Wednesday, October 24, 2007

WE OWN THE NIGHT NOW AVAILABLE

WE OWN THE NIGHT NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE WE OWN THE NIGHT FROM IMDB

  • A New York nightclub manager tries to save his brother and father from Russian mafia hit men.
HERE IS A REVIEW FOR THE MOVIE WE OWN THE NIGHT FROM DVDTALK

  • A Shakespearian battle of wills and conscience form the heart of "We Own the Night." A testy, mournful drama, "Night" crackles with the kind of hard-edged ideas of street justice and criminal panic that don't come around often enough. It's a sensational picture, best received by minds open to generous cinematic brush strokes of right and wrong.
  • The year is 1988, and Bobby Green (Joaquin Phoenix) is a small-time club promoter unknowingly working for Russian gangsters. His estranged family, brother Joseph (Mark Wahlberg) and father Burt (Robert Duvall), are New York City cops looking to take down a drug-running associate of the club. Asking for Bobby's cooperation with the investigation, the club wizard is caught between the power of success and the love of his floozy girlfriend (Eva Mendes), and the police blood that flows in his veins. When the Russians start to make destructive moves toward Bobby's family, he finds his choice already made for him.

  • In "The Yards" and "Little Odessa," writer/director James Gray revealed his attraction to the criminal underground; how crossroads of faith and judgment shaped his characters as they fought to defend their mistakes and hope to correct their wayward lives. "We Own the Night" continues that exploration, only now on a more mythical playing field. It's cops vs. bad guys on the coke-lined gutters of New York City, and Gray brings a bleak enormity to it all that's difficult to resist.
  • Reteaming Phoenix and Wahlberg after their work together in "Yards," "Night" is simply an actor's dream, allocating meaty roles to the cast that require bold proclamations of distress and disbelief. Phoenix is especially exceptional, extracting areas of torment in Bobby that help Gray's script find the reality it needs to keep dishing out larger-than-life sequences of revenge. Wahlberg and Duvall hold the smaller roles, but their performances ring with a level of steel blue loyalty that positions the film into unbelievable moments of violence and tragedy.


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