lord is manipulating the Council, Obi-Wan is chasing the robotic separatist leader General Grievous, and Yoda helps the Wookies defend themselves against the droid armies on Kaschyyyk. Will Obi-Wan succeed, will Padme survive, and most importantly: how does Anakin become Darth Vader? Written by Qrrbirbel

It is 3 years after the Battle of Geonosis... Politican Chancellor Palpatine has been kidnapped by General Grevious, the evil commander of the Droid Army and renegade Jedi Count Dooku. Jedi Knight Obi-Wan Kenobi and his apprentice Anakin Skywalker comes to the rescue and Anakin kills Count Dooku and frees Chancellor Palpatine, but General Grevious escapes. On Coruscant, Anakin learns his secret wife, Padme Amidala is pregnant and Anakin begins having horrible nightmares of Padme dying giving birth. The Jedi council assigns Anakin to spy on Chancellor Palpatine, as Anakin is forming a close friendship with the politician. As Obi-Wan and a platoon of clone troopers are sent to the planet Utapau to destroy General Grevious and put a end to the war. Anakin learns Chancellor Palpatine is the mysterious Sith Lord Darth Sidious and is the mastermind behind the war, and he converts Anakin to the Dark Side and Anakin becomes the evil Sith Lord known as Darth Vader, believing the powers of the Dark Side will save Padme from death. With Anakin turned to the Dark Side, could this mean the fall of the Republic and the end of the Jedi Order? Written by Daniel Williamson

HERE IS A REVIEW FOR THE MOVIE STAR WARS EPISODE 3 FROM DVDTALK

"For over a thousand generations, the Jedi Knights were the guardians of peace and justice in the old Republic, before the dark times. Before the Empire. A young Jedi named Darth Vader, who was a pupil of mine until he turned to evil, helped the Empire hunt down and destroy the Jedi Knights. Vader was seduced by the dark side of the force."

— Obi-Wan Kenobi, Star Wars Episode IV, 1977.

"You were the chosen one! It was said that you would destroy the Sith, not join them. Give balance to the force, not leave it in darkness."

— Obi-Wan Kenobi, Star Wars Episode III, 2005.

THE SHOW:

The Phantom Menace and Jar-Jar are a distant memory.

Lambasted for the immaturities of Star Wars Episode I and the political mud in Episode II, writer/director George Lucas faced lowered expectations from the public for Star Wars Episode III: Revenge of the Sith, despite promises of a more adult, dark movie. And while the kids are still invited, and the politics are as boring as ever, Episode III bests its prequels, with superior visuals, brilliant action sequences, improved acting, and a tale long awaited.

We all knew beforehand what would take place in Episode III: The young Jedi Anakin Skywalker would be manipulated by the politician Palpatine (who's really the evil Sith lord Darth Sidious) into believing the only way he can save his love Padme is by turning to the dark side. In the process, Anakin betrays the Jedi Order, turns the democratic Republic into the iron-fisted galactic Empire, and becomes one of the greatest villains of American cinema, Darth Vader. Star Wars, that ultimate of science fiction sagas, would finally be complete.

We all knew what was coming, but we still couldn't wait to see how Lucas would do it. Would it be evil? Would it be sad? Would it be weighed down by lengthy dialogue sequences? Would Anakin stop pouting? Would C-3PO have another terrible line ("what a drag!")? We filled theaters.

And we got our answers, and most of us were impressed. Awe-inspiring computer graphics greeted us at every turn, in every scene. The locations and digital characters were intriguing. The action was intense. C-3PO is rarely heard from and the kids get theirs in the form of a more heroic R2-D2. The tragedy of brothers in arms turned into enemies, the fall of the Jedi, the truth behind the Storm Troopers.

But there are problems. There's too much going on here in Episode III, which runs for a hefty two hours and 20 minutes. Too much happens because Lucas has so many things he wants to say, to connect as much as possible to the first trilogy. He's trapped in a way, because he's filling in the blanks, expanding on what Obi-Wan tells Luke years later on Tatooine.

Still, there's dead weight sitting in the middle of this movie, repetitive scenes that could have been cut. Anakin spends too much time with Palpatine and Padme, when it's just more enjoyable seeing him with Obi-Wan. The old man and young woman lead him - in different ways - to the dark side, but I think the same amount of insight could have been relayed in half the time.

You didn't really want to view this movie as part of Lucas' on-going statement about the follies of power and how a democracy turned into a dictatorship, did you? You're here for the extensive dog fights in space, the orgy of lightsaber duels, the chaotic ground war between droids, clones, Wookies and Jedi.

I thought so. The opening, mind-blowing, beautiful battle above the planet Courescant took a little over a year to complete, and the work shows. An air draft coming off a ship, a pair of fighters, way, way in the background colliding, a dozen laser blasts and explosions and tiny bits of debris, all moving at once. Everything is in here. And yes, that really is a kitchen sink crashing into a ship in the opening minutes. The opening scene is indicative of the visual effort that went into this entire movie, where even the dialogue heavy scenes are touched with brilliant backgrounds. The film was shot completely digitally, making for an eye-popping visual presentation, and the sound mix for the movie was tops for the franchise.

While I'm still not sure whether I liked the Wookies battling droids in Episode III (I know I laughed for all the wrong reasons when two of them swoop in on vines, hollering like Tarzan), their battle on Kashyyyk is excellent, as is the ultimate battle between the droids and clones on the planet Utapau. There are more lightsaber duels in Episode III than all the other movies combined (or so they say ... I didn't count), and every one of them is choreographed to perfection. Episode III features more than 2,200 visual effects shots (or so they say ... couldn't count those), more than any other movie to date, redefining the term eye-candy.

The introduction of a new character to the Star Wars movies, General Grievous, the half-alien, half-droid leader of the Trade Federation's robot army, actually worked quite well I thought, giving Obi-Wan a nemesis to track down and fight, while Anakin waits back on Courescant with that disconcerting look on his face.

Most everyone in Episode III improves on their performances from the earlier movies. I've always bought into Ewan McGregor as Obi-Wan, even when he was forced to deliver a one-liner aiming for the easy laughs. McGregor again is smooth, has great range, and delivers a Jedi Master that I'd like to have a beer with. The standout though, to me, is Ian McDiarmid. We've known all along Palpatine is Sidious (and it's a wonder the Jedi didn't figure it out … or that Anakin is married to Padme … or that he's an expecting father … jeez, no wonder they miscalculated that entire "he'll bring balance to the force" thing), yet McDiarmid gives the Palpatine character a sly sense of easy calculation, like a nice, quiet snake in the grass. Think about it: when he was 39, McDiarmid was cast to play an ancient withered old bad guy who looked like Satan. Twenty years later, he plays the same character, only younger and better. When he finally shrugs off the Palpatine facade, he's transformed into the same, sneering monster we were introduced to all those years ago.

