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HERE IS THE SUMMARY FOR THE MOVIE BLOOD AND CHOCOLATE FROM IMDB

In Bucharest, Romania, the orphan Vivian was raised by her aunt after losing her parents ten years ago in the Rocky Mountains, Colorado. His family belongs to a bloodline of werewolves and Vivian is promised to the leader of the pack, Gabriel. When the American cartoonist Aiden, who is researching werewolves for his publisher for the next edition of his magazine, meets Vivian, they immediately fall in love for each other. However, the evil son of Gabriel and Vivian's cousin Rafe poisons Gabriel about the love of Vivian, forcing her to choose between her bounds with her family and her passion for Aiden. Written by Claudio Carvalho, Rio de Janeiro, Brazil

With the Five on her tail, a young beautiful werewolf named Vivian seeks peace in the arms of Aiden while escaping the never-ending infatuation Gabriel has on her. But when a string of accidental murders happen, this threatens to rip and expose her pack apart. Written by Britamer_rk3

HERE IS A REVIEW FOR THE MOVIE BLOOD AND CHOCOLATE FROM DVDTALK

One thing about this film is for sure, the title stinks. I'm sure it sounds elegant on the cover of the novel this picture is based on, but slap it on the screen, and you're begging people to laugh. Having now seen the film, perhaps a better title would've been, "Hot Topic: The Movie."

Vivian (Agnes Bruckner, "Venom") is young woman living with her relatives in Romania. During the day the innocent girl bides her time working in a chocolate shop, but at night, she reveals herself to be a crucial member of a pack of werewolves. The leader, Gabriel (Olivier Martinez, "Unfaithful"), is ready to marry again, and all signs point to Vivian to be the new bride. Plans changer, however, when an American artist, Aiden (Hugh Dancy, "King Arthur"), takes a shine to Vivian, capturing her heart, but enraging her protective and sinister family of werewolves, or "loup-garou."

First and foremost, "Blood" is harmless entertainment. Outside of the complete and utter bastardization of Annette Curtis Klause's original story, the film plays unexpectedly quietly and with occasional dreamlike elegance if you squint hard enough. Director Katja von Garnier brings an almost sensual quality to the screenplay, and her fascination with the movement of wolves stands out as an odd highlight of the picture.

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