Wednesday, August 08, 2007

HERE IS A GREAT QUALITY VERSION OF TRANSFORMERS

TRANSFORMERS THE MOVIE NOW AVAILABLE ONLINE

THATS RIGHT HERE IS THE MOVIE TRANSFORMERS 2007

HERE IS SOME INFO ON THE MOVIE FROM IMDB AND A FEW OTHER SITES.

A long time ago, far away on the planet of Cybertron, a war was being waged between the noble Autobots (led by the wise Optimus Prime) and the devious Decepticons (commanded by the dreaded Megatron) for control over the Allspark, a mystical talisman that would grant unlimited power to whoever possessed it. The Autobots managed to smuggle the Allspark off the planet, but Megatron blasted off in search of it. He eventually tracked it to the planet of Earth (circa 1850), but his reckless desire for power sent him right into the Arctic Ocean, and the sheer cold forced him into a paralyzed state. His body was later found by Captain Archibald Witwicky, and before going into a comatose state Megatron used the last of his energy to engrave a map, showing the location of the Allspark, into the Captain's glasses, and send a transmission to Cybertron. He is then carted away by the Captain's ship. A century later, Sam Witwicky, nicknamed Spike by his friends, buys his first car. To his shock, he discovers it to be Bumblebee, an Autobot in disguise who is to protect Spike, as he bears the Captain's glasses and the map carved on them. But Bumblebee is not the only Transformer to have arrived on Earth - in the desert of Qatar, the Decepticons Blackout and Scorponok attack a U.S. military base, causing the Pentagon to send their special Sector Seven agents to capture all "specimens of this alien race," and Spike and his girlfriend Mikaela find themselves in the middle of a grand battle between the Autobots and the Decepticons, stretching from Hoover Dam all the way to Los Angeles. Meanwhile, within the depths of the Pentagon, the cryogenically stored form of Megatron awakens... Written by Sivaji IMDBoss

High-school student Sam Witwicky buys his first car, who is actually the Autobot Bumblebee. Bumblebee defends Sam and his girlfriend Mikaela Banes from the Decepticon Barricade, before the other Autobots arrive on Earth. They are searching for the Allspark, and the war on Earth heats up as the Decepticons attack a United States military base in Qatar. Sam and Mikaela are taken by the top-secret agency Sector 7 to help stop the Decepticons, but when they learn the agency also intends to destroy the Autobots, they formulate their own plan to save the world. Written by BRUTICUS!


HERE IS A REVIEW ON THE MOVIE TRANSFORMERS FROM DVDTALK.

Has Hell actually frozen over? Are pigs now taking to the sky? I only ask because Michael Bay has achieved the unthinkable: he's directed a crushingly entertaining movie. I'm astounded the world hasn't stopped turning from the shock of it all.

Searching the galaxy for a troublesome energy cube, the Autobots, lead by Optimus Prime (voiced robustly by legend Peter Cullen), have arrived on Earth. Teaming up with a teenager named Sam (Shia LeBeouf) and innocent bystander Mikeala (Megan Fox), the Autobots set out to complete their mission; but when government agents interfere (led by John Turturro and Jon Voight, with grunts played by Josh Duhamel and Tyrese Gibson), it awakens the wrath of the Decepticons, who free their leader Megatron (Hugo Weaving) from his ice prison and put Earth in their crosshairs as they challenge Prime for control of the all-powerful cube.

The "Transformers" line of robot toys was the adolescent boy Spice Melange back in the 1980s, accompanied by a bewitching cartoon series that peaked with the release of a bizarre 1986 animated feature film. They were classic plastic creations, born of primary colors and blocky, sometimes puzzling movement, and they held the imagination of millions of children hostage all over the globe; a radiant legacy that continues to this day. Turning something this iconic and fanboy-protected (I've met some who would fall on their sword for Prime) into a hip summer popcorn product (live action no less) is an endeavor I wouldn't wish on my worst enemy. Coincidently, Bay turns out to be the right man for the job.

I've been hard on Bay in the past, but deservedly so; he works too feverishly in the area of sensory overload, thinking a sheer wall of sound will stupefy his audience long enough to swallow the Shinola he's shoveling. Bay's films are crude, self-aware, and frequently insulting, but with "Transformers," his swollen ego is tethered to radical geek expectations that he's no match for.

Granted, these aren't your granddaddy's Transformers. Souped up to resemble high-tech living robots while fighting and the latest in automobile trends in car form, Bay and the producers have mucked around considerably with the look of the Autobots and Decepticons, putting the infamous flames on Optimus Prime and turning Megatron into an alien jet. Supporters of the all-holy "G1" have every right to scoff, but "Transformers" has a wonderful way of making these ludicrous alterations fit into the bigger, slicker picture, pressing down hard on the extraterrestrial angle of our visitors. It's only a matter of moments before you buy these reinvented incarnations of popular characters and another few seconds before you start to root for their victory and defeat.

Bay being Bay, there is a small armada of Bayisms scattered throughout the picture, including a reprise of asinine gunfight camera technology that was employed in "Bad Boys 2," an obsession with tanned womanly attributes (keep in mind Fox's character is supposed to be 17 years-old), and some of the most unimaginative scoring and soundtrack selections of the year. Bay also gets predictably nutso during the combat sequences, but I was floored to see his typical edit count of a billion tempered down to a mere million. Bay respects the scope of the Transformer might, and appears willing, for the very first time in his career, to let some shots play out, allowing the viewer to get a clear gander at the enormity of the "robots in disguise" and their unholy wrath.

Bay also ropes off some space for the human factor, using Sam as a spacer in-between scenes of special effects brawling with other special effects. While LeBeouf is doing his habitual LeBeouf stammering square dance in the film, his teen distress is welcome amidst all of the intricate visual splendor, playing well off Fox and the macho military militia (a Bay staple) that swarms in the latter half of the film. The "flesh-based organisms" are here to keep the picture light and approachable, and it's amazing how well these limited actors are able to accomplish that.