Even Hayden Christensen's Anakin is tolerable in Episode III, at least to a point. As Vader he's less whiny and more sinister, doing what he can with a character that's forced to be insanely naïve and oh so easily manipulated. For most of the first half of this movie, when he doesn't have lightsaber in hand, he just delivers awkward lines and looks intently at people. Nowhere is this more apparent than during his interaction with Natalie Portman's Padme: "It's only because I'm so in love." "No, no it's because I'm so in love with you." Stilted, sappy and just enough to make you cringe. These two never lit up a room in Episode II, and they still feel strange together in Episode III. Get her away from him, and she's a tolerable female lead. Get him away from her, and he's ... tolerable.

Still, for as often Anakin seems like nothing more than a foolish, foolish boy, his transformation from good to evil is quite satisfying. When the moment comes, when Anakin does turn to the dark side, you enjoy it, not really because it makes any sense, but because that's what's supposed to happen, that's what we've been waiting for. Though going to the dark side didn't make him any smarter during the final battle. Because you know, Anakin, Obi-Wan does have the high ground, and while he may indeed underestimate your power, he's probably right, you shouldn't try this. What was wrong with just floating down-river for another three seconds?

Episode III didn't win everyone over, and some people demanded a perfect movie to make up for the dredge in Episode I. This is not a perfect movie.

But while many of us wish Lucas had just killed off the Gungen race back on Naboo, it did get better with Episode III, the first PG-13 rated film out of the six, a sometimes graphic affair that needed to be more adult. That's the only way it could be. We get our dark transformation of Anakin Skywalker into the monster Darth Vader. Lucas maybe gets to fire one last shot at the critics during the closing scenes. Fair's fair, I say.

For all its faults (real and perceived), for all the hype, for still failing to come EVEN CLOSE to The Empire Strikes Back, Episode III is a great movie, worthy of several viewings and appreciated on more than one level. It solidly finishes a work that spans roughly 30 years, completing a larger tale that's known and admired by millions of people around the world, looks and sounds fantastic, and, for as evil and dark and sad and disappointing it is, it does end in sunlight, it does end with a sense of hope.

A New Hope.

THE DVD:

Video:

Most of us saw Episode III on film back in May, unless you were lucky enough to live near one of the relatively few theaters out there with digital projectors. This DVD picture, coming directly from the digital master, is leaps and bounds better than the film version I saw. The video is anamorphic widescreen, enhanced for 16X9 TVs, and looks beautiful, with an expansive color palate that's truly bold, blacks that are deep and defined, accurate flesh tones, explosions and lightsabers as clear and exciting-looking as ever. Every single frame of this movie was touched by the special effects departments and all of it – every single frame – wouldn't look as clear, clean, and rich, without digital. From the Earth-like blues and greens of Kashyyyk, to the industrialized-gray Courescant, to the evil, hellish reds and blacks of Mustafar, the feel of every setting – whether we're on the ground or a mile high in space - is perfect. Other than the obvious items, it's nearly impossible to distinguish what's real – that artwork in the background, whether or not that's actually Christopher Lee fighting the Jedi – and what's not. Some of these scenes have dozens and dozens of tiny elements, all moving in different directions, and when there are 20 things going on at one time in the foreground and background, some elements seem to come through sharper than others. Being so reliant on computer-generated imagery has its advantages in the video department, as Revenge of the Sith has a gorgeous, near-perfect picture. This adds to the replay value of this DVD. There are scenes you will go back and marvel over again.

Audio:

The Dolby Digital 5.1 Surround EX track is an impressive mix, an immersive spectacle that catapults you into the familiar Star Wars world. Ship engines move aggressively across the speakers, lightsaber and blaster sounds are crisp, the ever-present musical score is sprinkled heavily in the back, and a little more lightly elsewhere. Bass – deep, booming, neighborhood-waking - is used heavily at all the right spots, and never "just because." Dialogue remains front-center for most of this film, with the occasional shift. When the picture moves right, the sounds that were center move left. When a ship comes into view from back right, the hum of its engines move with it. When you're listening to those long-winded stretches of dialogue in the middle, you beg for the next action scene, just to hear what's next. Also included are simple English, Spanish and French 2.0 options, which you will never, ever bother with.

Extras:

One whiff of the special features for Episode III, and all speculation about a future box set ends. There is no all-encompassing "Star Wars is complete," mutli-hour send-off to the movie franchise. In that way, these extras are lacking. Not a surprise. Remember that bonus disc with the Trilogy set? My money says Fox and Lucasfilm already have two or three like it all planned out for the big box set down the line. It's not a question of if, but when.

This extras DVD does represent Episode III well, and the feature documentary is a different kind of making-of show. Running close to 80 minutes, "Within a Minute" focuses solely on a short, 49-second action sequence during the final battle between Obi-Wan and Anakin. With Producer Rick McCallum hosting, each department that touched this short minute is profiled here, and there are nearly three dozen of them. From Lucas' script to the screening of the final product, we see the hundreds of people who bring the idea to life along the way.

Hearing from people who do work like rotoscoping and pre-visualization, men and women you only know if you memorize all the end credits, was a nice touch. I didn't even know what the hell rotoscoping was before this. The only problem here is the inclusion of the accounting and catering departments. I liked knowing 1,269 shots in the film were animated, but I didn't really care that on some Tuesday they had a Thai theme going on at the food tent. Which cook did texture work on the Mustafar scene? And I'm almost positive nobody in payroll added anything to those 49 seconds. It was a generous thought to credit the people behind the people behind the scenes, but in the end it looks silly.

Still, there are several off-the-beaten path tidbits here: the flowing lava is actually reversed and flipped from what was shot, because by the time the lighting and rendering department had realized Lucas wanted the lava flowing the other way, the prop had been torn down. The lightsaber props have been "vacuumitilized," whatever that is, to prevent chipping. It takes small, sticky lights on the green screen to keep the right camera angles. I like these little things explained to me, because I'm one of those clueless "how'd they do that?" people. This documentary, laying out the complexities of just three pages of script, gives you an idea of how much work went into this entire film.

The two other, shorter, documentaries, "It's All For Real," an 11-minute look at the stunts of Episode III, and "The Chosen One," are both good, if lightweight. "It's All For Real" is swordmaster/stunt coordinator Nick Gillard's time to shine, as his handiwork is displayed. McDiarmid learning how to fight with Samuel L. Jackson is the highlight. But the name is misleading: it's not all for real. Sometimes it's all digital, sometimes it's a digital face of Christensen on a stunt double's body. What's nice while watching this is you realize you never noticed the difference in the film. "The Chosen One" is the focus on what this movie is all about, the story of Anakin's transition into Darth Vader. "There's always this good in you. The good part is saying 'what am I doing?' And the bad part is saying 'I'm doing this for Padme, I'm doing this for us,'" Lucas says, coaching Christensen on what's going on in Anakin's head. Mostly this 15 minutes is telling us what we already know (Anakin's fear leads him to be manipulated and turned toward evil) but it's nice to see the steps of the transition in Episode III shown from behind the scenes.

