Thursday, August 09, 2007

ACCEPTED NOW ONLINE

ACCEPTED NOW AVAILABLE ONLINE

HERE IS THE SUMMARY OF THE MOVIE ACCEPTED FROM IMDB

Bartleby (B.) Gaines is a fun loving slacker who, unfortunately, gets turned down for every college he applied for, much to the chagrin of his overly expectant parents. So, with a little cutting and pasting, he creates the South Harmon Institute of Technology, and lo and behold, he is accepted (along with his friends Rory, Hands, and Glen, whose college plans were also all but dashed). However, his parents want to see the website, the campus, and the dean. So now he has his other friend Sherman (who has been accepted to the prestigious Harmon College) build a web page, they lease out an abandoned psychiatric hospital, and they hire Sherman's uncle Ben to be the dean. Problem solved? Not quite. The web page was done so well, that hundreds of students show up at the front door, all of which were turned down by other colleges. Faced with no choice, Bartleby decides to proceed with turning South Harmon into a real college, and sets about figuring out what to teach and how to teach it. Meanwhile at Harmon, dean Van Horne meets with Hoyt Ambrose, a rich law student and head of the KBE fraternity (which Sherman is trying to become a member of), to discuss building a gateway for Harmon using land presently being used by South Harmon. He tries finding the leaseholder of the land, to no avail. Meanwhile, his girlfriend, Monica, catches him cheating on her, and a big party at South Harmon lures a chunk of Harmon's students away, including Monica into the arms of Bartleby. Now Hoyt uses Sherman, knowing he has been bouncing between the two schools, in an attempt to bring South Harmon down for good. However, Bartleby has an accreditation appointment with the state Board of Education to prove South Harmon's worthiness. Can he legally bring the South Harmon Institute of Technology to life and win the love of Monica? Written by jlentz1@comcast.net

After being rejected every colleges he applied, Bartleby Gaines decided to create a fictitious university, South Harmon Institute of Technology, with his friends, to fool their parents. But when their deception works too well and every other college rejects starts to apply to his school, B. must find a way to give the education and future his students and friends deserves, including his own, while trying to win the heart of the girl next door Written by Ron


HERE IS A REVIEW OF THE MOVIE ACCEPTED FROM DVD TALK

Background: College means different things to different people. For some, it means getting a better job while for others it means an extension of their partying days on their parent's dime. Having spent a considerable amount of time in institutions (of higher learning, smarty!), I've met all the stereotypes you see in movies and television shows; typically a mixture of several real personalities though many I've met based their personas in characters they saw in popular culture media outings but I'll pass on deciphering which came first (chicken and the egg discussions are best suited for another format). The popularity of movies based on the so-called college experience runs pretty high though, especially with a certain male demographic that are willing to overlook gaping plot holes, poor acting, and all the issues associated with the genre, with the rare title proving worthy of your time & money. Today's review is on a movie released by the "studio that brought you American Pie, a rough little gem called Accepted, that sugarcoats many of the usual standards of the format, almost to the point of absurdity.

Movie: Accepted is the story of Bartleby Gaines (Justin Long); a high school senior that engages in various criminal enterprises in order to fund his various monetary needs. As one of the go to guys about town, a hustler in the purest form of the word, he sails through life on a combination of playing the odds, figuring out the loopholes, and catering to the baser elements in life. In reality, he'd either end up a pimp, a porn producer, or dead in a ditch, or all three depending on his run of luck holding out. Well, his clueless parents kind of expect him to go to college, even while realizing that their youngest daughter is the one with all the brains in the family. They haven't really paid much attention to him but they have to keep up with the neighbors so they figure Bartleby will do what any of his peers worth a spit will do and get an education unlike the previous four years in high school. The catch is that Bartleby's talents for lying and scamming have left the colleges he's applied for somewhat unimpressed so all he has for his admittedly limited efforts are a bunch of rejection letters from even the lamest of schools.


This was as risqu� as the movie got, sadly enough.

On a lark to keep the old man off his back, Bartleby uses a friend's acceptance letter to a nearby college as the template for making up a similar school but in this day and age, he has to invent a website for the parents to visit. He employs a nerdy friend of his Sherman Schrader (Jonah Hill); a guy that combines John Lovitz's character from The Critic with Animal House's Flounder, and a significant amount of brains and cowardice, to work one up for him in record time using general platitudes and heavy borrowing from the school he's going to, Harmon School of Technology; a relatively exclusive school. This convinces his parents just enough to give Bartleby his first semester's check for ten grand, but also opens up a can of worms that I'll get to. Dad still wants to meet the dean of the college and Bartleby is too much of a loser to cut his losses and fess up so he and a group of his friends rent a broken down old mental hospital and start to clean it up, hiring a burnout professor turned shoe salesman to play the role (Lewis Black in another scene stealing role).