Running a woozy 140 minutes, "Transformers" never runs out of juice, saving an eye-opening amount of rocket sauce for the final battle between good vs. evil. Those more accustomed to Bay's 10 Commandments of Destruction ("Thou Shall Bleedeth from the Ears," etc.) will be delighted to see the film finally go completely bonkers, wrecking entire Los Angeles city blocks and skyscrapers, killing beloved characters, and in general smashing anything that dares stand in the way. It also means a true payoff of both the seamless special effects and the Transformer design, as the Autobots and the Decepticons go medieval on each other with a thundering PG-13-bending rage. It's the kind of mayhem that a 12-year-old boy's dreams are made of, and makes for a comfortably numb viewing experience that takes a worthwhile leap of bonehead faith to fully embrace.

Frankly, I've never seen Bay share this much joy with action before. Maybe it's his distance from the source material or perhaps he wants out of the movie jail 2005's brain-dead flop "The Island" locked him in. Either way, Bay is starting to control his sinister urges little by little, and I pray it signals maturity rather than short-lived career panic.

I can't say "Transformers" ends as much as it takes a breather to wait for the box office tally to roll in. There's a promise of a sequel made at the conclusion of this breathless film; a prospect that I wouldn't mind seeing fulfilled. Sure, Michael Bay fussed hilariously with the Transformer designs and allowed Prime to utter the hacky line, "my bad," yet I can't fight the reality that he's also created a rock 'em, sock 'em piece of thunderbolt summer escapism. It doesn't wash away his past sins, but "Transformers" provides two emotions I never thought I'd feel walking out of a Michael Bay film: hope and satisfaction.

UPDATE: HERE IS AN ALMOST DVD QUALITY VERSION OF THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE TRANSFORMERS.


WWE RAW 08/06/07 NOW AVAILABLE


WWE RAW 08/06/07 NOW AVAILABLE ONLINE


HERE IS THE MATCHES THAT TOOK PLACE.



BATTLE ROYAL WINNER BECOMES THE GENERAL MANAGER OF RAW

RORY FROM THE HIGHLANDERS FACED SNITSKY

MICKIE JAMES VS JILLIAN HALL

JERRY "THE KING" LAWLER FACED BOOKER T WHO THINKS HE IS A KING

THEY HAD A DATING GAME SEGMENT

MAIN EVENT UMAGA VS JOHN CENA FOR THE 20TH TIME



HERE IS THE DIRECT DOWNLOAD FOR THIS WEEKS EPISODE OF WWE RAW.

Monday, August 06, 2007

NATIONAL LAMPOON'S VACATION NOW AVAILABLE

NATIONAL LAMPOON'S VACATION NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE NATIONAL LAMPOON'S VACTION FROM IMDB

The Griswold family, father Clark W., wife Ellen, daughter Audrey and son Rusty, set out in high spirit to spend their vacation driving cross-country from Chicago to a glorious climax in Walley World on the West Coast. The trip which Clark planned down to the minute, slowly loses its smoothness from the moment the first grain of sand gets in. A meeting with constantly-in-debt, simple-minded cousin Eddie results in the Griswold family giving cantankerous aunt Edna a lift to Phoenix. Of course, the Griswolds receive one strike of bad luck after another, and when they finally arrive at Walley World, they have to find out that the park is closed for maintenance. But Clark promised his beloved family the best vacation ever... Written by Julian Reischl {julianreischl@mac.com}

CLICK HERE IF YOU WANT TO READ THE REST OF THE SUMMARY FOR THIS MOVIE.

HERE IS A REVIEW FOR THE MOVIE NATIONAL LAMPOON'S VACATION FROM DVDTALK

The Movie

As a member of the "Holy Trinity" of Chevy Chase films (alongside Caddyshack and Fletch), National Lampoon's Vacation represents Chevy Chase at his all-around cinematic best. Of all the films listed on Chase's r�sum�, there is none other that encapsulates what makes Chase one of the best comedic talents of his era. To wit: for as much as I positively worship at the feet of Caddyshack, the film is basically a "Clash of the Titans" between Rodney Dangerfield's sarcastic, acerbic one-liners and the brilliant, seething slow-burn of the late, great Ted Knight. Fletch is a comedy classic, and Chase is almost pitch-perfect throughout the film, but his funnyman antics, physical comedy, piercing impersonations, and throwaway glibness seem slightly out-of-place when juxtaposed with the film's rather serious narrative.

So what makes National Lampoon's Vacation the quintessential Chevy Chase vehicle? Simply put: everything. Even if you remove Chase from the equation, the film boasts a promising pedigree. The film was directed by Harold Ramis, the SCTV-vet who was fresh off writing (and co-starring in) the Bill Murray smash Stripes, as well having been the writer/director behind Caddyshack and co-writer of Animal House. Ramis would also go on to direct Groundhog Day . Now let me repeat all that for effect: Stripes, Caddyshack, Animal House, and Groundhog Day. TBS owes their existence to this man, but I digress. The script was written by John Hughes, based on a short story he penned for National Lampoon magazine. This is the same John Hughes whose entire oeuvre would leave a lasting influence of a generation of movie-watchers; films like Sixteen Candles, The Breakfast Club, Weird Science, Ferris Bueller's Day Off, Pretty In Pink, and Planes, Trains, and Automobiles are his cinematic lineage. TBS owes 99.999% of their advertising revenue to this man... but again, I'm off on a tangent.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE NATIONAL LAMPOON'S VACATION.