The Web documentary collection is excellent, and is basically a longer making-of Episode III feature, told in 15, five- or six-minute chunks. Some parts are better than others, though none of it's boring. The gun and lightsaber props portion is fun, seeing how flimsy some of them are, and the chapter that shows how much advances in technology have allowed filmmakers to shorten the process is insightful. And the horrible, horrible things we learn. Anakin was supposed to have long, rocker hair? Ugh. A nice touch is seeing each opening sequence of the Web documentary changed to fit the theme, character or contributor in the next chapter.

The commentary track on the feature DVD includes Lucas, McCallum, Effects Supervisors John Knoll and Roger Guyett, and Animation Director Rob Coleman. While not enthralling, it is worth a spin. Most of them have something new to offer, stuff you won't learn from the special features or documentaries. Lucas tells us about a minor homage (done via Yoda) to Akira Kurosawa and Seven Samurai, and gives us a slew of script insights. Coleman and Knoll both speak out about the imagery where they feel it's appropriate, while McCallum mostly just oohs and ahhhs over how bold or wonderful or special this or that scene is. Everything is just faaaaantastic in his book. The commentary is dominated by Lucas, as it should be, but he and the rest of the contributors to this track spend so much time talking about the story, effects, props, and action, they take hardly any time to talk about the actors. Even if they were lying through their teeth, I wanted to hear about how perfect that last line was delivered, what Lucas had to say to McGregor to get that extra something from him, how he convinced Christensen to stop pouting so damn much. Alas, it's the characters and their movements, not the actors and their performances, that grab all of the attention.

The deleted scenes portion of this DVD is disappointing in a way, because it could have been filled with another half dozen scenes that made it into the movie. Each one of the six scenes here has Lucas, and sometimes McCallum, offering introductions. There are two great scenes that didn't make it: Obi-Wan and Anakin attempting to rescue a captured Jedi on General Grievous' ship, featuring a good mix of humor and action. The other is Yoda arriving on Dagobah, where we first met him at the movies in 1980. It's so short, the only reason I could figure it was cut was to keep the flow at the end of the movie intact.

It's easy to see why the other scenes are gone from the feature. Already too political and talk-heavy at points, Episode III didn't need scenes of Padme and other politicians debating their next steps. The first sees members of the Galactic Senate … talking. A second scene sees them … talking. The final scene sees them confront Palpatine, who talks them down from doing anything rash. Like forming a committee. This is a dead-end side-plot that was mercifully left out.

Lastly, a couple minutes of Mace, Obi-Wan and Yoda sitting around, "sensing a plot against the Jedi" (and I sense the sun will rise tomorrow), ends up being a good choice for the deleted scenes section, since we established a long time ago the Jedi of Episode III are blind and destined to lose this war.

Many a still gallery on DVD has bored me to tears, but here we've got a witty caption writer at work, with an enjoyable, 75-plus photo tour behind the scenes. Lots of green screen action work and on-the-set goofing around is captured by a pretty good photographer.

The TV spots and trailers section includes three distinct theater promos, "Nostalgia," "Epic," and "A Hero Falls" music video, the last set to the wonderful music of Composer John Williams. Some TV spots are more enjoyable than others (I'm partial to "Sith Happens"), though with 15 of them here, this menu was in desperate need of a play all option.

There's a game trailer for "Battlefront II," which streets day-and-date with the DVD for the Xbox, PlayStation II, PlayStation Portable, and PC. There's also a playable Xbox demo, which lets you play two mini-chapters from the game. The ground action portion is marred with a glitch that keeps your targeting system stuck to the left. Trying to hit anything with any degree of accuracy is just too hard to be fun. The battle in space, however, is a fantastic time. I must have crashed a dozen times, and enjoyed every second of it. The first "Battlefront" is an outstanding game, but wasn't too deep. LucasArts thinks it fixed that in the sequel, with more locations and playable characters. A game trailer for the PC game "Empire at War" is also included, and it looks hot. Too bad I own a Mac.

Wasting space: the One-Sheet Posters section, where 20 U.S. and international posters reside. Only problem is, 19 of them are the same and only the unreadable text at the bottom changes. At least the seven Outdoor Print Campaign posters are all different.

Some other bonus thoughts:

• Menus are sweet-looking, easily navigated, and feature sound that's excellent in its own right. All the little visual touches in the movie are enjoyed in the menu areas as well.

• Opening feature DVD menus can take you to three random planets. Neat if you're not expecting to land on a different planet when you load the DVD for the second or third time.

• Vader appears on the movie DVD's top, Yoda graces that of the special features' DVD. The box art is sadly similar to Episodes I and II. A search on the Web turns up some fan art boxes if you desperately need one.

• The insert only includes what's on the DVDs and a chapter list. Par for the course with the previous two DVD releases, and lacking any imagination. A print interview, or pictures, even an order form for Star Wars junk, would have been welcome. Is paper that expensive these days?

• An Easter Egg can be found from the options portion of the feature disc.

• Accessing the Star Wars Web site through the bonus DVD gives you a free trial of Hyperspace, which opens VIP access to the site's features.

FINAL THOUGHTS

Star Wars Episode III: Revenge of the Sith earns DVDTalk's highest rating – whether the movie lived up to your expectations or not – if only because it gives several other DVDs in your collection instant replay value. If you're anything like me, you've got those five Star Wars movies near your Godfather collection and Lord of the Rings extended editions. The satisfaction of watching these movies one (or half of one) through six will be worth a weekend of your life.

This fills not only a gaping hole in the Star Wars saga, but also on the DVD shelf. Sure, someday, when they've milked the simple two-DVD versions of Episodes I-III for all they're worth, we'll see the ultimate, complete collection, or at least a set to sit side-by-side with episodes four through six. There might be "never before seen" bonus features and "all-new" commentaries, maybe cast reunions, possibly a few "lost scenes," and definitely a hefty price tag.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE STAR WARS EPISODE 3.

