ALIEN VS PREDATOR 2 NOW AVAILABLE

ALIEN VS PREDATOR 2 NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE ALIEN VS PREDATOR 2 FROM IMDB

Warring alien and predator races descend on a small town, where unsuspecting residents must band together for any chance of survival.

HERE IS A REVIEW FOR THE MOVIE ALIEN VS PREDATOR 2 FROM DVDTALK

I can't imagine anyone on the planet received a bigger present this Christmas morning than Paul W.S. Anderson. While his profoundly sullied name hasn't been rescued from the pits of directorial reputation hell, he can now take comfort in the knowledge that he hasn't directed the worst film to feature Aliens and Predators.

When an Alien/Predator hybrid crashes his spaceship in small town Colorado, it kicks off a series of deaths that trigger the attention of the Predator home world. Sending off a top hunter, the Predator comes to Earth on the trail of the Aliens, following them into the community, where they've gone about their business slaughtering the locals and sending Facehuggers out to boost the population numbers. When a band of survivors team up to search for safety, they find not only must they elude the extraterrestrial infestation, but the government as well, who wants to contain the outbreak for study.

It boggles the mind to even contemplate how dreadful "Requiem" is. The map leading to quality was clearly laid out by Anderson's moronic work with his 2004 installment "AVP," and any filmmaker with half a brain could've manufactured something that restores a little of the glossy ferociousness that marked both the "Alien" and "Predator" franchise over the last three decades with minimal effort. Instead, we meet directorial newcomers Colin and Greg Strause (billed as "The Brothers Strause"), two random FX flunkies who turn this sequel into a vile, joyless, murky, moronic, amateurish, contemptuous, numbing, unintentionally hilarious, and thoroughly diseased motion picture. It's a perfect film for the Scrooges out there who like their multiplex fodder crude and unrelentingly insulting.

I bashed Anderson's take on the material for the cartoon directions it turned. After all, reimagining Predators as stubby football linebackers and staging the flaccid action in a series of cheap-looking sets wasn't exactly an invitation to view filmmaking ingenuity. However, Anderson is Welles compared to the Brothers Strause, who tear through the film without the slightest clue what they're doing, blindly foraging through the script for the nastiest bits of bodily harm to exploit for the marketing. The boys have no idea how to instruct actors, stage action, explore visual effects, or tell a story. Their function is primarily to oversee madness and somehow pull 80-minutes of tripe together for 20th Century Fox to sell to lenient fanboys flush with holiday cash.

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