Sunday, August 05, 2007

MYSTERY MEN NOW AVAILABLE

MYSTERY MEN NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE MYSTERY MEN FROM IMDB

In order to generate more endorsement revenue, Champion City's resident superhero Captain Amazing arranges for the release of supervillian Casanova Frankenstein, only to be captured by him. The city's fate rests in the hands of seven loser superhero wannabes: the fork-flinging Blue Rajah, the shovel-wielding Shoveler, the posessed bowling ball-hurling Bowler, the flatulent Spleen, the only-when-nobody's-looking Invisible Boy, the mysterious Sphinx, and the perpetually-angry Mr. Furious. Written by Jeff Cross {blackjac_1998@yahoo.com}

In Champion City, would be superheroes like The Shoveler, The Blue Raja and Mr. Furious can't seem to make a difference and impress either the city or its greatest superhero, Captain Amazing. However, when Captain Amazing is captured by his greatest enemy, Cassanova Frankenstein, these stumblebum heroes must join with other superhero hopefuls to save the Captain and the city. Written by Kenneth Chisholm {kchishol@execulink.com}


HERE IS A REVIEW FOR THE MOVIE MYSTERY MEN FROM DVDTALK

In Short
: Universal produces a nice special edition, but the movie's still a "renter".

The Movie:
Original Review From August, 1999: A very big movie with a handful of tiny ideas, "Mystery Men" is a movie with a few jokes up its sleeve, but definitely not enough to extend over two hours. It's generally one big mess- a stew of special effects, awkward action, lack of editing and enormous sets ready to swallow it all whole. Greg Kinnear(very annoying) stars as Captain Amazing, the resident superhero of Champion City. Not only does he fight crime, he gets ad deals(decals are plastered across his suit like a race-car driver.) When he finds that he's about to lose his deal with Pepsi, he decides to free Cassanova Frankenstein(Geoffrey Rush) from jail, giving him someone to fight, since all of his other enemies are in prison.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE MYSTERY MEN.

BRUCE ALMIGHTY NOW AVAILABLE

BRUCE ALMIGHTY NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE BRUCE ALMIGHTY FROM IMDB

Bruce Nolan (Carrey), a television reporter in Buffalo, N.Y.,is discontented with almost everything in life despite his popularity and the love of his girlfriend, Grace (Aniston) . At the end of the worst day of his life, Bruce angrily ridicules and rages against God and God responds. God appears in human form (Freeman) and, endowing Bruce with divine powers, challenges Bruce to take on the big job to see if he can do it any better. Written by Cezzie

CLICK HERE IF YOU WANT TO READ THE REST OF THE SUMMARY FOR THIS MOVIE.

HERE IS A REVIEW FOR THE MOVIE BRUCE ALMIGHTY FROM DVDTALK

Much has been made of Jim Carrey's attempts to become a serious actor. "The Truman Show" started Carrey's slide into dramatic roles, and the pairing of "Man on the Moon" and "The Majestic" continued it. Neither of the latter two pictures received much interest from the public, but both showed that Carrey had potential beyond comedy. Nothing wrong with "Ace Ventura", mind you - in fact, it's a blueprint for the movie that Carrey should have done - low-budget, good concept and let the actor run wild like there's no tomorrow. "Bruce Almighty" could have been a concept that resulted in Carrey magic. It doesn't, and all signs point to director Tom Shadyac as the guilty party. Shadyac, the filmmaker who found unexplained success with "Patch Adams" a few years ago, has since been carrying on a crusade for sentimentality in cinema. In "Bruce", he abruptly halts the comedy in the last half hour and brings on heaping helpings of sentimentality and sappiness.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE BRUCE ALMIGHTY.

TALK TO ME NOW AVAILABLE

TALK TO ME NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE TALK TO ME FROM IMDB

The true life story of Ralph Waldo "Petey" Greene Jr. In the mid-to-late 1960s, in Washington, D.C., vibrant soul music and exploding social consciousness were combining to unique and powerful effect. It was the place and time for Petey to fully express himself - sometimes to outrageous effect - and "tell it like it is." With the support of his irrepressible and tempestuous girlfriend Vernell, the newly minted ex-con talks his way into an on-air radio gig. He forges a friendship and a partnership with fellow prison inmate Milo's brother Dewey Hughes. From the first wild morning on the air, Petey relies on the more straight-laced Dewey to run interference at WOL-AM, where Dewey is the program director. At the station, Petey becomes an iconic radio personality, surpassing even the established popularity of his fellow disc jockeys, Nighthawk and Sunny Jim. Combining biting humor with social commentary, Petey openly courts controversy for station owner E.G. Sonderling. Petey was determined to make not just himself but his community heard during an exciting and turbulent period in American history. As Petey's voice, humor, and spirit surge across the airwaves with the vitality of the era, listeners tune in to hear not only incredible music but also a man speaking directly to them about race and power in America like few people ever have. Through the years, Petey's "The truth just is" style --- on - and off-air - would redefine both Petey and Dewey, and empower each to become the man he would most like to be. Written by Focus Features

HERE IS A REVIEW FOR THE MOVIE TALK TO ME FROM DVDTALK

More often than I care to admit, "Talk to Me" reminded me of the Howard Stern bio-pic, "Private Parts." Only, instead of lesbians and Baba Booey, "Talk" offers social upheaval and instants of comedy that would make Don Knotts exclaim, "That's a little too broad." It's a peculiar, persuasive take on a radio icon, yet it's barely held together long enough to fill two hours.

Ralph Waldo "Petey" Greene (Don Cheadle) was a hustler and a convict who held a gift for radio that saved him from the hell behind bars. Released in the mid-60s, Greene took his act to the Washington D.C. R&B station WOL to impress uptight program director Dewey Hughes (a wonderful Chiwetel Ejiofor). Hitting the airwaves with his boundary-pushing candor, Greene was an instant smash in the depressed community, starting him on a long career of fame and controversy before the entertainment world became too much pressure for him for bear.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE TALK TO ME.

SUPER MARIO BROTHERS THE MOVIE NOW AVAILABLE

SUPER MARIO BROTHERS NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE SUPER MARIO BROTHERS FROM IMDB

Can you make a movie out of a video game? Thats the question that is answered by this film. Mario Mario and Luigi Mario, two hard working plumbers find themselves in an alternate universe where evolved dinosaurs live in medium hi-tech squalor. They find themselves the only hope to save the Earth from invasion. Written by John Vogel {jlvogel@comcast.net}

CLICK HERE IF YOU WANT TO READ THE REST OF THE SUMMARY FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE SUPER MARIO BROTHERS.

