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HERE IS THE SUMMARY FOR THE MOVIE I THINK I LOVE MY WIFE FROM IMDB

Brenda wears comfortable, cotton panties; Nikki wears shear, lacy thongs. Richard Cooper is in the middle, with a good job in Manhattan, a house in the suburbs, and two cute children with Brenda, his intelligent, good-looking wife, who's a teacher. But there's no sex in this seven-year marriage, so Richard's bored. Into the mix walks Nikki, a sexy, sassy, single friend he's not seen in years. Nikki has problems and finds a reason to stop at his office every day. He tries to help, they have some fun, and he doesn't mention Nikki to Brenda. His work and reputation suffer. Is he about to scratch the seven year itch? Written by {jhailey@hotmail.com}

HERE IS A REVIEW FOR THE MOVIE I THINK I LOVE MY WIFE FROM DVDTALK

Ah, Chris Rock and Eric Rohmer, the two masters together at last. Wait a minute, Rock and Rohmer? If the combination sounds strange to you, "I Think I Love My Wife" doesn't disagree.

Richard (Chris Rock) is man with a great job, two beautiful children, and a wife (Gina Torres) who has long ago stopped paying sexual attention to him. Bored with his marriage, Richard finds himself vulnerable to the charms of Nikki (Kerry Washington), an old acquaintance who has floated back into his life. Richard embraces Nikki's advances under the guise that they're "friends," but when the reality of the potential infidelity hits him at home, Richard must confront his impulses and bad decisions.

French New Wave director Rohmer defined his career making movies about conflicted, morally shaky men, and it's interesting to report that Chris Rock has managed to maintain some of that bastard integrity for his film. Co-writing (with Louis C.K.) and directing "Wife," Rock is looking for a break from the broad comedies he's normally associated with, including his last directorial effort, the amusing 2003 political lampoon, "Head of State."

By writing himself the sad sack role of Richard, Rock is sneaking in a way to expand his career. "Wife" is a comedy, but the elements of drama and other shades of gray are shoveled into the film to lend it some weight beyond the lust for the laugh. I applaud Rock for challenging himself with the picture, but that doesn't mean it clicks.

Updating Rohmer's 1972 film "Chloe in the Afternoon," Rock has cherry picked all the ideas of infidelity and consequence but also lubes up the project with his own sense of humor. "Wife" is profane, awkward, and sprinkled with a strange racial subtext; basically the cinematic equivalent of Rock himself.

Rock doesn't know how to direct this material, and "Wife" can be an erratic moviegoing experience due to his hesitation. One minute the film has some comically dark, yet semi-profound ideas to share on the idea of marriage and the marital neutering of the American male. The next minute, "Wife" is a study in the mine field of fidelity, and the red hot lure of an alpha sexual partner. And in the moments where the picture is least attentive, gags are tossed in that could come from any one of Rock's comedy albums.

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