Well, each of the group tell their parents the same thing; they are going to South Harmon, the "sister school of prestigious Harmon". Bartleby's parents securely out of the picture for the moment, the following day has hundreds of other losers showing up to start their education, having been accepted by the website that defaulted to letting anyone who applied into the program. Each time Bartleby is confronted with the prospect of jail or a mob that would tear him apart for scamming them, he builds further onto the lie, even misleading the woman he loves into dropping out of the real college and joining his institution. The movie's flimsiest of premises reminds one of the lies that Bartleby tells to get through life, passable on first glance but upon the slightest bit of inquiry falling apart.

The women were under utilized.

So, not having a curriculum, a teaching staff, most modern facilities required by a college, the gimmick is how to stay afloat and one step ahead of all those who would shut him down; particularly in the form of the real Harmon authorities once they stumble onto the scam almost by accident. All the needed elements of a college comedy are present in liberal amounts; a rival fraternity full of stuffed shirts, the eventual arrival of the police, and a wide variety of jokes that range from sight gags to slapstick humor as the leads are put through the generic paces by freshmen director Steve Pink (the writer of Gross Point Blank, High Fidelity, and a few other choice comedies). Like Bartleby's lies, the movie works best if you're extremely forgiving of the paper thin material and can accept that it was purposely watered down to obtain a PG-13 rating (even bleeping to keep from losing it to an R).

Adam got all the ladies in the movie.

It was well meaning enough and should have gone the direct to video route given how weak so much of the material was but the included trailer and credentials of the producers were enough for a minor success in theatres. My biggest problem outside of the writing (and largely weak acting) was how unsympathetic the characters were, especially Justin Long as Bartleby. If embracing a snake that would sell you down the river for momentary gain works for you, he'll be right up your alley but his attitude of being smarter then everyone and confidence in his ability to cheat his way out of any situation (regardless of the cost to those around him) grated on my nerves more than a little. In the end, he wasn't trying to do the right thing (like most morality plays, this is the only way to redeem the character) but still trying to cheat his way out of the consequences with a series of rationalizations that defied logic. There were numerous goofs, plot holes, and assorted problems with the movie that made me initially think it was self financed on a shoe string budget, using relative unknowns and by calling in favors. Still, it had just enough going for it that I think fans of the genre, if totally wasted and/or drunk, might consider it as a mid week Rent It when all the better movies (and we're talking hundreds and hundreds of thematically similar titles) have all left the local Blockbuster.

Accepted, then, was acceptable to the chief demographic it catered to; white males under 18 that possess the kind of power fantasy that lets them think they can beat the system by luck and perseverance rather then applying hard work and talent. Sadly enough, the DVD extras were better then the movie itself, always a bad sign for this reviewer but at least enough to broaden the appeal to the kind of hardcore movie buff that watches (and listens) to such features. Check it out if you fall into said demographic but don't expect a whole lot or you're going to be disappointed at how watered down a good idea this could have been.

This was the curriculum board.

Picture: Accepted was presented in the same 2.35:1 ratio anamorphic widescreen offering it was shot in by director Steve Pink. As a recently released flick, it looked pretty sharp with solid fleshtones, decent lighting, and only minor issues in regards to edge enhancement or compression artifacts. If you watch it sober and pay attention, you'll find scores of technical errors like mikes slipping into view, continuity errors, and other issues that some people care about. It looked pretty good overall and this was not one of the areas in need of repair.

Sound: The audio was presented with a choice of either English, French or Spanish in a 5.1 Dolby Digital Surround with optional subtitles in each of those languages. I listened to the English language track and found there to be relatively little separation between the channels except for the music and the dynamic range was consistent with a new release on a major label as a budget title. By and large, the audio was nothing special but also didn't get in the way of the movie.

Group shot of the students of S.H.I.T.