THE DEPARTED NOW AVAILABLE

THE DEPARTED NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE THE DEPARTED FROM IMDB

Two just-graduated officers from Massachusetts State Police Academy follow opposite sides of the law: William Costigan is assigned to work undercover with the Irish mobster Frank Costello to get evidences to arrest him. His true identity is only known by his superiors Dignam and Oliver Queenan. The protégée of Costello, Colin Sullivan, is promoted in the Massachusetts State Police and is the informer of Costello. Each police officer gives his best effort trying to disclose the identity of the other "rat". Written by Claudio Carvalho, Rio de Janeiro, Brazil

CLICK HERE IF YOU WANT TO READ THE REST OF THE SUMMARY FOR THIS MOVIE.

HERE IS A REVIEW FOR THE MOVIE THE DEPARTED FROM DVDTALK

Continuing the "rise and fall" formula of classics like his own Goodfellas, Raging Bull and Casino, director Martin Scorsese's The Departed (2006) reminds us that bad things can happen to bad people. Based on the Chinese film trilogy Infernal Affairs, The Departed relocates this story of undercover cops and robbers to the violent region of South Boston. Though yours truly hasn't seen the film that Scorsese has borrowed from, it's highly evident that the director has put his own stamp on this American remake. Long story short: if you like your crime sagas bold, brash and bloody, this one's right up your alley.

The Departed follows the devilish Frank Costello (Jack Nicholson), an Irish-American crime lord loosely based on real-life fugitive James "Whitey" Bulger...not the New York gangster of the same name. Costello has buried his influence deep in the Massachusetts State Police, hand-picking young Colin Sullivan (who would later become an officer, played by Matt Damon) as a future mole for his organization. On the flipside, Sullivan's classmate Billy Costigan (Leonardo DiCaprio) is persuaded by police captain Queenan (Martin Sheen) and sergeant Dignam (Mark Wahlberg) to join Costello's ranks after a prison stint for assault. It's all downhill from there...for the characters, not us.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE THE DEPARTED.

Saturday, August 04, 2007

DELTA FARCE NOW AVAILABLE

DELTA FARCE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE DELTA FARCE FROM IMDB

When three small town National Guardsmen bound for Iraq are unknowingly dropped into Mexico, their confusion leads them to "liberate" a small village from a band of corrupt Federales Written by Anonymous

Two hunters who are good with guns get picked up by the Feds to be deployed to Iraq. The plane actually drops them off in Mexico which they think is Iraq and go on to deal with Mexican outlaws. The leader of the gang is named Carlos Santana and so far the most popular joke is for everyone to say "the singer?" after hearing his name said. And no it isn't the singer, but the baddest outlaw in all of Mexico... Written by ME!!!!!!!111!!!1ONE!!!!!11!

HERE IS A REVIEW OF THE MOVIE DELTA FARCE FROM DVDTALK

Last year's "Larry The Cable Guy: Health Inspector" was a no-brainer comedic skid mark. It didn't take any energy to loathe it, and the film didn't exactly court quality with a screenplay written on cocktail napkins in magic marker and its ten-cent production polish. "Delta Farce" is the follow-up, and while I could say the quality of Larry's feature film work has improved, that isn't exactly a ringing endorsement for the picture. It's like saying drowning is more welcome than being set on fire.

Larry (Larry The Cable Guy), Bill (Bill Engvall), and Everett (DJ Qualls) are three Army reservists lacking every conceivable skill a good soldier should have. On their way to the battlefields of Iraq, led by their bellowing commanding officer (Keith David), the trio fall asleep on the plane, accidentally jettison themselves, and wake up in the middle of a desert...in Mexico. Stuck in a small village, the military stooges need to screw up their courage when a group of Mexican outlaws, led by Carlos Santana (Danny Trejo), come by looking for trouble.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE DELTA FARCE 1 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE DELTA FARCE 2 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE DELTA FARCE 3 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE DELTA FARCE 4 OF 4.

GRIDIRON GANG NOW AVAILABLE

GRIDIRON GANG NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE GRIDIRON GANG FROM IMDB

In the Kilpatrick juvenile detention center, the supervisor and former football player Sean Porter sees the lack of discipline, self-esteem, union and perspective in the teenage interns and proposes to prepare a football team to play in one league. He is supported by his superiors and his successful experience changes the lives of many youngsters. Written by Claudio Carvalho, Rio de Janeiro, Brazil

HERE IS A REVIEW FOR THE MOVIE GRIDIRON GANG FROM DVDTALK

The Product:
It used to be one of the more meaningful motion picture metaphors: sports as a microcosm of life. All throughout the early days of cinema, when motion and action were mandatory to keep audiences interested in the fledgling artform, through the glory days of classic studio system films, athletes and the games they play have provided the backdrop for discussions of courage, leadership, discipline and self-discovery. But in the post-modern era, all that has changed. Championing the underdog, rooting for the good guys, using competition as a moralizing mannerism to determine the superior from the sad has become the order of the day. Without some adversity to overcome, a last act challenge to rise up to, and a god-like leader who provides tough love and selfless motivation within a context of team and trying, the current sports film is lost. These are the clichéd confines that something like Gridiron Gang must break out of. Sadly, it can only embrace, not erase, the archetypes.


CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GRIDIRON GANG.

NO RESERVATIONS (2007) NOW AVAILABLE

NO RESERVATIONS NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE NO RESERVATIONS FROM IMDB

A master chef, Kate (CATHERINE ZETA-JONES) lives her life like she runs the kitchen at upscale 22 Bleecker Restaurant in Manhattan--with a no-nonsense intensity that both captivattes and intimidates everyone around her. With breathtaking precision, she powers through each hectic shift, coordinating hundreds of meals, preparing delicate sauces, seasoning and simmering each dish to absolute perfection. Written by AhmadMob

HERE IS A REVIEW FOR THE MOVIE NO RESERVATIONS FROM DVDTALK

I have no hard feelings toward adult-oriented escapist cinema, but there's a robotic quality to "No Reservations" that keeps the film from soaring. It's not overt sentimentality either, just this odd way the film conducts business bloodlessly, hitting latter plot points like an assembly-line worker.

