PROBLEM CHILD NOW AVAILABLE

PROBLEM CHILD NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE PROBLEM CHILD FROM IMDB

A young boy is just short of a monster. He is adopted by a loving man and his wacky wife. The laughs keep coming as the boy pushes them to the limits. Written by Glenn J. Schworak {glenn@g-world.com}

Meet Ben and Flo Healy! They want a young child of their own, but Flo is incapable of having a child herself. Enter Junior, a little monster who has been to foster parents' homes since he was a baby and always made himself get thrown out so one day he goes to the orphanage and causes trouble for the poor nuns (although some of them deserved it). So Ben and Flo go to adopt a child and the administrator, Peabody, cons them into taking Junior off their hands. Junior goes home with the Healys to a nice house which includes a bedroom full of clowns! Ben takes an immediate love to his son, no matter what the horrible things he does, even though he injured his grandfather, a bigoted politician, really turned a birthday party into a "blast", sicks a bear onto campers on a camping trip, and even goes on a joyride with convicted killer Martin Beck! Written by Dylan Self {robocoptng986127@aol.com}

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE PROBLEM CHILD.

PHONE BOOTH NOW AVAILABLE

PHONE BOOTH NOW AVAILABLE ONLINE

HERE IS THE TRAILER FOR THE MOVIE PHONE BOOTH







HERE IS THE SUMMARY FOR THE MOVIE PHONE BOOTH FROM IMDB

A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding. Written by Ryan McIntosh {Ryanmcintosh01@hotmail.com}

Stu Shepard is a fast talking and wise cracking New York City publicist who gets out of trouble and lies with his clever charm, connections, and charisma. Stu's greatest lie is to his wife Kelly, who he is cheating on with his girlfriend, Pam. Upon answering a call in a phone booth in belief it is Pam, Stu is on the line with a dangerous yet intelligent psychopath with a sniper rifle. When realizing it is not a joke, Stu is placed in a powerful mind game of wits and corruption. The New York City Police eventually arrive thereafter and demand Stu comes out of the phone booth- but how can he when if he hangs up or leaves the booth he will die? Written by commanderblue

Stu Shepard (Farrell) is an arrogant publicist who thinks he has the whole world in his hands. Every day he uses the same phone booth to call the woman (Holmes) he is cheating on his wife (Mitchell) with. But on the last day, before this particular phone booth is demolished, the phone rings. Stu naturally answers the phone, only to find the caller (Sutherland) on the end is an invisible sniper who knows everything on Stu, including his relationships. The caller now has Stu as his hostage, who demands he comes clean with his wife. Written by FilmFanUK

Stuart hasn't been totally honest. In fact, he's about the most dishonest man you'll meet. Everyday, at the same time, he goes to a phone booth in NYC to call his girlfriend, so that his wife can't trace the phone call. Today is no longer just an ordinary day. Now, someone's calling him, leaving his life on the line. Written by Mac The Movieguy

A fiendish publicist finds himself being held hostage in a phone booth by an extreme moralist who watches his victim's every move through the scope of his high-power sniper rifle, while speaking to the publicist via the phone booth. The caller prides himself on using force to punish corrupt people by forcing them to admit all of their lies and sins through mental games, or killing them. At the same time, he eliminates other people as well; everyday people who are guilty of brutal dishonesty and/or corruption, such as a murderous street pimp and a pushy pizza man (all of which, if you look hard enough in the film, have a guilt link). The caller himself is corrupt, and uses it defeat other corruption. It is evil fighting evil in the phone booth. Written by Flotis