Extras: The selection of extras was actually pretty solid this time, another case where the extras clearly outshined the main feature. They started off with an 11 minute feature called Adam's Accepted Chronicles where the actor for one of the lead characters, a spaz named Glen (Adam Herschman), is allowed to provide a mockumentary of his role with the help of some of the others in the movie. Had the movie shown as much creativity and humor, I'd have loved it so it's sad that secondary features were where the talents went this time. The same could be said for the 10 minute long Reject Rejection: The Making of Accepted feature where the cast and crew goofed around a lot. This was followed by a self guided tour of the campus that is mostly a selection of short clips of the making of the movie focused on those areas. That led into two music videos; Hangin on the Half Pipe, and Keepin' Your Head Up by The Ringers; the former a skateboarder bit and the latter a bunch of bits from the movie. Next up was a director's audio commentary with director Steve Pink and actors Justin Long, Lewis Black, Jonah Hill, and Adam Herschman. I listened to it while writing this review and found it to have more of interest to me but I wished that some of the creativity and energy going into it was applied on the movie instead. There were then 13 minutes of deleted scenes of various merit (chopped for a reason in most cases), an 8 minute gag reel presented by Volkswagon (don't ask), a section of movie music MP3's, and a short easter Egg at the bottom right hand corner for an extended version of the hazing incident on the college green with Jonah, Justin, and Blake Lively.

Final Thoughts: Accepted wasn't the worst movie about college that I've ever seen but it was far from the best too. The acting was on par with any of the aforementioned American Pie movies and the production values were okay for a lower budget movie with third tier actors. The limitations of catering to a PG-13 audience aside, the whole movie seemed to bounce between fair, decent, and weak moments with far too many provided on the lower end of the scale. If you set your sights low enough, Accepted might prove to be worth a viewing or two, especially for the extras, but I didn't think it would have been taken off academic probation with anything higher than a C- (at best) given the overall picture.



HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE ACCEPTED.

Wednesday, August 08, 2007

CASINO NOW AVAILABLE

CASINO NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE CASINO FROM IMDB

This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one. Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 1970's and '80's are revealed. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals. However, they each have a tragic flaw--Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence. Written by Tad Dibbern {DIBBERN_D@a1.mscf.upenn.edu}

Sam 'Ace' Rothstein, a mob-connected casino operator in Las Vegas, attempts a civilized lifestyle with his money-conditional wife, Ginger. Nicky Santoro, a boyhood friend of Ace and now a Made-Man of the Mafia, arrives in town with an ambitious agenda of his own that soon disrupts Ace's life. Before long, Ginger and her long-time leeching lover Lester, along with Nicky's mistakes, causing problems. Written by Brian Whiting {bwhiting@holly.colostate.edu}

HERE IS A REVIEW OF THE MOVE CASINO FROM DVDTALK

The Movie: "Casino" is a fascinating, exciting picture that gets occasionally gets sidetracked by a couple noticable problems. Martin Scorsese's 1995 picture starts off remarkably well. After a short opening, we are lead into the heart of Las Vegas by one Sam "Ace" Rothstein. The mob is skimming thousands out of the Casinos of the city - in one particularly interesting scene, the camera goes into the back rooms and we see the money coming in in almost unimaginable amounts. We also see the rivers that break off from the main stream. Rothstein is joined by several people from all parts of the mob, but there's one individual who'd cause the most trouble. Nicky Santoro (Joe Pesci) is an old friend of Ace, but he's extremely volatile and violent, a dangerous criminal who forces his weight around the city - soon enough, he's got his own gang who starts to draw too much attention to themselves, which results in stand-offs between the two old friends. Something else comes between the two, as well. Ginger McKenna (Sharon Stone) is spotted one day by Ace while he's watching the cameras looking down on the casino. He's fallen for her, but she's going to end up causing him more trouble than he'd expected. The two are enjoying one another at first, but she's soon heading back to her low-end criminal ex, played well by James Woods. Public fights and the high-cost of her company soon threaten not only their marriage, but Ace's business in Vegas.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CASINO.

BRATZ THE MOVIE NOW AVAILABLE

BRATZ THE MOVIE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE BRATZ FROM IMDB

During their first year of high school, four best girlfriends face off against the domineering student body president who wants to split them up into different social cliques.

