THE INVASION NOW AVAILABLE

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HERE IS THE SUMMARY FOR THE MOVIE THE INVASION FROM IMDB

A mysterious epidemic is sweeping the world, but it takes one Washington DC psychiatrist to discover that the disease is extraterrestrial in origin. When her son becomes infected, she and a colleague must work together to find a cure, before the entire world is lost... Written by comicfan

HERE IS A REVIEW FOR THE MOVIE THE INVASION FROM DVDTALK

Author Jack Finney's 1955 novel "The Body Snatchers" has been put through more Hollywood adaptations than most similar pieces of literary bubblegum. The odd thing is, a majority of these incarnations turn out to be terrific movies, from the 1956 classic starring Kevin McCarthy ("Invasion of the Body Snatchers") to a 1978 creeper from director Philip Kaufman to Abel Ferrara's lost cult beauty from 1993 ("Body Snatchers"). "The Invasion" picks up the baton for a new generation of moviegoers, but it's a bumpy ride, testing the narrow possibilities of what this story has to offer.

When an American space shuttle disintegrates upon reentry, fragments of the ship are scattered across the country, each one coated with unidentified spores that contaminate anyone it comes in contact with. Carol (Nicole Kidman) is an icy psychiatrist who starts to question the altered mentality of her fellow citizens, clinging to her son and a best friend (Daniel Craig) for answers. Isolated in an alien pandemic, Carol fights to survive the night as thousands of zombie-like, emotionally blank infected start to take over the city, spreading their disease. Trying to protect her child, while staving off the effects of the aliens by staying awake, Carol battles her way to find a safe haven, if there's one still left.

Crafty Hollywood insiders report that "Invasion" suffered from an unpopular initial cut, thus necessitating the introduction of the Wachowski Brothers to write, oversee a re-edit, and film a new ending over a year after production concluded. Even if one wasn't armed with that knowledge, it's obvious that something happened to "Invasion" as it wiggled through the post-production process. To be blunt: the film is one hot mess, filled with crazy editing leaps and narrative holes, with renewed focused placed on hustling through the story as rapidly as possible.

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GEORGIA RULE NOW AVAILABLE

GEORGIA RULE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY OF THE MOVIE GEORGIA RULE FROM IMDB

Rachel comes to stay with her Grandmother Georgia for the summer leaving some obvious problems behind at home. Her alcoholic mother doesn't even stay the night before rushing back out to California to be with her husband. Rachel shakes up the town, a beautiful girl in the boring Mormon country. Then she reveals her deepest secret to one of her new friends, and her mother comes rushing back to find out if its true. In the midst of this crisis the three woman become closer than ever and start to understand each other more. Written by alex rose


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The winged marketing demon that patrols the air of popular culture trying to hustle audiences into seeing problematical product has stuck again, and the title this time is "Georgia Rule." Served up in the ads as a slightly askew family comedy, "Rule" is far more psychologically dense than trivial laughs and third-act tears. In fact, the central plot of the film involves sexual abuse. Now there's something a Dido song can't wash away.

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I THINK I LOVE MY WIFE NOW AVAILABLE

I THINK I LOVE MY WIFE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE I THINK I LOVE MY WIFE FROM IMDB

Brenda wears comfortable, cotton panties; Nikki wears shear, lacy thongs. Richard Cooper is in the middle, with a good job in Manhattan, a house in the suburbs, and two cute children with Brenda, his intelligent, good-looking wife, who's a teacher. But there's no sex in this seven-year marriage, so Richard's bored. Into the mix walks Nikki, a sexy, sassy, single friend he's not seen in years. Nikki has problems and finds a reason to stop at his office every day. He tries to help, they have some fun, and he doesn't mention Nikki to Brenda. His work and reputation suffer. Is he about to scratch the seven year itch? Written by {jhailey@hotmail.com}

HERE IS A REVIEW FOR THE MOVIE I THINK I LOVE MY WIFE FROM DVDTALK

Ah, Chris Rock and Eric Rohmer, the two masters together at last. Wait a minute, Rock and Rohmer? If the combination sounds strange to you, "I Think I Love My Wife" doesn't disagree.

