SAW IV NOW AVAILABLE

SAW IV NOW AVAILABLE ONLINE


HERE IS THE SUMMARY FOR THE MOVIE SAW IV FROM IMDB


Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grizzly remains and piecing together the puzzle. However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences. Written by Lionsgate


HERE IS A REVIEW FOR THE MOVIE SAW IV FROM DVDTALK

• When we last left the "Saw" franchise, Jigsaw was revealed to be a victim of a broken heart (awwwwww), and the producers bent over backwards to cram new, outlandish twists into this head-slappingly dreadful franchise, hopeful to extend the profit trail long enough before horror fans start to realize they're being taken advantage of. After four of these harebrained features, I'm starting to think the audience enjoys the violation.

• With Jigsaw (Tobin Bell) and Amanda (Shawnee Smith) dead, two FBI profilers (Scott Patterson and Athena Karkanis) are called in to assist Detective Hoffman (Costas Mandylor) with his investigation of the homicides and elaborate torture devices Jigsaw left behind. When SWAT Commander Rigg (Lyriq Bent) is kidnapped and set off on game giving him 90 minutes to survive a series of traps, the cops are in close pursuit, leading them to the doorstep of Jigsaw's former ladylove Jill (Betsy Russell), where a few answers about Jigsaw's macabre modus operandi are provided, along with chilling plans for the future.

• There's a built-in audience for the "Saw" films at this point in the game. I get that. What I find more confusing about this phenomenon is the adoration of such amateurish filmmaking and feverishly corner-cutting, logic-be-damned screenwriting. "Saw" has become a Halloween staple, now in its fourth year of bloodshed production. The previous entries in the franchise have been laughably acted, frightfully directed exercises in voyeurism, somehow equating the salivating display of blunt ultraviolence and fountains of gore with a social message on appreciating the brevity of life. Would it be shocking if I wrote that "Saw IV" is simply another serving of the same stale soup?

• There's really no reason to shake up the series at this point, since prior "Saw" sequels have been rewarded with bewilderingly ardent fans and impressive (if not blockbuster) box office returns. "Saw IV" is only trying to reheat the Jigsaw myth into pliable form to stretch the material for two more planned sequels after this, and for that goal alone, the latest round of sadistic traps and melodramatic tribulations is a great success. As for elements like "acting" and "suspense," the latest "Saw" feature still leaves a lot to be desired.

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