STAR WARS EPISODE 2 THE ATTACK OF THE CLONES NOW AVAILABLE

STAR WARS EPISODE 2 NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE STAR WARS EPISODE 2 FROM IMDB

Ten years after the 'Phantom Menace' threatened the planet Naboo, Padmé Amidala is now a Senator representing her homeworld. A faction of political separatists, led by Count Dooku, attempts to assassinate her. There aren't enough Jedi to defend the Republic against the threat, so Chancellor Palpatine enlists the aid of Jango Fett, who promises that his army of clones will handle the situation. Meanwhile, Obi-Wan Kenobi continues to train the young Jedi Anakin Skywalker, who fears that the Jedi code will forbid his growing romance with Amidala... Written by Brian Barjenbruch

Jedi Knights Obi-Wan Kenobi and Anakin Skywalker discover there is more than meets the eye behind an assassination attempt on Naboo Senator Padmé Amidala's life. Meanwhile, a Sith Lord orchestrates events between the forces of good and evil, all the while waiting to play the final move that will ensure him control of the galaxy. Written by Doug Funnie

Set 10 years after the events in "The Phantom Menace". After an assassination attempt on the life of Senator Padme Amidala, Jedi Obi-Wan Kenobi and his Padawan learner Anakin Skywalker are sent to investigate. After tracking down the assassin, she is killed before any information can be driven out of her. The two Jedi are then sent on two different missions, Anakin is sent to Naboo with Padme and Obi-Wan is sent to the planet of Kamino where he will investigate the assassination attempts. Little does he know, he is investigating some of the biggest events of the Star Wars saga, as he finds out that there is a connection between the assassination attempts and a separatists movement led by a former Jedi against the Republic. The Galactic Republic finds itself at the brink of a civil war. Written by Chris Bierman

As now-Senator Padmé Amidala returns to Coruscant to vote on an important Senatorial matter, an assassination attempt on her life prompts the Jedi Council to send Jedi Knight Obi-Wan Kenobi and his Padawan Anakin Skywalker to protect her and find out who the assassin is. As this is happening, a rogue Jedi named Count Dooku leads separatists on Geonosis to rebel against the Senate. Supreme Chancellor Palpatine moves for a vote for a Republic Army to protect the Republic, as there has not been a full-scale war since the formation of the Republic. As Obi-Wan's investigations lead him to Kamino, he finds a massive clone army being produced, with a bounty hunter - the last of the Mandalorians - named Jango Fett as the master clone. As he chases the elusive bounty hunter, Jango (and his cloned son Boba) leads Obi Wan to Geonosis, where he meets Count Dooku and finds a startling revelation about the former Jedi. As Anakin is left behind to protect Padmé, his feelings for her grow into something more than friendship. From Naboo to Tatooine, it grows into love for her. But when a tragedy strikes Anakin's life, he begins slipping away from the Light Side of the Force, and perhaps from the Force itself. Written by Erik P


HERE IS A REVIEW FOR THE MOVIE STAR WARS EPISODE 2 FROM DVDTALK

I should've known better than to underestimate "The Force". Considering the reaction to the last film and the fact that I was going to be attending a 9:30am screening on a Thursday morning, it couldn't be that crowded, could it? It could. As I rounded the corner towards the theater, I was confronted with what looked to be about 650 people already in line. As with "The Phantom Menace", I thought some were likely in line for other, later shows already. Nope. Luckily, I was able to get in line quickly and, while what seemed like half the crowd was at the concession stand (I'd imagine it's not terribly easy to finish a giant popcorn at 9:30am, but what do I know?), I grabbed an aisle seat. Within minutes, the 800-seat auditorium was full.

As for the film itself, "Attack of the Clones" certainly is a better film than "The Phantom Menace", but there's still a few areas where it falls slightly short of expectations. The film opens about ten years after the events of "The Phantom Menace". Anakin Skywalker (Hayden Christensen) has spent the last ten years under the watch of mentor Obi-Wan Kenobi (Ewan McGregor) and has become impatient at the length of time it's taken to become a fully realized jedi.

Amidala (Natalie Portman), once a queen, now a senator, has arrived on Coruscant to place an important vote. Shortly after her ship lands, she barely escapes an assassination attempt. Assigned to protect her are Anakin and Obi-Wan. It's not long before they have to go into action, as both give chase to an unseen attacker in a spectacular scene that has both flying through the city.

While Obi-Wan's investigation takes him to a rain-drenched planet where an army of clones are being made, Amidala and Anakin find themselves falling for one another, even though their places in life would seem to make their love impossible. "Attack Of The Clones" starts off wonderfully; there are a couple of solid action sequences and even some nice moments where Obi-Wan plays sort of a detective and eventually runs into Jango Fett (Tenemura Morrison), father of Bobba Fett.

Then, the trouble begins. There is a stretch of romantic scenes between Anakin and Amidala that is easily the most dismal part of the movie. While the two seem comfortable with one another, both have a difficult time trying to deliver lines that seem lifted out of a supermarket romance novel - and do so in an ultra-serious monotone. With the sold-out audience of about 800 that I saw the film with, these scenes got the biggest laughs, especially a strange "Sound of Music" scene.

Still, that stretch is over soon enough and the excitement takes over again. The last quarter-or-so of the movie contains some of the most dazzling action scenes I've seen in ages - but I won't spoil them here. To put it simply, Yoda fights. Although some have seemed to dislike this sequence, I thought it was not only beautifully animated, but highly entertaining.

Lucas still gets mixed performances from his actors. To their credit, the dialogue isn't always wonderful, but they also must have difficulty essentially playing to nothing while effects and most of everything else around them is likely something to be added in later. The most improved over the last film is Ewan McGregor as Obi-Wan; his performance is far more confident and enjoyable this time around. Natalie Portman, on the other hand, is somewhat better, but still not quite what I'd expect, given her prior efforts. As for Hayden Christensen, I didn't like him in "Life as a House" and I didn't really care for him here, either; his performance is uneven and his scenes of anger occasionally seemed bratty. Samuel L. Jackson has a bit more to do and really kicks ass in the final battle sequence, while Christopher Lee makes a fine villian as Count Dookoo.

Overall, "Star Wars: Episode II" is fine entertainment and a respectable entry into the "Star Wars" universe; had the middle been trimmed, I would have liked the film even better. Part of me would enjoy something along the lines of an "old school" film with less in the way of completely computer-generated places, but I suppose Lucas wants to put the technology to use.

It should also be noted that I viewed episode two in a theater that offered DLP (digital) projection of the movie, which was originally filmed on digital video instead of film. Afterwards, I peaked my head into one of the film-based screenings of the movie and was surprised at just how different the two presentations were. There was more depth to the image in the DLP presentation and more detail; the image also seemed brighter and more vivid. It's definitely the way to see this film - the only problem is finding one of these theaters, as there is only somewhere in the neighborhood of 20-25 showing it in digital instead of film.

The DVD release is another fine effort from Lucasfilm, but the small screen did seem to only highlight some of the film's (Christensen, who I really hope is not in the third film, although I'm sure he will be) lesser performances.