Kate (Catherine Zeta-Jones) is a feisty, control-freak executive chef who's recently inherited her mousy niece Zoe (Abigail Breslin) after her sister dies in a car accident. While Kate is away taking care of Zoe, her restaurant hires Nick (Aaron Eckhart) as her new sous chef, and he wins over the crowds with his relaxed approach to cooking. Kate bristles at the competition, but the chemistry between them is combustible, leading Kate down an anxious path where she's forced to open up her heart and embrace other people for a change.


CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE NO RESERVATIONS 1 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE NO RESERVATIONS 2 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE NO RESERVATIONS 3 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE NO RESERVATIONS 4 OF 4.

Friday, August 03, 2007

EL CANTANTE NOW AVAILABLE

EL CANTANTE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE EL CANTANTE FROM IMDB

The life story of Hector Lavoe who started the salsa movement in 1975 and brought it to the United States.

HERE IS A REVIEW FOR THE MOVIE EL CANTANTE FROM DVDTALK


Stop me if you've heard this one before: an inexperienced singer, fueled by hopes of stardom, rises from poverty to become a sensation, marries the girl of his dreams, and then loses it all to...wait for it...drugs! Now how many times have we shuffled down this road? Perhaps there will come a time when a musical bio-pic doesn't hang its hat on misery, but at the end of the day, "El Cantante" is pretty darn good despite the odious familiarity of the ingredients.

Hector Lavoe (Marc Anthony) is a Puerto Rican kid hunting for fame in New York City during the 1960s. Finding the call of the burgeoning salsa movement spoke to his talents, Lavoe took to the stage and refused to back down for over 30 years. His success afforded Lavoe luxuries beyond imagination, including a wife, Puchi (Jennifer Lopez), who adored him and a buffet of drugs, which he took to as easily as the music, sliding him into a depressive state that killed his career and took his life in 1993.


CLICK HERE IF YOU WANT TO READ THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE EL CANTANTE 1 OF 4

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE EL CANTANTE 2 OF 4

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE EL CANTANTE 3 OF 4

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE EL CANTANTE 4 OF 4.

TERMINATOR 3 RISE OF THE MACHINES NOW AVAILABLE

TERMINATOR 3 RISE OF THE MACHINES NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE TERMINATOR 3 FROM IMDB

More than 10 years after 'Terminator 2', John Connor now exists only as a drifter - living 'off the grid', so no more Terminators from the future can hunt him down. Unfortunately, SkyNet does send another one back - and this one is called the T-X, even more powerful & advanced than the dreaded T-1000. However, another CSM-101 Terminator is also sent back to protect John against the T-X. Now, Skynet is patiently assuming control of civilian computer systems, under the guise of a computer virus. John has also met his future wife, Kate Brewster, whose father - a U.S. Air Force General - is in charge of the military computer systems & is leery of up linking SkyNet. However, when the SkyNet virus infects the U.S military computers & leaves the country open to attack, the machines begin their horrific takeover. Soon a nuclear war will result - and the war against the machines will begin. Can the outdated CSM-101 Terminator eliminate the highly advanced T-X - or will a darker future await man following the nuclear attack? Written by Derek O'Cain

CLICK HERE IF YOU WANT TO READ THE REST OF THE SUMMARY FOR THIS MOVIE.

HERE IS A REVIEW FOR THE MOVIE TERMINATOR 3 FROM DVDTALK

As the 2003 summer movie season drew to a close, I was somewhat puzzled that Terminator 3: Rise of the Machines didn't generate more excitement during its theatrical run. Helmed by experienced action director Jonathan Mostow (Breakdown, U-571), T3 is a way-above-average summer spectacle that triumphantly confirms the Terminator saga as one of the most satisfying in science-fiction cinema. I concede that the early trailers for the film didn't inspire the average moviegoer (including myself) with confidence. But fortunately, T3 crashed through the low expectations engineered by its trailer and really delivered.

I remember sitting in the theater, just waiting for T3 to suck. I was sure that moment would arrive at some point—that sighing moment of sagging hope—and my head would drop, and I would repeatedly wince, and I would let the movie stagger toward its end credits. But that moment never came. In fact, the more T3 unspooled before me, the more I found myself excited by its action spectacle, its true characters, and its relentless and inevitable crash course toward its conclusion. And what a conclusion! This is a movie with guts, and largely because of that, it's one of my favorites of the year.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE TERMINATOR 3.

CADDYSHACK NOW AVAILABLE

CADDYSHACK NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE CADDYSHACK FROM IMDB

Comical goings on at an exclusive golf club. All the members are wealthy and eccentric, and all the staff are poor and slightly less eccentric. The main character is 'Danny'; he's a caddy who will do almost anything to raise money to go to college. There are many subplots, including the assistant green keeper's pursuit of a cute (obviously stuffed) gopher. Written by Rob Hartill

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HERE IS A REVIEW FOR THE MOVIE CADDYSHACK FROM DVDTALK

The Movie: A classic screwball comedy, "Caddyshack" is a goofy film directed by Harold Ramis("Ghostbusters"), about a young golf caddy(Michael O'Keefe) that finds himself amidst the chaos going on at the local country club. Ramis was lucky to have a cast who liven up the material greatly. Rodney Dangerfield and Chevy Chase are extremely funny, as is Bill Murray, but Ted Knight plays the cliche comedy villian. The story revolves around Danny Noonan(O'Keefe) who is trying to get the new scholarship for caddies. "Run" by Judge Smails(Knight), the rest of the story focuses on the the war that's going on on the course between Smails, the new golfer played by Dangerfield and the zen-master played by Chase. A second, and funnier battle is going on at the same time between Bill Murray's groundskeeper and a local gopher.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CADDYSHACK PART 1 OF 4

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CADDYSHACK PART 2 OF 4

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CADDYSHACK PART 3 OF 4

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CADDYSHACK PART 4 OF 4.