HERE IS A REVIEW OF THE MOVIE BRATZ FROM DVDTALK

The Bratz are a line of big-headed, fashion-conscious dolls aimed at tween girls, who are past the age where they want to play with Barbies but just getting to the age where they want to live out their slutty, materialistic fantasies vicariously through playthings. The Bratz dress provocatively and have been the source of controversy among parents who feel they encourage a too-early sexualization of young girls. One of the Bratz toy sets has the Bratz sneaking out of the house to go on blind dates with boys. Hooray for teaching skankiness at an early age! The Bratz' first live-action movie, cleverly titled "Bratz" and evidently inspired by the animated TV series of the same name, is appalling and horrific, but for entirely different reasons. The producers have wisely toned down the trampiness of the girls' outfits, perhaps realizing that what garners a few raised eyebrows when it's worn by a piece of plastic would garner torch-wielding mobs if it were worn by actual young girls (or even 20-year-old actresses playing young girls). And the Bratz' fondness for buying clothes is not played up as heavily as you might expect, either, though that's not to say there's not still plenty of materialism to be found. MTV and MySpace are name-checked several times each.


CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE BRATZ 1 OF 3.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE BRATZ 2 OF 3.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE BRATZ 3 OF 3.

POLTERGEIST III NOW AVAILABLE

POLTERGEIST III NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE POLTERGEIST III FROM IMDB

Carol Anne has been sent to live with her Aunt and Uncle in an effort to hide her from the clutches of the ghostly Reverend Kane, but he tracks her down and terrorises her in her relatives' appartment in a tall glass building. Will he finally achieve his target and capture Carol Anne again, or will Tangina be able, yet again, to thwart him? Written by Rhino {rhino@blueyonder.co.uk}



HERE IS A REVIEW FOR THE MOVIE POLTERGEIST III FROM DVDTALK

The movie

If there were ever an example of sequels missing the point of the original film, Poltergeist II and Poltergeist III would be it. The original Poltergeist scared the living daylights out of me when I saw it as a kid. I mean, it terrified me. When I saw it again as an adult, admittedly it had lost its visceral pulse-pounding effect, but frankly, it still worked pretty darn well. The reason for that is that it's a nicely constructed story: it starts off low-key and innocuous, telling about some strange and slightly creepy events happening to a normal suburban family, and little by little ratchets up the tension level. The story focuses on discovery, as the Freelings gradually get pulled into a scary supernatural world and have to deal with it. The apocalyptic finale is spectacular precisely because it's been reserved for the end.

Fast-forward to Poltergeist II. Someone must have looked at the original film and decided that the magic ingredients were "cute kid" and "gross special effects"... because we get both of those right away. Right away we're given a bunch of ghostly effects and "scary" corpses, not to mention strange, "spooky" men following Carol Anne (Heather O'Rourke) around. But since there's no buildup, it's all ho-hum. Oh, look, a gruesome corpse. Yawn. Look, a sinister man. Whatever. I don't get any feeling that the filmmakers understood what made the scary moments in the original film actually be scary; if they did they certainly didn't know how to do it again.

Of course, the hurry-up-and-show-the-special-effects approach isn't the only thing that makes Poltergeist II a lousy movie. Frankly, it's just plain badly paced, badly written, and badly acted... though on that last count, I suspect that the actors were making the best they could with what they had. The plot jerks and stumbles along, offering a retread of the spirit-invasion/temptation story of the original Poltergeist, but with a Native American "spirit guide" character tossed into the mix along with Tangina, the psychic from the first movie.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE POLTERGEIST III.

POLTERGEIST II NOW AVAILABLE

POLTERGEIST II NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE POLTERGEIST II FROM IMDB

The Freeling family move in with Diane's mother in an effort to escape the trauma and aftermath of Carol Anne's abduction by the Beast. But the Beast is not to be put off so easily and appears in a ghostly apparition as the Reverend Kane, a religeous zealot responsible for the deaths of his many followers. His goal is simple - he wants the angelic Carol Anne; but the love of her family and the power of psychic Tangina once again unite, along with an elderly native American, to fight for her life. Written by Rhino {rhino@blueyonder.co.uk}


HERE IS A REVIEW FOR THE MOVIE POLTERGEIST II FROM DVDTALK

The movie

If there were ever an example of sequels missing the point of the original film, Poltergeist II and Poltergeist III would be it. The original Poltergeist scared the living daylights out of me when I saw it as a kid. I mean, it terrified me. When I saw it again as an adult, admittedly it had lost its visceral pulse-pounding effect, but frankly, it still worked pretty darn well. The reason for that is that it's a nicely constructed story: it starts off low-key and innocuous, telling about some strange and slightly creepy events happening to a normal suburban family, and little by little ratchets up the tension level. The story focuses on discovery, as the Freelings gradually get pulled into a scary supernatural world and have to deal with it. The apocalyptic finale is spectacular precisely because it's been reserved for the end.