The DVD


VIDEO: "Star Wars: Episode II" is presented here in 2.35:1 anamorphic widescreen. "Episode II" was filmed in high-def digital video by George Lucas, who is one of a small - but growing - legion of filmmakers who are using the format. In theaters, the film was either presented digitally in a fairly small group of theaters equipped with DLP projectors, on film prints or - most recently - blown up for IMAX film presentations. On the DVD edition, this transfer has been taken direct from the digital source, and not from film elements.

The presentation is not quite flawless, but it's still an awfully strong effort that looks truly stunning throughout much of the show. Sharpness and detail were magnificent throughout the entire film, save for a couple of dimly lit interiors that looked slightly murky. Detail and depth are also surprisingly good, considering the amount of scenes here that seem to be created entirely in the digital realm.

The usual flaws found on most DVDs (and found on the much-discussed transfer for "Star Wars: Episode I") are not in attendance here. Edge enhancement is not an issue, nor is pixelation. Given the direct-from-digital transfer, there are also no film-related flaws apparent, such as marks or scratches on the print used.

Colors were also reproduced beautifully, with rich tones that appeared beautifully saturated and crisply reproduced. Black level was solid, as well.


SOUND: "Star Wars: Episode II" is presented in Dolby Digital 5.1-EX. Given the fact that director George Lucas often discusses the importance of sound in the experience of watching a film, audiences have expected - and recieved - thrilling soundtracks for the first two new "SW" films. Also, it helps that Lycas has recruited two of the world's best sound designers (Ben Burtt, Gary Rydstrom), one of the most highly regarded score mixers (Shawn Murphy) and a remaining sound crew whose credits are quite remarkable.

Although there are a few stretches of calm scattered throughout the film, several action sequences provide incredible surround use. Although the last 30-45 minutes provide a terrific assault, I especially liked the chase through the asteroid field, where the twang sound effects from the seismic charges travelled beautifully from front-to-back. There's not a whole lot of minor ambience here, but that's a rather minor complaint, given how terrific the rest of the film's soundtrack is.

Audio quality was terrific, too. Plenty of rich, deep bass was present, but these levels never became too overwhelming. John Williams' score is often mixed to both front and surround speakers, filling the room and sounding warm and crisp. Dialogue came through clearly, as well. "Episode II"'s audio is certainly up there with what I consider some of the finest audio experiences available.

EXTRAS:


Commentary: Once again this time around, we get a commentary from director George Lucas, exec producer Rick McCallum, sound designer Ben Burtt, animation supervisor Rob Coleman and effects artists Pablo Helman, John Knoll and Ben Snow. All of these participants have been recorded separately, but their comments have been recorded together (very well) for this screen-specific track. As with the track recorded for "Episode I", the track is certainly very informative, but rather on the dry side. The track launches into many different topics, from more character-based discussions, story chat and casting to more technical topics, such as digital effects and sound. Everyone has a lot of information to provide, but I found Burtt's discussion of sound design particularly enjoyable (for another great discussion of sound design, listen to Randy Thom's commentary on the "Cast Away" DVD.)

From Puppets to Pixels: This is a 55-minute documentary that largely follows the crew of the film as they develop some of the digital characters (Yoda, etc.) and try and overcome some of the technical obstacles of the production. What this piece generally consists of is following the crew of the film into the back rooms of the production facilities as they view new footage on their computers or chat with one another on how to improve the look of the scene. While those interested in the digital effects and technical aspects of the production may really find this enjoyable, those who don't will likely be bored. It is a fine documentary for what it is, but it makes me long for the more beginning-to-end production documentary of "The Beginning", the famed documentary that was included with the "Episode I" DVD. That hour-long documentary still remains one of the most intimate and personal I've seen for a blockbuster, big-budget picture. As for "Puppets to Pixels", what viewers see early on is what they'll get for the remainder of nearly an hour, so those who are enjoying it should proceed - those who aren't should move on.

State of the Art: The Pre-Vis of "Episode II": While filmmakers before have simply drawn out storyboards to have an idea of their big-budget films before they proceed, new technology allows filmmakers to digitally create animated storyboards to give a clearer and more detailed idea of how a scene will go together. While this documentary focuses on a subject that I don't particularly feel positive about - this film's essentially building entire worlds from the ground up around actors who are simply standing in front of a blue screen and reacting to maybe some off-screen direction - it's well-edited and informative, going through many of the sequences and doing so in a way that mixes behind-the-scenes clips and interviews well. Watching the film again and this documentary makes me appreciate "Lord of the Ring"'s better mixture of real and effects.

Films Are Not Released: They Escape: This doc - buried within the "Dex's Kitchen" area for some reason - is a 25-minute look at the creation of the film's sound design. The main interview participant is sound designer Ben Burtt, although we also hear thoughts from Gary Rydstrom, George Lucas and others. The documentary focuses on two aspects of the sound: where the sound effects were recorded (it's always surprising where the sounds were taken from) and the amazing amount of layers that go into the sound design of any one particular sequence. We also sit in with the ADR (automated dialogue recording) sessions, the foley recording and other aspects of the sound production.

Effects Breakdown: This 3 1/2 minute ILM featurette provides a look at the before-and-after of many of the films effects sequences, showing rapid clips of each of the elements that went into the final scene.


R2-D2: Beneath The Dome: This jokey 6-minute featurette charts R2's rise to fame via the "Star Wars" pictures. Not much repeat-viewing value, but funny once through.

Web Documentaries: These featurettes, originally found on the internet, go though various aspects of the production: "Here We Go Again" (digital cinema); "Wedgie 'Em Out" (creating the Jedi starfighter); "We Didn't Go To The Desert To Get A Suntan" (shooting around the world); "Trying To Do My Thing" (Christensen's casting); "A Twinkle Beyond Pluto" (extras); "It's All Magic" (on-set visual effects); "Revvin' It To The Next Level" (sound effects); "A Jigsaw Puzzle" (building models); "Bucket Head" (Introducing the Fetts); "Good to Go" (Jedis in action); "P-19" (Portman's wardrobe); "Reel 6" (creating the action in the film's final sequences).

Featurettes: Mainly promotional looks, these three featurettes are really the weakest link in the second disc. They're titled "Love", "Story" and "Action" and provide a very general overview of what there is of all three in the final film.

Trailer: The film's full theatrical trailer.

Teaser Trailers: Three teaser trailers.

TV Spots: 12 TV spots.

Music Video: The "Across the Stars" music vid.

Gallery: The "Dex's Kitchen" area includes numerous production photos and a poster gallery.

Deleted Scenes: 24 minutes of deleted scenes are included and, as with the DVD of the prior "Star Wars" film, these are scenes that have been completed before they were made available here. These scenes include introductions and are mostly dialogue-driven pieces that were deleted from the final film because of pacing reasons. They're enjoyable to view here,although I really didn't see any that I felt would've worked in the final film.

Also: THX Optimizer a/v tests (disc 1) and some easter eggs.

DVD_ROM: Weblinks and additional promotional supplements.