Richard (Chris Rock) is man with a great job, two beautiful children, and a wife (Gina Torres) who has long ago stopped paying sexual attention to him. Bored with his marriage, Richard finds himself vulnerable to the charms of Nikki (Kerry Washington), an old acquaintance who has floated back into his life. Richard embraces Nikki's advances under the guise that they're "friends," but when the reality of the potential infidelity hits him at home, Richard must confront his impulses and bad decisions.

French New Wave director Rohmer defined his career making movies about conflicted, morally shaky men, and it's interesting to report that Chris Rock has managed to maintain some of that bastard integrity for his film. Co-writing (with Louis C.K.) and directing "Wife," Rock is looking for a break from the broad comedies he's normally associated with, including his last directorial effort, the amusing 2003 political lampoon, "Head of State."

By writing himself the sad sack role of Richard, Rock is sneaking in a way to expand his career. "Wife" is a comedy, but the elements of drama and other shades of gray are shoveled into the film to lend it some weight beyond the lust for the laugh. I applaud Rock for challenging himself with the picture, but that doesn't mean it clicks.

Updating Rohmer's 1972 film "Chloe in the Afternoon," Rock has cherry picked all the ideas of infidelity and consequence but also lubes up the project with his own sense of humor. "Wife" is profane, awkward, and sprinkled with a strange racial subtext; basically the cinematic equivalent of Rock himself.

Rock doesn't know how to direct this material, and "Wife" can be an erratic moviegoing experience due to his hesitation. One minute the film has some comically dark, yet semi-profound ideas to share on the idea of marriage and the marital neutering of the American male. The next minute, "Wife" is a study in the mine field of fidelity, and the red hot lure of an alpha sexual partner. And in the moments where the picture is least attentive, gags are tossed in that could come from any one of Rock's comedy albums.

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NEW MOVIE 1408 NOW AVAILABLE ON HERE

1408 NOW AVAILABLE ONLINE

HERE IS THE NEWEST ADDITION TO THE WEBSITE ITS THE NEW MOVIE 1408 FEATURING JOHN CUSACK IN A HORROR MOVIE THAT IS SUPPOSED TO BE REALLY GOOD.

HERE IS THE SUMMARY FROM IMDB.

Based on the short Stephen King horror story of the same name, 1408 surrounds supernatural writer Mike Enslin, an author of two hit books focusing on supernatural phenomena. As research for his latest book, Enslin is determined to check out the notorious room 1408 in a New York City hotel by personally staying as a guest in the fabled room. With the intention that 1408 is just a myth perpetuated by stories and rumor that Enslin has collected for his past works. However, hotel manager Mr. Olin has strong objections to Enslin's stay and only warns him of possible danger to come. But Enslin is determined to go through and convinced that the horrific past of 1408 is just mere coincidence and a myth. But what Mike Enslin is about to experience is no myth, as 1408 truly is a room where the guests don't check out by noon. Written by mystic80.

HERE IS A REVIEW OF THE MOVIE 1408 FROM DVDTALK

There seem to be two distinct flavors of Stephen King film adaptations. Either it's a full-on scare-the-dickens-out-of-you night at the movies or it's the journey to the center of the insane mind. "1408" falls into the latter category, yet a large percentage of the middle act wants to play by the now familiar rules of suspense cinema. It's a confusing mix, but then again, "1408" is a difficult movie to decipher.

Mike Enslin (John Cusack) is a non-fiction novelist specializing in the haunted attractions of America. Urged to try spending the night at the Dolphin Hotel in the cursed room 1408, it takes everything the hotel manager (Samuel L. Jackson, in a five-minute cameo) has to try and convince Enslin to change his plans. The author won't budge, and embarks on a stay that will challenge his skeptical nature, forcing Enslin to confront a torturous past with his deceased daughter and a lifetime of disbelief.

Swedish director Mikael Hafstrom made a dent on the American film scene with the 2005 thriller, "Derailed." A nicely detailed piece of trash, "Derailed" couldn't help but fall apart in the final reel, so it comes as little surprise that "1408" also suffers the same fate.