Fast-forward to Poltergeist II. Someone must have looked at the original film and decided that the magic ingredients were "cute kid" and "gross special effects"... because we get both of those right away. Right away we're given a bunch of ghostly effects and "scary" corpses, not to mention strange, "spooky" men following Carol Anne (Heather O'Rourke) around. But since there's no buildup, it's all ho-hum. Oh, look, a gruesome corpse. Yawn. Look, a sinister man. Whatever. I don't get any feeling that the filmmakers understood what made the scary moments in the original film actually be scary; if they did they certainly didn't know how to do it again.


CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE POLTERGEIST II.

DATE MOVIE NOW AVAILABLE

DATE MOVIE NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE DATE MOVIE FROM IMDB

Julia Jones (Alyson Hannigan) has found the perfect guy, the very-British and very-unfortunately-named Grant Fockyerdoder (Adam Campbell). But before they can have their Big Fat Greek Wedding, they must Meet the Parents, hook up with The Wedding Planner, and contend with Grant's friend Andy (Sophie Monk) who wants to put an end to her Best Friend's Wedding. Written by Max Davison {RockyHexorcist2785}

HERE IS A REVIEW FOR THE MOVIE DATE MOVIE FROM DVDTALK

The Movie


The art of the full-length movie parody has been on a slow, steady slide down the mountain since hitting its peak with Airplane, raising our hopes with The Naked Gun and I'm Gonna Git You Sucka, and crashing head-first into gross-out jokes with Scary Movie. The latest movie to besmirch parody's good name is Date Movie, which aims to parody romantic comedies, but ends up trying to make jokes about any recent pop culture reference that more than 10 people know.

The film's central story follows Julia Jones (Alyson Hannigan), a rather rotund woman, who's looking for love. Of course, the only way she can find it is to change herself entirely. But once she finds Grant, her handsome English man (Adam Campbell), she has to deal with their families' incompatibility, Grant's sexy old flame (Sophie Monk) and the usual misunderstandings. Along the way, the film attempts to cram wall-to-wall references to movies and TV, whether they make sense or not, and usually, they don't.

One of the film's obvious weaknesses is the lack of available material. There's only a small amount of popular "date movies" out there that are memorable enough to parody, which limits the film to a select few items of source material to choose from, forcing it to go to the well again and again. Meet the Parents and Meet the Fockers makes up a good 50% of the film's inspiration, with a handful of other films thrown in. After that, the movie goes off the Rom-Com track and starts pulling from Star Wars, Kill Bill and even commercials. It probably points to a larger problem for parody films, and that's the lack of shared experience in today's culture thanks to the many choices we have.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE DATE MOVIE.

WEDDING CRASHERS NOW AVAILABLE

WEDDING CRASHERS NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE WEDDING CRASHERS FROM IMDB

Divorce mediators John Beckwith and Jeremy Grey are business partners and lifelong friends who share one truly unique springtime hobby--crashing weddings! Whatever the ethnicity of the wedding party--Jewish, Italian, Irish, Chinese, Hindu--the charismatic and charming duo always have clever back stories for inquisitive guests and inevitably become the hit of every reception, where they strictly adhere to their proven rules of wedding crashing to meet and pick up women aroused by the very thought of marriage. At the tail end of another successful season of toasting brides and grooms, Jeremy learns that the daughter of Treasury Secretary William Cleary and his wife, Kathleen, is getting married in what is sure to be the Washington D.C. social event of the year. After infiltrating the lavish affair, John and Jeremy quickly set their sights on two bridesmaids, Claire and Gloria Cleary. With the lavish reception in full swing, Jeremy works his game plan to perfection in seducing Gloria, but John's flirtation banter with Claire is unexpectedly impeded by her pompous, Ivy League boyfriend Sack. Having uncharacteristically fallen hard and fast for Claire, John convinces a resistant Jeremy to bend the crashing rules and accept an invitation to an extended weekend party at the Cleary family compound. Once at the palatial waterfront estate, John and Jeremy endure a multitude of comical mishaps at the hands of the dysfunctional members of the Cleary family, but also learn a few unexpected lessons about love and relationships. Written by Sujit R. Varma

