IDIOCRACY NOW AVAILABLE

IDIOCRACY NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVE IDIOCRACY FROM IMDB

The purpose of the program set up by the Pentagon, called the "Human Hibernation Project," is designed so that the military can save their best men for when they're needed most. According to the officers heading the project, too many times the talents and expensive training of the best pilots and soldiers go to waste during times of peace. So they enlist Bauers (Wilson), the most under-achieving average guy they've got, to be the test subject for the initial hibernation experiment. Also participating in the top-secret program is Rita (Rudolph), a prostitute who agreed to take part in exchange for dropping some criminal charges against her, among other things. Of course, the experiment, which was to last only a year, goes under due to the arrest of Officer Collins, who is busted for heading a prostitution ring. Seeing as though he was in charge of the experiment, one of the only ones who knew of its existence, and "due to a lot of top-secret red tape... and the massive scandals and base closure that followed, Joe and Rita were forgotten about. Written by Slider

Joe Bauers, an Army librarian, is judged to be absolutely average in every regard, has no relatives, has no future, so he's chosen to be one of the two test subjects in a top-secret hibernation program. He and hooker Rita were to awaken in one year, but things go wrong and they wake up instead in 2505. By this time, stupid people have outbred intelligent people; the world is (barely) run by morons--and Joe and Rita are the smartest people in America. Written by Anonymous

HERE IS A REVIEW FOR THE MOVIE IDIOCRACY FROM DVDTALK

THE FILM

After the rabid successes of "Beavis and Butt-head," "King of the Hill," and the cult supremacy of "Office Space," one would think that 20th Century Fox could've extended some level of trust to writer/director Mike Judge when it came to his latest film, "Idiocracy."

What's finally being shown to audiences after two years sitting on a shelf gathering dust is a Frankenstein's Monster of a film, pieced together by a studio looking to pull off cinema's greatest single act of irony: they've dumbed down a film about dumbing down.

Private Joe Bowers (Luke Wilson) is volunteered by his commanding officers to take part in an experimental hibernation program that will put him to sleep for one year. Sent under with a prostitute (Maya Rudolph), the program is eventually cut short, with Joe's tube lost for 500 years. When a garbage avalanche ends his centuries-long slumber, Joe awakens to find the year 2505 and a whole world evolved into idiots. Branded the smartest person alive by the professional wrestler/porn star president (Terry Crews), Joe is given the task of saving America from starvation, but all he really wants is to get back to 2005.

In many ways, "Idiocracy" is similar to the hack job that Paramount pulled on Louis CK's "Pootie Tang." Judge's film is something near a complete mess, with the opening 20 minutes pushed and pulled like taffy to cover what feels like 45 minutes of footage. Slapped with narration that hand-holds the viewer through storylines and important scenes we're not allowed to see, the opening act of the film is a jarring rush of settings and characters that make little sense and lends the film a sloppy quality I refuse to believe was Judge's intention.

Thankfully, Judge's sense of humor does escape through Fox's sweaty fingers. When you boil the picture down to the essentials, it's uproarious in primitive slapstick ways and as a potent bitchslap of a social commentary. Opening with the frightening concept that America's future is not in the hands of the most intelligent, but the most fertile and irresponsible (aka the poor), Judge's script begins to claw away at not only America's corporate sponsorship culture (some get paid to end every sentence with "Brought to you by Carl's Jr."), but their entertainment tastes as well. The number one show on television? "Ow! My Balls!" Favorite channel? The Masturbation Network. The top-grossing film of all time? "Ass." Just 90 minutes of a man's ass, with an occasional fart escaping.

Judge has it out especially for Gatorade (called "Brawndo" here), using the general uselessness of sport drinks to emphasize the deceptive nature of predatory corporations, and the gullibility of consumers who will believe anything they read. Even electrolytes.

This is a world where citizens are named Frito and Beef Supreme, Starbucks is a place that only sells handjobs, Fuddruckers is considered the Mona Lisa of trash dining, and if a subject doesn't pertain to sex or farting, nobody wants to discuss it.

"Idiocracy" eventually heads over to the political realm, turning a presidential address into a wrestling main event, and opening up the idea of capital punishment as gladiatorial fight to the death with tricked out cars, scored by a whole section of head-banging guitar stoners.

As a satire, "Idiocracy" is a cold steel blade to the gut. Judge relishes his opportunity to expose our insatiable need for stupidity, and he takes that to the most grandiose possible conclusion for maximum effect. Still, the film remains a thoroughly hilarious affair, due mostly to the cast's glee in dragging their knuckles for a change and Judge's satirical targets, some of which might hit too close to home for many viewers.

Even if the film contains the single biggest laugh I've had this year at the movies (imagine the Washington Monument pool turned into a jet-ski paradise), "Idiocracy" is a terribly muddled affair. The heart of the film appears to have been ripped out in the process of streamlining the feature for mass consumption. While Judge's touch remains interwoven into the piece, the finished product doesn't move the way we've come to expect from this director.