Adapted from a King short story, "1408" has to fill a 90+ minute running time with a concept that should rightfully take up about 30 minutes. However, Hafstrom is skilled at the build up to the hotel room sequences; giving the audience a nice feel of Enslin's testy personality before he's subjected to a barrage of nightmares.

It's takes a good half hour before we even get into the dreaded hotel room, and once it arrives, there's really nowhere for "1408" to effectively go. This is an origami-paper-thin concept about psychological confinement, and the screenplay works up a summer-day-20k sweat trying to fill the narrative with bits of character dimension and generic suspense. The director is actually able to breathe some life into the majority of the picture, drizzling on the required bits of evil and alarm; but he's punishing Enslin for sins the audience surely won't be invested in.

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WHO'S YOUR CADDY NOW AVAILABLE

WHO'S YOUR CADDY NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE WHO'S YOUR CADDY FROM IMDB

When a rap mogul from Atlanta tries to join a conservative country club in the Carolinas he runs into fierce opposition from the board President- but it's nothing that he and his entourage can't handle.

HERE IS A REVIEW FOR THE MOVIE WHO'S YOUR CADDY FROM DVDTALK.


The funny thing about white people, you see, is that they are very different from black people. Yes! It's true! And that's why it's so funny. That is the premise behind ... well, a lot of movies. But specifically "Who's Your Caddy?," a monstrously ill-conceived and unfunny comedy about what happens when some black folks barge into a snooty white country club and start shakin' things up. There are two clues that this movie will be worthless: 1) The premise is old and tired. 2) It's called "Who's Your Caddy?"

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BECOMING JANE NOW AVAILABLE

BECOMING JANE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE BECOMING JANE FROM IMDB.

A biographical portrait of a pre-fame Jane Austen and her romance with a young Irishman.

HERE IS A REVIEW FOR THE MOVIE BECOMING JANE FROM DVDTALK.

Becoming Jane sounded like a great idea. A biography of Jane Austen told in the style of one of her books, with Anne Hathaway cast as the young author. The actress was an excellent choice. Her command of the language, her intelligence, and doe-eyed beauty would be perfectly suited for the etiquette, clever outbursts, and period costumes such a role would surely require. In that sense, thankfully, the filmmakers did not fail, as Hathaway makes good on our expectations. The script, unfortunately, does not, somehow forgetting that Austen was actually a real person. Instead, TV writers Kevin Hood and Sarah Williams and Kinky Boots director Julian Jarrold truss up their heroine so tight, she all but disappears, relying instead on audience foreknowledge of Pride & Prejudice and Sense & Sensibility to provide any sort of connection with the movie at all.

Writers giving short shrift to a fellow writer in her own story. Surely Austen herself would enjoy the irony.

The set-up for the story is that young Jane is next in line amongst her sisters to be married. With elder Cassandra (Anna Maxwell Martin, Bleak House) engaged to a young priest who has been under tutelage to the girls' father (James Cromwell, The Queen), it's up to Jane to pick a proper suitor to settle down with. Her mother (Julie Walters, a.k.a. Mrs. Weaseley in the Harry Potter movies) feels that it's of particular import that Jane marry into money, as the family barely survives on what Mr. Austen makes at their local parish. Resident money maven Lady Gresham (Dame Maggie Smith) has a nephew she's ready to link to the rebellious girl, but poor Wisley (Laurence Fox) is like Lurch in a proper dressing coat, lumbering in both speech and movement.

Naturally, Jane can't marry Wisley, because she must marry for love, a principle her father has instilled in her. Like a heroine in her novels, she has been encouraged to dream, indulged in her early morning scribblings, and she's not willing to give in easily. Particularly when there are outsiders like the ghastly Tom Lefroy (James McAvoy, Starter For Ten) to secretly swoon over while outwardly declaring him detestable. Lefroy likes to drink, carouse, and even do some bare-chested boxing, and he's been exiled to the country in a kind of Victorian version of rehab. He must get his gadabout ways out of his system!

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