John and Jeremy, single in their mid-30s, mediate divorces in D.C.; their summer social life consists of crashing weddings (always with a back story) to meet young women for a one-night stand. As John thinks about growing up, Jeremy convinces him to go to one more, for the daughter of the Treasury Secretary. Each catches the eye of a daughter of the host. Jeremy scores with Gloria, who proves to be a psycho clinger; John wants real romance with Claire, but she has a boyfriend, a privileged hound. Can John convince Jeremy to stick around long enough so he can woo Claire, and can he tell her the truth about himself before she finds out from someone else? What if he messes up? Written by {jhailey@hotmail.com}

CLICK HERE IF YOU WANT TO READ THE REST OF THE SUMMARY FOR THIS MOVIE.

HERE IS A REVIEW FOR THE MOVIE WEDDING CRASHERS FROM DVDTALK

The Movie
Based on the trailer, you'd think this was a wild comedy set in the world of weddings, where sex and humor dance to cheesy novelty songs, fueled by free drinks and pass-around appetizers. Instead, the movie is a short amount of comedic set-up, followed by a lengthy romantic plot and a couple of comedic interludes. That's not to say the movie isn't a good time. It is. It's just not the good time you'd guess it would be when you see the trailer.

The basic story revolves around John (Owen Wilson) and Jeremy (Vince Vaughn), a pair of arbitrators whose hobby is crashing weddings in order to have fun and meet girls, since they are often drunk, emotional and desperate for relationships. The guys live this life, and live it well, based on a set of rules that have been handed down by the legendary Chazz, who pioneered the art of wooing bridesmaids.

The first 14 minutes of the movie set up their hedonistic world well, showing them work their magic at a number of weddings, with the help of some particularly artful nudity. It all changes though when John has a change of heart following an off-night. Instead of living the wedding crasher lifestyle, he begins to think about something real. Jeremy doesn't quite see it that way, and thinks he has the perfect way to snap his pal out of his funk: the wedding of the year.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE WEDDING CRASHERS.

JUST MY LUCK NOW AVAILABLE

JUST MY LUCK NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE JUST MY LUCK FROM IMDB

In Manhattan, Ashley Albright is a lucky woman and very successful in the agency where she works. The clumsy Jake Hardin is an unlucky aspirant manager of the rock band McFly, who is unsuccessfully trying to contact the entrepreneur Damon Phillips to promote his band. When Ashley meets Jake in a masquerade party, they kiss each other, swapping her fortune with his bad luck. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Manhattan socialite, Ashley is the luckiest person in New York. Untill, one night she goes to a masquerade ball and meets, Jake. Jake on the other hand has the worst luck. After kissing Jake, Ashley is horrified to find out that she and Jake swapped luck. Written by Kaylee

HERE IS A REVIEW FOR THE MOVIE JUST MY LUCK FROM DVDTALK

THE MOVIE

This summer's real disaster movie was "Just My Luck," a gruesome trainwreck of a film in which no one says or does anything even remotely resembling what a real person would say or do in the same situation. Every single scene is an abominable assemblage of mind-boggling stupidity, completely unmotivated behavior, and unfunny slapstick. I haven't been as frustrated and enraged by a film's all-out idiocy since ... well, since "She's the Man" two months earlier. But before THAT, it had been a long time.

The premise is that a super-lucky woman and a very unlucky man meet at a masquerade ball, share a kiss, and in so doing reverse their fortunes. Now miserably unlucky, the woman has to find the mysterious stranger she kissed, kiss him again, and switch everything back again.

Now, here's the thing: I don't even have a problem with that premise. It's a fantasy premise, like the boy waking up as a grown man in "Big," or the mothers and daughters switching roles in the various "Freaky Friday" movies. There was a Spanish film a few years ago called "Intacto," where "luck" was an actual commodity that you could take from people and use for yourself. All of those films work just fine.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE JUST MY LUCK PART 1 OF 2.


HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE JUST MY LUCK PART 2 OF 2.