The picture has some potent ideas on dysgenics and where humanity is headed, and how much citizens are complacent when their lives are bought and sold; ideas that felt like they were once properly layered into a feature film. Not anymore with this version of "Idiocracy." I don't care how much Judge might've screwed up originally, if cinematic history tells us anything, it's best to leave this talent alone

THE DVD

Audio:

"Idiocracy" is present in Dolby Digital 5.1, and makes good, dimensional use of futuristic sound effects. Of course, a majority of them are fart sounds, but you get the point. Dialogue and music are presented crisp and clean.

Visual:

Given an anamorphic widescreen (1.85:1) transfer, "Idiocracy" feels pretty cozy at home, where Judge's intimate satiric scale can be best appreciated. Image is clean with bold color reproduction. Larger home theater screens might reveal the low-tech limitations of the scrapped together special effects more than smaller sets.

Extras:

The only supplement served up for this DVD release is set of deleted scenes, totaling less than four minutes of screentime. All are insignificant snippets, but two of them do showcase the woman in Joe's life before he goes into hibernation. Another shows us the National Fart Museum, where kids of all ages can watch history cut the cheese.

Sadly, Mike Judge is nowhere to be found on any of this disc.

FINAL THOUGHTS

I'm starting to sense "Idiocracy" might be the new "Superman II." Perhaps one day audiences will be treated to Mike Judge's full, unobstructed version of this ambitious satire, but for now, all we have is this DVD. After years of thinking we wouldn't even get this far, it's wonderful to finally get a chance to see what Judge had up his sleeve, and to watch what Fox was so fearful of releasing. Keep your expectations low, and there's an often hilarious, sly little feature to be found in here somewhere.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE IDIOCRACY

PROM NIGHT NOW AVAILABLE

PROM NIGHT NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE PROM NIGHT FROM IMDB

Donnas senior prom is supposed to be the best night of her life, one of magic, beauty, and love. Surrounded by her best friends, she should be safe from the horrors of her past. But when the night turns from magic to murder there is only one man who could be responsible, the man she thought was gone forever. Now, Donna and her friends must find a way to escape the sadistic rampage of an obsessed killer, and survive their Prom Night. Written by Davi Silva

HERE IS A REVIEW FOR THE MOVIE PROM NIGHT FROM DVDTALK

Stop me if you've read these ingredients before: a PG-13 horror picture, a remake of an 80's cult classic, directed by nondescript filmmaker, pathetically kept from critics to avoid unpleasant opening day reviews, and starring a roster of insipid young actors? Surely this means only the finest quality Hollywood has to offer!

After surviving the slaughter of her family three years back, Donna (Brittany Snow, "Hairspray") has finally managed to secure a happy life, now enjoying the night of her high school prom. As Donna arrives at the hotel with great anticipation, surrounded by her tight circle of friends (including Scott Porter and Jessica Stroup), the evening quickly turns into a game of survival as the killer (Johnathon Schaech) from years before escapes from prison and shows up to the big celebration to finish the job.

The new "Prom Night" has very little in common with the 1980 Jamie Lee Curtis slasher footnote, instead just pilfering the title and the concept of a killing spree at the most important social gathering for the average high school student. The earlier "Prom Night" wasn't an elegant achievement in suspense, but it's amazing how much the new production fails to offer the audience in the way of chills. The new "Prom Night" is insistently lifeless, which I think is worse than simply being awful. At least awful has some personality to it.

Charm, pace, and suspense are all in short supply for this brainless remake. Director Nelson McCormick comes from a long history of television work and it shows, for his "Prom Night" is too cautious, too gutless to make a psychological dent; a one-way ticket to dullsville, fueled by absurdly toothless PG-13 fright sequences (boo scares aplenty here) that will make this forgettable one-weekend-wonder a DVD dynamo on the sleepover circuit. I'm sure there's an audience for implied stabbings, but set loose in the thickly-padded script by prominent genre hack J.S. Cardone ("The Covenant," "The Forsaken"), and "Prom Night" has nowhere to go but right to sleep.

The cast, led by Snow's irritatingly teary performance, couldn't be more vanilla if they tried; along with Schaech, who makes evil about as cinematically enticing as a tax audit. Where's the fervor for fright in this debacle? McCormick just elongates the whole process, assuming the audience will have a ball watching teen characters natter on about their tedious lives between knifing sequences, or observing actor Idris Elba (here in the concerned cop role) give in to every smell-the-fart acting itch he's ever dreamed of exploring. It's rare to come across a film that simply gives up, but "Prom Night" is lazy that that, spending long stretches of the running time accomplishing nothing. It's just odd.

The finale of the picture should be this grandiose showdown between good and evil, but not on McCormick's watch. No, he's likes to make even the simplest acts of behavior last about 900 years, constructing a conclusion that is absent even the slightest blip of tension and conflict. It seems unfair to blame PG-13 standards for the continual gutting of the horror genre, but when a stinker like "Prom Night" shows up to bleed teenagers of their allowance, it's hard to ignore the warning signs. The defanged slasher movement once again lays a rotten egg.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE PROM NIGHT