BRIDGE TO TERABITHIA NOW AVAILABLE

BRIDGE TO TERABITHIA NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE BRIDGE TO TERABITHIA FROM IMDB

Jesse Aarons trained all summer to become the fastest runner in school, so he's very upset when newcomer Leslie Burke outruns him and everyone else. Despite this and other differences, including that she's rich, he's poor, and she's a city girl, he's a country boy, the two become fast friends. Together, they create Terabithia, a land of monsters, trolls, ogres, and giants and rule as king and queen. This friendship helps Jess cope with the tragedy that makes him realize what Leslie taught him. Written by Popdivaprincess3000

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HERE IS A REVIEW FOR THE MOVIE BRIDGE TO TERABITHIA FROM DVDTALK

The Movie:

Based on the widely acclaimed 1977 young adult novel by Katherine Paterson, Bridge to Terabithia is that rarest of films aimed at adolescents. It neither condescends to nor patronizes its target audience, giving us characters who are interesting, complex and easily relatable.

Despite the film's fantasy-tinged storyline, the lives of its preteens ring with authenticity. Jesse Aarons (Josh Hutcherson) is a quiet, sensitive boy whose fifth-grade experience is neither sanitized nor nightmarish, falling somewhere short of Lord of the Flies. Friendless at school, he retreats to drawing on his sketchpad, feeding a talent that he feels compelled to hide from classmates and family.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE BRIDGE TO TERABITHIA.

PS3 SONG VS THE XBOX 360 SONG

PS3 SONG VS THE XBOX 360 SONG WHICH IS BETTER

I WENT ON YOUTUBE AND PUT IN XBOX 360 SUCKS AND I GOT THIS FUNNY SONG











I THEN WENT ON YOUTUBE AND PUT IN PS3 SONG AND I GOT THIS SONG WHICH IS VERY FUNNY THOUGH ITS NOT TRUE AND PS3 RULES COMPARED TO THE 360 BUT THE SONG THEY MADE IS A GOOD PARODY.

HERE IS THE PS3 SONG


HERE IS A WII FAN THAT IS AGAINST BOTH PS3 AND XBOX 360

GRINDHOUSE NOW AVAILABLE

GRINDHOUSE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE GRINDHOUSE FROM IMDB

From cult movie directors Quentin Tarantino and Robert Rodriguez comes a unique film experience: a double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. Tarantino's film, "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while Rodriguez's film "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the '50s exploitation drive-in classics. Written by alfiehitchie

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HERE IS A REVIEW OF THE MOVIE GRINDHOUSE FROM DVDTALK

As an exercise in aging-movie-geek nostalgia, "Grindhouse" is a bloody good time. It's an homage to the theaters of the 1960s and '70s that would show double features or marathons of schlocky, exploitative films -- kung fu flicks, blaxploitation, zombie movies, spaghetti Westerns -- the kinds of films whose titles and posters were always more creative than the movies themselves. Gratuitous violence and nudity were the rule. The prints were usually scratchy and damaged, having been run through a thousand projectors a thousand times already. My description comes from a purely historical, not personal, standpoint. For the most part, the grindhouse theaters died with the '70s, and it's a good bet that the vast majority of "Grindhouse's" target audience has never actually been to one. We've seen some of the films, sure, but mostly on video or at midnight screenings at the local college theater. The whole grindhouse experience -- the battered prints, the noisy projector, the salacious coming attractions -- that's all academic. We're taking Robert Rodriguez and Quentin Tarantino's word for it that this is how it was.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GRINDHOUSE.

WAR OF THE WORLDS NOW AVAILABLE

WAR OF THE WORLDS NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE WAR OF THE WORLDS FROM IMDB

Ray Ferrier is a dock worker who is finishing a night of work in the morning, because he works the night shift. But when he gets home his young daughter Rachel and teenage son Robbie are staying with him at his house in Bayonne, New Jersey, while his pregnant ex-wife Mary Anne and her new husband Tim visit her parents in Boston for the weekend. But then the unthinkable and, ultimately, the unexpected happens to him in an extraordinary sense! Witnessing, and barely escaping the horror, first-hand, it's up to Ray to protect his two kids from terrorist and races up to Boston before one of them gets murdered by a large tripod machine in its path! Written by Anthony Pereyra {hypersonic91@yahoo.com}


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HERE IS A REVIEW OF THE MOVIE WAR OF THE WORLDS FROM DVDTALK

Steven Spielberg surprised everyone last summer. His remake of The War of the Worlds is an intelligent and engrossing updating of the original H.G. Wells book, delivered with an intensity seen in few previous science fiction movies.

That's really quite an accomplishment for several reasons. When Hollywood remakes a Sci Fi classic the result is usually a disaster, as with 1986's Invaders from Mars or 1988's The Blob. The remakes fail because their specific fantasies, perfect for a particular time and place, are no longer relevant. It's like telling a bedtime story to adults - not only are they bored with the same plot, they miss Mom and Dad's bedtime manner. The rare movie that improves on the original -- Cronenberg's The Fly is the best example - re-thinks the original concept for a new era. The 1958 Fly functions well enough when regarded from a certain nostalgic angle. The '85 Fly is a much more complex fusion of fears and anxieties.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE WAR OF THE WORLDS.

RATATOUILLE NOW AVAILABLE


THE MOVIE RATATOUILLE IS NOW AVAILABLE ONLINE

HERE IS THE SUMMARY OF THE MOVIE RATATOUILLE FROM IMDB

Remy is a rat, constantly risking life in an expensive French restaurant because of his love of good food, as well as a desire to become a chef. Yet, obviously, this is a rather tough dream for a rat. But opportunity knocks when a young boy, who desperately needs to keep his job at the restaurant, despite his lack of cooking abilities, discovers and partners the young Remy. Its up to the two of them to avoid the insane head chef, bring the rest of Remy's family up to his standards, win his partner a girl, and, of course, produce the finest Ratatouille in all of France. Written by swansongang

HERE IS A REVIEW OF THE MOVIE RATATOUILLE FROM DVD TALK

With the brilliant animated films "Iron Giant" and "The Incredibles" already under his belt, writer-director Brad Bird comes to "Ratatouille" with great expectations heaped upon him. Adding to the pressure is the fact that many people viewed "Cars," Pixar's last effort, as representing a slight decline in quality after such acclaimed efforts as "Finding Nemo," "Monsters Inc.," and Bird's own "Incredibles."