HERE IS A REVIEW FOR THE MOVIE PHONE BOOTH FROM DVDTALK

The Movie: I like the idea of films shot withiin a very short shooting schedule. More planning seems necessary, and fat is trimmed. Edward Burns shot "Sidewalks of New York" in a matter of 17 days, which seemed like an impressive time, given the look and overall quality of the production. However, last year a director topped that speed - and it was certainly the one I'd least expect. Although the simple plot attracted a series of stars and directors, including Michael Bay, Jim Carrey, Will Smith, it was Joel Schumacher, the much-hated director of the last two "Batman" pictures and the terrible recent "Bad Company", who shot "Phone Booth", an 81-minute thriller, in a matter of ten days. "Phone Booth" focuses on a fairly simple morality tale: Stu Shepard (Colin Farrell) is a fast-talking, slick PR rep who has a beautiful wife (Rhada Mitchell) and a girlfriend/client (Katie Holmes). He calls his girlfriend from one of the last remaining phone booths in the city at the same time each day. One particular day, he is rude to a pizza delivery person while making the daily call. When he hangs up the phone with his girlfriend, the phone rings again. Stu answers the phone, only to find that a sniper is focused on the booth - one who knows a great deal about him and how he's been cheating on his wife. When things get worse, the police are called in, lead by a captain (Forest Whitaker) who demands that Stu hang up the phone and step out of the booth - something he can't do. Although the simple premise doesn't suggest much success, the film keeps throwing in new turns and the filmmakers do much to help things remain involving. Cinematographer Matthew Libatique, who worked with Schumacher on the similarly low-budget "Tigerland", not only gives the film a surreal, gritty look, but the camera movement gives the film an urgency and intensity. Harry Gregson-Williams, whose tense score added to "Spy Game", brings a similarly dark, sleek techno sound to his work here that adds suspense. The performances are stellar, as well. Farrell, who Schumacher found for "Tigerland", is suitably intense in the role, portraying the fast-talking Stu in the early scenes and the panic of the booth sequences. Sutherland's digitally altered (or at least it sounds as if some work was done) voice is remarkably menacing. Forest Whitaker provides good support, while Katie Holmes and Rhada Mitchell are enjoyable in their few scenes. Overall, "Phone Booth" isn't without some concerns (the film zips past a few plot holes), but it's a good, tense (and unique) thriller that moves along rapidly at 81 minutes. The DVD VIDEO: "Phone Booth" is presented by 20th Century Fox in 2.35:1 anamorphic widescreen and 1.33:1 full-frame. Each of the two editions have their own single-layered side of a dual-layer disc. Matthew Libatique's dark, gritty cinematography looks quite nice on this transfer, which only shows a few very minor concerns. Sharpness and definition looked very strong, as fine details were often visible and sharpness remained consistent.

Compression artifacts weren't spotted, but a tad of edge enhancement was spotted here and there. Although nothing too considerable, enough to be worth noting. The film's color palette remained cold, blue-tinted and subdued throughout, but appeared accurately rendered. Overall, aside from a couple of issues, the picture looked superb and similar to what I saw theatrically.

SOUND: "Phone Booth" is presented by 20th Century Fox in Dolby Digital 5.1. While not quite demo material, this is a fun and entertaining sound design done by Tim Walston ("The Fast and the Furious", "The Core") and the rest of the film's sound artists. There are noticable sound effects in the surrounds as the film zips in from a satellite in the opening of the film, as well as ambience in the rear speakers during several scenes. However, the most effective part of the soundtrack is Sutherland's voice, which often fills the room. Audio quality is superb, as Gregson-Williams's score sounds dynamic and deep throughout, while dialogue and effects remained crisp and clear.

EXTRAS: Commentary: Director Joel Schumacher provides an audio commentary for the film. This is an okay commentary, but I was hoping for something more. The director does touch on the topic of trying to shoot a movie in about 10 days, but I was hoping for more details about the planning that has to go into a production like that. The director instead spends much of the time discussing casting, acting and character issues. Although he does add a touch of humor and presents these topics in an interesting manner, I was hoping for something more technical in this case. Also: Trailers for Fox's "Garage Days" and "Phone Booth". Final Thoughts: A tense and effective thriller, "Phone Booth" is fast-paced, involving and offers a strong lead performance from Farrell. Fox's DVD doesn't present much in the way of supplements (a documentary about how the film was able to be shot in 10 days would have been nice), but does present the film with very good audio/video quality. Recommended.


HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE PHONE BOOTH.