Final Thoughts: I remain a little less pleased with some of the acting aspects of "Episode II" after watching it on the small screen, but I still find it to be a more enjoyable feature than the "Star Wars" film that came before it. "Episode II"'s DVD edition provides stellar audio/video quality and terrific supplements. A definite recommendation for fans.
HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE STAR WARS EPISODE 2.

STAR WARS EPISODE 1 PHANTOM MENACE NOW AVAILABLE

STAR WARS EPISODE 1 NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE STAR WARS EPISODE 1 FROM IMDB

The evil Trade Federation, led by Nute Gunray (Carson) is planning to take over the peaceful world of Naboo. Jedi's Qui-Gon Jinn (Neeson) and Obi-Wan Kenobi (McGregor) are sent to confront the leaders. But not everything goes to plan. The two Jedis escape, and along with their new Gungan friend, Jar Jar Binks (Best) head to Naboo to warn Queen Amidala (Portman), but droids have already started to capture Naboo and the Queen is not safe there. Eventually they land on Tatooine, where they become friends with a young boy known as Anakin Skywalker (Lloyd). Qui-Gon is curious about the boy, and sees a bright future for him. The group must now find a way of getting to Coruscant and to finally solve this trade dispute, but there is someone else hiding in the shadows. Are the sith really extinct? Is the Queen who she really says she is? and what's so special about this young boy? All these questions and more in the first chapter of the epic Star Wars saga. Written by simon

This First Episode follows the young years of Anakin Skywalker (Darth Vader). The friendship of Obi-wan Kenobi, Yoda and Qui-Gon Jinn are also central aspects. And the beginning of the rise to power of Senator Palpatine to Emperor. Written by Greg Hegstad {gh05072@kvalley.com}

Two Jedi knights, Qui-Gon Jinn and a young Obi-Wan Kenobi, along with a Naboo outcast, named Jar-Jar Binks, must help Queen Padmé save her world from greedy trade executives, and along the way, they discover a young boy, named Anakin Skywalker, who has the potential to be a powerful Jedi himself. Written by Kenneth Chisholm

When the evil Trade Federation plots to take over the peaceful planet of Naboo, Jedi warrior Qui-Gon Jinn and his apprentice Obi-Wan Kenobi embark on an amazing adventure to save the planet. With them on their journey is the young queen Amidala, Gungan outcast JarJar Binks, and the powerful Captain Panaka, who will all travel to the faraway planets of Tatooine and Coruscant in a futile attempt to save their world from Darth Sidious, leader of the Trade Federation, and Darth Maul, the strongest Dark Lord of the Sith to ever wield a lightsaber. Written by Anchorhead {skywalker@n2space.com}

As imminent conflict brews between the powerful Trade Federation and the peaceful planet of Naboo, Jedi Master Qui-Gon Jinn and his apprentice Obi-Wan Kenobi travel to Naboo to warn the Queen of the galactic fallout which is to follow. Eventually, Naboo is invaded forcing the Jedis to evacuate the planet with the Queen and her court. They travel to the desert planet of Tatooine where they meet a slave boy called Anakin Skywalker who is evidently one with the Force. They enlist his help in fighting the war, while the Jedis confront one of the Dark Jedis behind the invasion, Darth Maul, while his master Darth Sidious continues to lead the invasion as a "phantom" behind the scenes. Written by Matthew McQuillan {mjment@hotmail.com}

It is a distant galaxy eons before the gestation of the planet Earth. Advancements in technology and science have allowed the evolution of millions of worlds that are otherwise in many respects still primitive. These worlds are somewhat loosely allied into an intergalactic Republic, whose capital world is the planet Coruscant, a planetary city. Upholding order for the Republic are the Jedi, an order of warriors endowed with near-super power derived from self-generated fields of energy known collectively as The Force. Within the Republic, dissident worlds have banded into an alliance known as the Trade Federation, and the Trade Federation is locked in a dispute with the peaceful world of Naboo. Two Jedi knights, Qui-Gon Jinn and his youthful apprentice, Obi-Wan Kenobi, have been sent to Naboo to help mediate an end to the dispute, but Nute Gunray, an alien viceroy, orders them to be killed, and the two Jedi discover upon their escape that the Trade Federation will launch an invasion of Naboo. With the help of a well-meaning but hopelessly subliterate alien native of Naboo, Qui-Gon and Obi-Wan land on Naboo to rescue her ruler, Queen Amidala, a ruler whose rule is a mixture of monarchy and republican democracy. Escaping Naboo, they are attacked by a Federation base star and are forced to land on the distant planet Tatooine, where in seeking parts to complete their journey to Coruscant they encounter a young boy, Annikan Skywalker, a slave who possesses a gift for the savagely dangerous sport of podracing - a gift that Qui-Gon deduces is part of a genetic makeup perfect for the Jedi Order. Annikan eventually joins with Qui-Gon and Obi-Wan, and in the process attracts the attention of one of Queen Amidala's handmaidens with a dramatic secret, and all reach Coruscant, but endless and pointless debate within the Republic's Senate leave them no choice but to strike out on their own to liberate Naboo, a task made all the more difficult because a traitor within Coruscant has at his command a dissident Jedi warrior who seeks the death of Qui-Gon and Obi-Wan. Written by stp43

HERE IS A REVIEW FOR THE MOVIE STAR WARS EPISODE 1 FROM DVDTALK

The Movie
There's no denying that Star Wars has had an influence on me. I was one of those young kids who did stop motion animation with my Star Wars Action Figures. My friends and I used to compete on how many times we had seen Star Wars. We waited every few years in long, long lines to see each new Star Wars Chapter as it opened.

But times have changed, I have changed, and so has Star Wars. The latest installment, Star Wars: Episode 1 The Phantom Menace, is considered by many Star Wars fans to be the weakest Star Wars movie so far. I consider it to be a real disappointment. I walked out at the end of my first and only time seeing Phantom Menace in the theater with a feeling of discontent.

I've been told by many people that you HAVE to see Phantom Menace at least twice. But every time I hear people say this I'm reminded of the joke "Why do people see Star Wars Phantom Menace two times? To convince themselves that they enjoyed it the first time around."

So with the DVD, I sat down and gave Phantom Menace a second try, and attempted to put the way I felt about it the first time around aside. I tried so hard to re-connect with my enthusiasm for the Star Wars universe. At first I found that I was really enjoying the film and was blown away at how crystal clear the picture was and how phenomenal the sound was. But then there was Jar Jar. I tried real hard not to hate him, not to let my mind drift to 'The Phantom Edit' (a fan's version of the film which removes all scenes of Jar Jar) but I just couldn't. Jar Jar sticks out like a sore thumb as something that just doesn't fit the way I see Star Wars. My dislike for Jar Jar took a back seat to the Pod Racing scene, which seeing again, I just loved. Could it be.... would I like Phantom Menace the second time around? Was I the butt of my own joke? Unfortunately not. As the second act of the film comes to a close, the excitement drains out of me and I remember why I really didn't like it the first time around. The story degrades into a jumbled mess which Lucas claims makes sense when put in context of the entire series, but what I've always loved about the Star Wars films is their ability to exist by themselves as well as part of a series. Phantom Menace just isn't strong enough to stand on its own. When the closing credits started to roll I found myself humming the Star Wars theme - man, I love John Williams' score. Too bad it wasn't on a better film.