"Cars" must have been an anomaly, then, because "Ratatouille" is as almost as funny, joyful, and heartfelt as anything that Pixar's merry band of genius-nerds has ever done. We're at the point now where you can just say, "It's a Pixar movie," and that sums it up.

Our hero is Remy (voice of Patton Oswalt), a rat of undetermined age who lives with his colony in the French countryside near Paris. He is unique among rats because he has a refined palate. While everyone else sees mere garbage and feasts upon it, he sees the individual ingredients and is appalled by them. Like so many of his Disney brethren before him, he yearns for something more than this humdrum existence! He longs to dine on tasty foods exquisitely prepared. He wishes he were someplace where his gourmet sensibilities were appreciated, not mocked, as they are by his father (Brian Dennehy) and simple-minded brother (Peter Sohn). (Another thing Remy shares in common with his Disney brethren is that he does not seem to have a mother.)

An emergency forces the rats out of their dwelling into the sewers, where Remy is separated from the group and winds up, as luck would have it, in the crawl space at Gusteau's, the finest restaurant in all of France! The late Chef Gusteau (Brad Garrett) was famous for his "Anyone can cook!" philosophy. Remy has seen reruns of his TV show, courtesy of the old woman whose attic the rats used to live in, who frequently fell asleep in front of the TV. Now the spirit of Gusteau appears to Remy as a guide, a conscience, and a figment of his imagination, encouraging him to follow his dreams.

From Remy's vantage point in the ceiling, we see the kitchen at Gusteau's. The new chef is Skinner (Ian Holm), a short, angry little man who has sold out Gusteau's name to merchandisers, with microwaveable products like Gusteau's BBQ Dip 'n Ribs now in your grocer's freezer. The restaurant's five-star rating has dwindled to three, due in part to negative reviews from the great food critic Anton Ego (Peter O'Toole), an austere, humorless man who takes no pleasure in anything. The restaurant is surviving, but just barely.

Skinner is obligated to hire a clean-up boy named Linguini (Lou Romano), an awkward young fellow whose mother was a friend of Gusteau's back in the day. Linguini doesn't want to become a chef, particularly, recognizing he has no talent for the culinary arts; he can barely take out the trash without screwing it up.

Through a series of hilarious and strangely logical events (if you can accept that a rat understands human speech and knows how to cook), Remy and Linguini become partners. Remy can cook, but he's a rat. Linguini is in the kitchen and has the opportunity to make something of himself, but he has no skills. Together, they can do it. Or as Linguini sums it up to his new rat friend, "You know how to cook, and I know how to appear human!"

Soon Linguini is the toast of the town, elevating Gusteau's back to its original place of prominence. He prepares his masterpieces by putting Remy under his chef's hat, where the rodent pulls Linguini's hair like a rider controlling a horse's reins, guiding him to the right ingredients and preparations. No one can know his secret -- they would think he was crazy if he told them a rat was his mentor -- and Skinner becomes increasingly jealous and suspicious of this gawky new prodigy.

I am delighted by every aspect of the film, from Michael Giacchino's perfectly breezy score, to the whimsically bizarre storyline (how does anyone even think of something like this?), to the way that crazy story is brought to life reasonably and intelligently by Bird's nuanced script. There is a surprising complexity to the film, with multiple relationships being juggled all at once. There's Remy's connection to his dad and brother, his conflicting desire to be a gourmet chef, Linguini's crush on fellow cook Colette (Janeane Garofalo), Remy's association with Colette (they're both competing for attention from Linguini), Skinner's paranoia that there's a rat living in the kitchen. The rightful ownership of the Gusteau brand name comes into play, as does Remy's desire to stop being a "thief" (that's what rats are, you know). And somehow, Anton Ego figures into the whole thing.

The comparative ease with which computer-animated films can now be made has led to a rash of bad ones: "Hoodwinked," "Happily N'Ever After," "Everyone's Hero," "Madagascar," and so forth. Enduring those movies' gracelessness makes you appreciate it all the more when someone comes along and does it right. "Ratatouille" is packed with beautiful images of Paris, drawn to look quaint and old-style, though the film is apparently set in the present. There are imaginative camera angles and movement, and a stunning attention to detail. The characters move and emote with fluidity, not stiffly, the way some films would have it. Even the way Skinner pours a glass of wine, with that slight rotation of the bottle at the end of the pour, is perfectly rendered. Pixar has, once again, raised the bar on the technical side of making an animated film.

The non-technical elements don't lack, either, though it's fair to say it's not the most emotionally overwhelming thing Pixar has done. It doesn't pack the punch of "Toy Story 2" or "Finding Nemo," for example; the characters, while engaging and sympathetic, don't connect with the audience at quite that level. That's more an observation than a complaint, though. There really isn't much at all that I would change about this visual, imaginative feast.


UPDATE: HERE IS A BETTER QUALITY VERSION OF THIS MOVIE.