MISSION TO MARS NOW AVAILABLE

MISSION TO MARS NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE MISSION TO MARS FROM IMDB

When a mysterious storm kills all but one crew member of the first manned mission to mars, a rescue mission is launched. Once on the red planet, the crew finds the sole survivor of the first mission who informs them that this was no ordinary storm. It was meant to protect something. But what? Written by Eric Thal

Commander Luke Graham is selected to lead the first manned mission to Mars. Upon setting foot on the red planet, the team discovers an ancient, domelike structure which appears to be a beacon. The dome destroys the team and leaves Luc injured. The recently widowed Jim McConnell leads the rescue mission. When they arrive, they find Lke surprisingly alive, and he has spent the time alone learning the secrets of the mysterious construct. The question now becomes: do they enter the dome and answer humanity's oldest question, perhaps risking their lives in doing so, or return to Earth with what they do know and return in force with equipment and supplies? Written by Ronos


HERE IS A REVIEW FOR THE MOVIE MISSION TO MARS FROM DVDTALK

Synopsis:

Mars, the Red planet. Long a curiosity of Earth, actual visits to the planet have been hampered with just about everything. Most notably, our just plain inability to get there! However, in the year 2020, Mars has been achieved! A Mars 1 base camp has been established and a multinational team of scientists/astronauts has been assembled on the planet to learn all that can be ascertained. On a routine survey mission, the team encounters a violent natural/unnatural phenomenon that decimates the party. Feared dead, a rescue mission is approved and a team dispatched to determine exactly what happened on the surface of the planet. Unaware of what awaits them, the recovery crew has problems of their own attempting to arrive safely at Mars 1 base camp. Given all of their training, nothing however could prepare them for what they'll find in this their, mission to mars.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE MISSION TO MARS.

THE PURSUIT OF HAPPYNESS NOW AVAILABLE

THE PURSUIT OF HAPPYNESS NOW AVAILABLE ONLINE


HERE IS THE SUMMARY FOR THE MOVIE THE PURSUIT OF HAPPYNESS FROM IMDB


In 1981, Chris Gardner was a struggling salesman in little needed medical bone density scanners while his wife toiled in double shifts to support the family including their young son, Christopher. In the face of this difficult life, Chris has the desperate inspiration to try for a stockbroker internship where one in twenty has a chance of a lucrative full time career. Even when his wife leaves him because of this choice, Chris clings to this dream with his son even when the odds become more daunting by the day. Together, father and son struggle through homelessness, jail time, tax seizure and the overall punishing despair in a quest that would make Gardner a respected millionaire. Written by Kenneth Chisholm (kchishol@rogers.com)


HERE IS A REVIEW OF THE MOVIE THE PURSUIT OF HAPPYNESS FROM DVDTALK


The Movie:

If the rags-to-riches tale of Chris Gardner wasn't true, you might think it was the invention of the world's sappiest motivational speaker. Penniless and homeless for a period in the early 1980s, the man remained committed to caring for his young son while working toward a career as a stockbroker. It's stuff tailor-made for an inspirational Hollywood flick, and it is a story told with sensitivity and skill in The Pursuit of Happyness.



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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE THE PURSUIT OF HAPPYNESS.

CURSED NOW AVAILABLE

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HERE IS THE SUMMARY FOR THE MOVIE CURSED FROM IMDB

Ellie has been taking care of her younger brother Jimmy since their parents death. One night after picking him up from a party they are involved in a car accident on Mullholland Drive. While trying to rescue a woman from the other car a creature attacks and kills her, also injuring both Ellie and Jimmy. After some research Jimmy realizes the creature could only have been a werewolf. Written by kwedgwood@hotmail.com

HERE IS THE REVIEW FOR THE MOVIE CURSED FROM DVDTALK

The Movie

Let's get one thing straight, right off the bat: This "unrated version" of Cursed is not what the horror fans are looking for. The Cursed that we'd like to see is the one that Wes Craven put together before the Miramax folks tore it apart -- if such a version even exists anymore. The history of this film's production has been marred by extensive rewrites, production stoppages, re-castings, and wholesale facelifts. There's a pretty fascinating book waiting to be written about the Cursed backstory -- but even those who'd love to read that book will find very little insight in this "unrated" DVD edition.

Bottom Line: This is the exact same Cursed that you saw in the movies (if you were among the 217 people who bothered), with just a few extra bits of gore and gristle thrown into the mix. Theatrically, Cursed ran 97 minutes; the "unrated" version runs 99. (It's been widely reported that Miramax snipped Cursed from an R to a PG-13 less than a month before the film's theatrical release; similar reports indicate that this "unrated" version is the exact same cut that played in Canada.)

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HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CURSED 1 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CURSED 2 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE CURSED 3 OF 4.

