KNOWING NOW AVAILABLE

Here is the summary for the movie The Knowing from imdb

A teacher opens a time capsule that has been dug up at his son's elementary school; in it are some chilling predictions -- some that have already occurred and others that are about to -- that lead him to believe his family plays a role in the events that are about to unfold.


Here is a review for the movie The Knowing from dvdtalk

While "I, Robot" was a massive moneymaker for all participants involved, I don't know of anyone who exited the theater ecstatic with the results. Well, director Alex Proyas is back on the sci-fi chain gang, this time tackling the apocalyptic thriller "Knowing." A broad, leisurely jumble of Alfred Hitchcock-style suspense architecture and a dreary, paint-by-numbers Sci-Fi Channel Original, "Knowing" only seems to extract two reactions: nail-biting and eye-rolling. Proyas misjudges the material to both frightening and facepalm results, leaving "Knowing" a frothy brew of pleasing chaos and absolute absurdity.

Dealing with the heavy psychological burden of spousal loss, MIT professor John (Nicolas Cage) watches over his young son Caleb (Chandler Canterbury) carefully, protecting him from life's social demands. To commemorate the unearthing of an elementary school time capsule buried 50 years earlier, each child is handed a drawing from the tube to study. Caleb is entrusted with a sheet of seemingly random numbers composed by a disturbed girl, triggering John's curiosity. Figuring the numbers to be a cryptogram that has successfully predicted the world's worst disasters for five decades, John sets out to prevent the last three codes on the paper from realization. Trying to save lives while seeking out the author's offspring (Rose Byrne) for answers, John races against the clock to prevent a worldwide disaster from becoming a reality.

While I walked out of "Knowing" semi-disgusted with the film and with Proyas's shallow bag of tricks, I will readily admit that the feature shares a few wonderful moments of unpolluted suspense. Clearly motivated by Hitchcock's distinguished timing, Proyas finds amazing inspiration within the picture's disaster set pieces, in which John's frantic decoding takes him to the sites of plane crashes and subway collisions -- events he's attempting to prevent. Proyas, ever the meticulous visual stylist, knows how to the twirl the tension knobs with skillful camerawork and a blaring Herrmannesque score from composer Marco Beltrami to accompany the havoc. The scenes connect, even with a few special effect blunders (John can apparently walk through fire unscathed), because they plug directly into the film's cracking premise as a chest-tightening disaster film. The ingenious ticking clock here is the code sheet, making "Knowing" a startlingly tight thriller when it boils down to the essentials of John identifying patterns and racing to save the day. Sure, plot holes and drastic leaps of logic swarm the picture, but all that can be forgiven when the film snaps to attention. "Knowing" has a few of those superlative moments.

However, "Knowing" also hungers to be a sci-fi extravaganza, populating the second half of the film with shadowy "whisper people" and reoccurring symbols of otherworldly recognition. To write that "Knowing" lost me with this detour is an understatement; the film positively croaks reaching for a more philosophical conclusion, seemingly embarrassed with the exhilarating coding clockwork that's come before. Proyas has always fumbled plot mechanics in his previous efforts, and "Knowing" is not immune to the director's butterfingers. What easily could've been a tight, swell 80-minute-long joyride of a motion picture is flooded to 120 cumbersome minutes, force-feeding a frenzied climax that doesn't fit the tone of movie at all. To spotlight more of the script's screwy direction would be sprinting into spoiler territory, so I'll leave it dangle here. Suffice it to say, "Knowing" should've left well enough alone. To fatten the experience just to play to Hollywood blockbuster rules dilutes the tension and humiliates the cast.

Proyas attempts to sand down the blunt ends using Beethoven's mournful Symphony No. 7 and an unrealistically redemptive ending, but it can't cover the mistakes of the final product, which reaches further into lunacy with a masturbatory staging of a Roland Emmerich-style mass destruction derby to please the nervous executives. "Knowing" is 40% greatness and 60% hot air, which is especially maddening when, for a moment or two at least, the movie was perfect.

Here is the direct download for the movie The Knowing.

KIT KITTREDGE NOW AVAILABLE

Here is the summary for the movie Kit Kittredge from imdb

'Kit Kittredge: An American Mystery' centers around a young living in the struggles of the Great Depression. 10 year old Kit lives in a boarding house her parents own in Cincinnati, Ohio. She has a passion for writing, & dreams of having something of hers put in the local paper someday. With the help of her friends, Sterling & Ruthie, will her dream finally come true? Written by wgdpink

The film focuses on Kit Kittredge, who grows up in the early years of the Great Depression. Written by anonymous

Here is a review for the movie Kit Kittredge from dvdtalk

It's easy to see that "Kit Kittredge" is after family audiences. It's a harmless tale told without a lick of objectionable content, sure to offer relief to many parents unwilling to subject their children to the heated warfare of lowbrow summer entertainment. However, as generous in spirit as "Kittredge" is, it's an absolute chore to sit through for anyone not plugged into the "American Girl" franchise hoedown.

Watching her family hope to make ends meet during the Great Depression, Kit Kittredge (Abigail Breslin) remains courageous, even trying to score work with the local paper writing about matters of the unemployed. When her father (Chris O'Donnell) heads out of state to find work, it forces Kit's mother (Julia Ormond) to take in eccentric boarders (including Stanley Tucci, Joan Cusack, and Jane Krakowski), most of which have great distaste for the hobos that fill the manual labor jobs of the neighborhood. One of the homeless kids, teenager Will (Max Theroit), is a friend of the Kittredges, and when he's accused of theft, Kit springs into action, trying to uncover the clues that will clear Will's name and save the family home from foreclosure.

"Kittredge" is born from the popular "American Girl" doll line, which gives young girls (and Marie Osmond types) a chance to experience life from a different era and perspective. It's an interesting concept for a toy, and if there's anything to outright praise about the "Kittredge" movie, it's the obsession with Depression iconography. The picture is all soup lines, chicken-feed-bag dresses, and the use of "hobo" as the ultimate four-letter word (seriously, these characters wield the term like a switchblade).

Director Patricia Rozema embraces the era and manufactures an agreeable cardboard backdrop for Kit and her adventures, but she overdoses on the earnestness, turning Kit into a blinding beacon of one-dimensional goodwill and kid-sized worry. "Kittredge" has been drained of complexity to satisfy the wee ones in the audience, and I'm absolutely fine with that; what troubles me about the picture is its amplified presentation. The cast is all wildly gesticulating arms and heavily-pronounced melodrama, while the plot itself is pulled straight from a "Scooby-Doo" episode, with slapstick bad guys and cartoonishly greedy motivations. Rozema pitches everything to the rafters, turning the picture into a sugary, aggravating caper.

The perky pinch is also felt by Breslin, pushed here by Rozema to give an adult performance dancing across the emotional rainbow, but she's too limited to have much effect. Breslin is entering the Dakota Fanning phase of her career: the place where studios lust after her name, thus pressuring the actress to take roles beyond her skill level. Breslin sells the earnestness of Kit, but not the gravity, and her performance is cringingly robotic as a result.

"Kit Kittredge" is hopelessly vanilla entertainment, and while it's sure to please some matinee attendees, it's going to feel like a demonic endurance ritual to the less inclined.

Here is the direct download for the movie Kit Kittredge.