CAST AWAY NOW AVAILABLE

CAST AWAY NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE CAST AWAY FROM IMDB

After FedEx systems engineer Chuck Noland is ripped out of his hasty life by the clock in a plane crash, he finds himself alone on the shores of a tropical island. First, frustration gets to him and then he realizes how little his chances are to ever get back to civilisation. Four years later, Chuck has learned very well how to survive on his own: mending his dental health, catching fish with a spear, predicting the weather with a selfmade calendar. A photograph of his girlfriend Kelly has kept his hopes alive all these years. Finally, Chuck takes the opportunity to take off for home: He sets off on a wooden raft with a sail that has washed ashore. Written by Julian Reischl {julianreischl@mac.com}

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HERE IS A REVIEW FOR THE MOVIE CAST AWAY FROM DVDTALK

Some filmmakers seem to be doing multi-tasking lately. Barry Levinson did it with "Sphere", where his "Wag The Dog" was done on a break from "Sphere". Robert Zemeckis ended up filming the horrid "What Lies Beneath" between what I think is actually one of his best works and certainly one of the year's very best. "Cast Away" is not a perfect film, but at it's best moments it is a marvelous, moving picture that is held together by a brilliant performance from Tom Hanks. Before I go further into the review, I will probably talk about some details of the plot, but since the trailer has already given away more than it should have, I will go forward with the discussion. The film revolves around Chuck Noland(Hanks) a Fedex troubleshooter who, as we open the film, find organizing a Russian outpost, coaching them on the importance of time. He returns home, pleased to be able to put "time" aside to spend Christmas with his girlfriend Kelly (Helen Hunt). But, mid-dinner, he finds himself called away to Malaysia. The plane ride suddenly gets into trouble with a storm and, in one of the most terrifying sequences I've seen in quite a while, the plane crashes into the ocean.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CAST AWAY.

FREDDY VS JASON

FREDDY VS JASON NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE FREDDY VS JASON FROM IMDB

Four years after being killed by his daughter, Freddy Krueger rests in Hell. He depends on the dreams of those in Springwood to fuel his existence. But when the town covers up his existence in an attempt to make people forget, Freddy is left powerless. In a last ditch effort he springs Jason Voorhees from his own personal Hell and sends him to Elm Street, determined to strike fear in the hearts of Springwood teens. But when Jason won't stop killing Freddy's "children," Krueger decides it's time to take Voorhees out. Caught in the cross-fire are Lori and Will, both of whom feature a history with Freddy. Written by Dark Shape

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HERE IS A REVIEW FOR THE MOVIE FREDDY VS JASON FROM DVDTALK

One imagines if you're sharing a bill with a fella who prefers action over oration there'd be a certain pressure to fill the silence, yet even the most ardent Freddy fan's gotta be dumbstruck by how Kruger's aged into such a yammering yenta. Perhaps it's some sad boogeyman strain of Alzheimers that encourages this incessant yapping about "his children forgetting" and how Jason Voorhees is his errand boy outside of Dreamland. More likely, it's rooted with Tinseltown's post-Scream fixation on horror "rules" and overall penchant for leading audiences through most movies by cracking plot point after plot point over their skulls. Presumably pleasing for some random focus group of yayhoos. Goldang annoying to those of us with opposable thumbs. But, but, but Freddy and Jason FIGHT, right!?! Well, yeah, they most assuredly do, as in the grand tradition of terror titan bouts dating back as far as when Frankenstein first looked crossways at the Wolf Man.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE FREDDY VS JASON.

HOSTAGE NOW AVAILABLE

HOSTAGE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE HOSTAGE FROM IMDB

Jeff Talley, a former LAPD hostage negotiator, has moved himself away from his failed career outside of Los Angeles, and away from his wife and daughter. When a convenience store robbery goes wrong in his turf, the three perpetrators move in on an unsuspecting family. But the family's father has a secret which might compromise his kin, and one of the criminals is about to jump over the edge. Jeff Talley has to get everybody to survive the night......if he can. Written by Jay Cohen (chefjaybc@gtctelecom.com)


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HERE IS A REVIEW FOR THE MOVIE HOSTAGE FROM DVDTALK

The Movie:

Florent Siri's 2005 action/thriller Hostage was a bit of a sleeper. I think a lot of people expected crazy Matrix style action scenes and rapid fire editing but instead what they got was a clever and suspenseful film with good performances and an emphasis on the story as opposed to the gun play.

Bruce Willis plays Jeff Talley, a tough guy with a big heart (a real stretch for Willis there) who used to be a hostage negotiator who has since taken a job as the chief of police in a small California town after a young boy was killed on his last big job, shot to death by his crazed father.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE HOSTAGE PART 1 OF 2.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE HOSTAGE PART 2 OF 2.

GUESS WHO NOW AVAILABLE

GUESS WHO NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE GUESS WHO FROM IMDB

Percy and Marilyn are renewing their vows for their anniversary, and their daughter Theresa brings her boyfriend Simon for them to meet. Unbeknownst to her parents, the kids plan to announce their engagement during the weekend. The Jones family is Black; Theresa neglects to tell them Simon is White. Race complicates Percy's general mistrust of any boyfriend, so he instigates an investigation of Simon, discovering he's recently lost his job and hasn't told Theresa. Mistrust rears its ugly head, and in the process of Theresa and Simon's argument, Marilyn and Percy fall out. What can the men do to cross the divide between each other and between men and women? Will anyone be exchanging vows? Written by {jhailey@hotmail.com}

HERE IS A REVIEW FOR THE MOVIE GUESS WHO FROM DVDTALK

The Movie


The producers of Guess Who would have been better off naming it Ebony & Ivory or Big Black Daddy or just about anything else, because connecting it in any way to the classic race-relations film Guess Who's Coming to Dinner was to doom the movie to comparisons it didn't need and couldn't stand up to. You don't put Tara Reid in a movie about publishing and call it Kane. You're just inviting trouble, especially when the only real similarity between the two films is the set-up. Instead of a white girl bringing a black guy home to meet her family, the races are reversed, as Theresa (Zoe Saldana, Pirates of the Caribbean), brings Simon (Kutcher) home to meet her family. After that, this movie bears little resemblance to the Stanley Cramer film.

So, in fairness to this film, I will be reviewing Big Black Daddy instead. In Big Black Daddy, Simon has to curry favor with Percy (Bernie Mac), his girlfriend's father, after he is surprised to find out that Simon isn't the "brother" he expected. Percy is a tough, traditional man who loves his daughters and doesn't trust any man with them, going so far as to pull a credit report on him. Meanwhile, Simon's got bigger problems than Percy, but because of them, he has to lie to his host.

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GUESS WHO PART 1 OF 2.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GUESS WHO PART 2 OF 2.