The Picture
With Star Wars Phantom Menace, THX has taken a much deeper involvement in the production of the DVD. Rather than certify the movie at the end of the production process they were there hand in hand with the production team from beginning to end, and it shows. Also it's important to note that Lucas decided to do the transfer for the Phantom Menace DVD from the film master over the pure digital print that was made for the small number of digital theaters which Star Wars Phantom Menace was shown in. This was a conscious choice and the result is the image is great, but not perfect.

For the majority of the film the image is crystal clear, without any defects, specs, scratches, or anything. You could easily say it was immaculate. But the scenes on Tatooine do have a grainy feel which comes from using this film master. To me it wasn't distracting or unlike other strong transfers I've seen. I point it out only because the rest of the film transfer is so good, so it stands out.

I would have liked to have seen them release the digital print as I never got an opportunity to experience Phantom Menace that way (Portland doesn't have an all digital theater yet), but knowing Lucasfilm I'm sure we'll see it some time in the future.

The Sound
This is as good as it gets. Phantom Menace features a Dolby Digital 5.1 audio track which is so full and dynamic, it's going to make your head spin. The Pod Races are certainly demo quality as the soundtrack moves from almost a quiet hum to a roar and back again. The DVD also has a Dolby 2.0 and a Spanish 2.0 track on it which are of the same high caliber as the 5.1 track. Since the theater I saw Phantom Menace in wasn't the top of the line, state of the art theater, I found my home theater experience of Phantom Menace to be BETTER than the one I had in the theater. It both looked and sounded better.

The Special Features

Menu Design
You can't talk about the Star Wars Phantom Menace DVD and not talk about the Menu Design, which is easily the best design I've seen on a DVD. Each time you insert the Phantom Menace DVD into your player one of the three complete menu designs randomly comes up, each themed after the major planets of the film (Naboo, Tatooine and Coruscant). All three are stunning and extremely well produced and each has its own unique look and feel. Both the main DVD and the 2nd DVD have a number of fun 'time outs' (when the music and such cycles while you wait) including a fun one in Watto's shop. These add to the character of the disc and make the menus come alive. Lucas has made the menus of the Star Wars Phantom Menace just as much a part of the Star Wars experience as the movie, and you really feel like you're exploring the Star Wars Universe.

Easter Eggs Disc 1
I'll be honest, I didn't find all the Easter Eggs on the first disc, and that's probably a good thing. It's so fun to look for them, that having a review spoil it for you takes some of the fun out of it. I can tell you that above the THX Optimode logo on the Naboo Options screen there is an egg which takes you to the DVD credits and a hilarious blooper reel.

Commentary
Rather than providing separate commentary tracks for different aspects of the film, Phantom Menace has a 'best of' commentary track, where they've intercut commentary from George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, John Knoll, Dennis Muren and Scott Squires. One fantastic feature of the commentary tracks is that when someone speaks their name comes up on screen. With so many people talking it's a GREAT help trying to keep track. I was pretty disappointed that there wasn't a separate commentary track for George Lucas. He spoke a lot about theory and the big picture, and I would have liked to hear more off the cuff, blow by blow commentary with him, but overall the edited together commentary works and it provides some extensive information on how they made Phantom Menace, and will change the way you see what you see on the screen.

2nd DVD - Special Features
When talking about this DVD, Lucasfilm emphasized that they focused on quality of special features over quantity, and they delivered in spades. I'm hard pressed to think of a better companion DVD than the one that comes with Star Wars Phantom Menace. It is this second disc and the content on it which makes this a MUST OWN DVD.

Deleted Scenes and Deleted Scenes Documentary
Unlike most deleted scenes, the seven deleted scenes on the Star Wars Phantom Menace DVD were cut from the movie before they were ever fully produced (in a Q&A Lucas commented that things were cut in concept, it was the idea of something that had to be cut, things didn't get to be produced unless they were IN). Lucasfilm went back with the seven scenes and completely produced them. This is really well explained in the 'Deleted Scenes Documentary' which not only covers the production of the Deleted Scenes but also discusses why scenes are deleted from a film in the first place. It's a fascinating documentary which gives a great deal of context about the deleted scenes. Of the seven deleted scenes included on the DVD, my favorite are the two related to the Pod Race. Both the introduction to the Pod Race has been extended as well as the second lap. Elements of both these deleted sequences have been re-incorporated into the main feature as well as an 'Air Taxi' scene on Coruscant.

Episode 1 - The Beginning
Taken from over 600 hours of archival footage, this documentary provides a look into Lucas' creative process. It is the most compelling thing on the DVD, and it gave me a real understanding of what Lucas was trying to do with Phantom Menace and why he both succeeded and failed. In the documentary there's a scene with George Lucas, producer Rick McCallum and visual effects supervisor John Knoll. In less than five minutes of footage it becomes clear that Lucas isn't just making a movie, he's creating a new industry for Lucasfilm. As he looks over the budgets, it isn't just with an eye for the film, but with the vision of creating cutting edge effects and technology at a price which would be affordable to other film makers. An example of this is the choice to make Jar Jar an all digital character. Originally they designed a suit for Jar Jar 'actor' Ahmed Best to wear and were planning to just digitally replace his head, but after figuring out the costs they discovered going all digital was less expensive. The money spent on the actor's suit was seen as an investment in figuring this out rather than a waste of money.

Another poignant moment in the documentary is when Frank Oz, doing the puppetry for Yoda, sees some of the completed Jar Jar footage and says to Lucas, "You don't need me any more to do this, George", a bitter sweet ode to the transition to digital film making. A point made even more clear with a scene where Lucas digitally alters an actors performance by splitting him out of the scene, editing him and then putting him back in. Our jaws dropped at what is now commonplace technology for Lucas.

Multi-Angle Storyboard-to-Animatic-to-Film Segment
Like the Fight Club DVD, Phantom Menace has a section where you can see the film at various stages compared with the finished film. On one master screen you can see the storyboard, the animatic or test live action footage, and the final film all together. Using the angle button on your remote you can tab between the three and get a real sense of the progression of the film. It's amazing to think that major decisions on scenes were made on the animatics, which are often extremely rough representations of a scene. One of my favorite things about the Multi-Angle Storyboard-to-Animatic-to-Film segment is seeing stand-ins perform the submarine scene. It's a riot!

Promotional Materials
The Phantom Menace DVD contains the teaser, the trailer and seven TV spots called 'Totems', each which feature a theme of the movie. I hadn't seen the TV Spots (as I was told they were targeted to woman's programming) so it was interesting to see how they marketed the film (especially to women). There were a number of other commercials which were made but didn't make the DVD due to space. Even More Making-Of Features
If the hour-long 'Episode I - The Beginning isn't enough for you, the DVD also has five featurettes on storyline, design, costumes, visual effects and fight scenes AND 12 award winning web documentaries which chronicle the process of making Phantom Menace from the first day Lucas began to write the script through production. It's a dizzying amount of information, and incredible to think that there are at least 600 more hours of it in the archives!

Final Thoughts
After seeing Phantom Menace a second time, I still hold to my first impression of the movie, and that's not a real positive one. As a whole, the movie is less than the sum of its parts. Still dazzling are the Pod Races and the Duel, and the amazing picture and sound on the DVD, but Jar Jar and the mess of a third act make it hard to recommend the movie.

I wouldn't recommend you buy this DVD for the movie; instead, buy it because it's simply one of the best DVDs produced to date. Done at a level so far beyond most DVDs, it's worth picking it up just to experience what can be done on DVD. This is a reference quality DVD with some of the best picture and sound out there, and while I rarely rave about menu design, you've just got to see these menus!

The main reason I'm recommending you run out and buy this DVD is the 2nd disc. The 'Episode I - The Beginning' Documentary makes the disc worth the price of admission, and is a must-get for any Star Wars fan. The documentary is so amazingly produced, it's unlike any other making-of you'll see on DVD and hopefully will set the standard for DVDs to come. The delete scenes are spectacular and anything that extends and improves on the Pod Races gets a big thumbs up in my book.

Most importantly, Star Wars Phantom Menace is the DVD which all DVDs will be measured up to. It's the highest level of excellence on DVD - I just wish it were for a better movie.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE STAR WARS EPISODE 1.

HANNAH MONTANA/MILEY CYRUS MOVIE NOW AVAILABLE

HANNAH MONTANA MOVIE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE HANNAH MONTANA MOVIE FROM IMDB

As the movie starts, during the Walt Disney logo, we hear a peculiar-but wonderful-voice. This turns out to be Miley warming up, after a few backstage moments, a huge box comes down, out comes Miley (as Hannah) and she sings Rockstar. After that we go back in time a few weeks and see Miley during rehearsals. The movie focuses on backstage moments and rehearsals for the concert as well as the performances of her songs. Songs: MILEY AS HANNAH: Rock Star, Life's What You Make It, Just Like You, Nobody's Perfect, I Got Nerve, We Got the Party feat Jonas Brothers. JONAS BROTHERS INTERLUDE: When You Look Me In The Eyes and Year 3000 MILEY AS HERSELF: Start All Over, See You Again, Let's Dance, I Miss You, G.N.O. (Girl's Night Out) and The Best of Both Worlds.

HERE IS A REVIEW FOR THE MOVIE HANNAH MONTANA MOVIE FROM DVDTALK

While I'm way out of the target demographic for this 3D concert film, it's not difficult to appreciate the Miley Cyrus hurricane. "Best of Both Worlds" is an infectious, high-energy performance picture that overcomes its rather unsavory purpose by barreling forward with a nuclear bomb of tween enthusiasm and vivid displays of over-choreographed celebration.

Essentially slapped together to peel a few more bucks off exasperated parents who couldn't nab a ticket to Cyrus's sold-out U.S. tour, "Best of Both Worlds" doesn't let its coin-gobbling heart show. Instead, it's a rather sweet reminder of pre-teen hysteria, where 16,000 young girls have gathered to scream until their lungs bleed and bow at the feet of their queen: Ms. Miley. The young mogul takes this daunting entertainment challenge seriously, and her entourage has assembled a delightful night of song, dance, winking, and confetti guns.

I came to this concert picture understanding Cyrus's appeal, aware of her tunes, and unable to watch the Disney Channel "Hannah Montana" show for more than 30 seconds without inviting a throbbing headache. I was wary of this live movie, yet right off the bat "Best of Both Worlds" steamrolls over the viewer with its craving to jazz hands right into your heart. There's not a spontaneous moment in the entire film, but it still pleases, due in no small part to Cyrus's energetic stage prowling and the audience itself: a virtual sea of braces, glow sticks, and anxiety-attack smiles.

Surprisingly, "Best of Both Worlds" is something of a documentary, presenting the viewer with a behind-the-scenes look at the tour's creation, overseen by the Disney Channel version of Jim Malone: veteran choreographer Kenny Ortega. We also spy Cyrus in a relaxed state, learning rock star microphone stand moves and singing with dad Billy Ray. Perhaps it's an economical way to pad out the brief film (75 minutes), but it's amusing to watch the crew pull off snappy costume changes and assorted mayhem, along with humorous interviews conducted with energized concertgoers.

For 15 years-old, Miley Cyrus has a comfort onstage few adults share. She's a natural performer, not to mention a decent singer with ideal rusty pipes that are sure to grow interesting with age and more intricate songwriting. For now, she's a pop queen, and sprinting through the Hannah Montana/Miley Cyrus catalog of empowerment anthems and party ditties, she displays outstanding personality and traditional plastic performance sass. She's well-rehearsed, but Cyrus is game to give her fans the night of their young lives.

To help push some of these girls through puberty, Cyrus has brought along The Jonas Brothers: the Shaun Cassidys of the MySpace generation. The Jonas boys whip the audience into a disturbing frenzy, teaming up with Cyrus for a boisterous performance of the hit "We Got the Party" before taking on a solo number. They sound a little too flat for my ears, but perhaps that's missing the point of their appeal.

My only real complaint here would be that the 3D isn't pushed nearly as far as it should be. Director Bruce Hendricks doesn't like to play shots out, which is where 3D holds its power. Crowd shots are fun, but minimal, with Hendricks preferring to edit the film like any other concert video. It may be a forgettable pop culture bookmark, but "Best of Both Worlds" deserved a little more three-dimensional awe.

Watching the crowd inside the theater is almost nearly as fun as watching the movie. Even though Cyrus is being projected onto a screen, the young fans still respond passionately, resulting in spontaneous dancing and a sing-along at the screening I attended. It may last for only a fleeting moment, but it's hilarious to see a concert film engage the audience so successfully. This is no "U2 3D" (a thoughtful, thrilling 3D concert experience), yet "Best of Both Worlds" gets the job done in a bright, flashy manner that's more appealing than it seems, especially to those positioned outside Miley Cyrus's considerable reach.


HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE HANNAH MONTANA MOVIE.