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GINGER SNAPS III GINGER SNAPS BACK NOW AVAILABLE

GINGER SNAPS III GINGER SNAPS BACK NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE GINGER SNAPS III FROM IMDB

Set in 19th Century Canada, Brigette and her sister Ginger take refuge in a Traders' Fort which later becomes under siege by some savage werewolves. And an enigmatic Indian hunter decides to help the girls, but one of the girls has been bitten by a werewolf. Brigitte and Ginger may have no one to turn to but themselves. Written by Wallace Entertainment

In 1815, in Canada, the sisters Ginger (Katharine Isabelle) and Brigitte (Emily Perkins) survive to a boat sinking, where her parents die. Alone and lost in the forest, they meet an old clairvoyant Indian that foresees their fate. Later, they are guided by the Indian The Hunter (Nathaniel Arcand) to a fort, and they seek for shelter with the men of the Northern Legion Trading Company. They note that the place is under siege of "Wendigos", a sort of werewolf that has killed most of the dwellers of the place, and the survivals are very afraid. Their lives are put in danger by the deranged locals and by the surrounding beasts. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Prequal to 'Ginger Snaps' has the orphaned sisters Ginger and Brigette, before becoming werewolves, in 1815 Canada where they stumble into a war between Native American "Wendigos" besieging a remote trading post populated by brutal settlers. Written by Matt Patay

HERE IS A REVIEW OF THE MOVIE GINGER SNAPS III FROM DVDTALK

Two out of three ain't bad. The original Ginger Snaps was an absolute stunner and its sequel, shot back-to-back with this prequel, was also stunning in that it not only didn't suck, it was nearly equally as clever! Not so as we travel back to yesteryear, where the 1815 foremothers of Ginger and Brigitte (Katherine Isabelle and Emily Perkins) skulk on horseback through the frosty wilderness along a mournful path toward certain DOOM! Well, that's depending on one's definition of doom. These gals don't really sweat stuff like having a geriatric soothsayer stop 'em in the woods and warble: "Kill the boy or one sister kills the other!" Or wandering upon a claw-scarred and blood-splattered fort manned by a skeleton crew of freakified frontiersman whose loins would've welcomed them with summersaults if not for a preoccupation with LOCKING THE GATES and trying not to wet themselves. Ginger doesn't even seem all that wigged when she flouts the first rule horror by FOLLOWING A NOISE INTO THE BASEMENT where she discovers a feisty youngster with dog breath, an obscene case of mange and dubious social skills. But she IS indeed doomed. Brigitte's doomed. They're all doomed because there's WEREWOLVES in them thar woods and that's exciting, eh? Not so much. There's a couple creep-worthy moments and our scrumptious starlets are somewhat engaging, but what's most memorable is the production design of the aforementioned thrashed fortress. That's hardly enough to spike a severed lycanthrope noggin on, let alone an entire film or the presumed foundation of a three-flick franchise. CineSchlockers won't be surprised when director Grant Harvey, editor Ken Filewych and writer Stephen Massicotte recall their panic of being without a SCRIPT a month before filming. Gee, there's a stunner.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GINGER SNAPS III PART 1 OF 5.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GINGER SNAPS III PART 2 OF 5.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GINGER SNAPS III PART 3 OF 5.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GINGER SNAPS III PART 4 OF 5.

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GINGER SNAPS II UNLEASHED NOW AVAILABLE

GINGER SNAPS II NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE GINGER SNAPS II FROM IMDB

Brigitte's on the run from Bailey Downs, and she tries to prevent what happened to her sister, Ginger, from happening to her by shooting up with monkshood. Eventually she collapses and the police that find assume the monkshood is an illegal drug, and she is sent to rehab. She is deprived of the only thing that will stop her from turning into a beast and killing everyone and everything in her way. She meets a girl who is quiet and not well-liked, and much like herself, by the name of Ghost that helps her deal with her new problem and to escape the werewolf curse. Written by Wallace Entertainment

Brigitte has escaped the confines of Bailey Downs but she's not alone. Another werewolf is tailing her closely and her sister's specter haunts her. An overdose of Monkshood - the poison that is keeping her transformation at bay - leads to her being incarcerated in a rehabilitation clinic for drug addicts where her only friend is an eccentric young girl by the name of Ghost. Without the Monkshood her transformation is beginning to accelerate and to make matters worse, her werewolf stalker knows where she is. Written by Dismal Angel

HERE IS A REVIEW OF THE MOVIE GINGER SNAPS II FROM DVDTALK

Number-o Uno director and Number-o Two-o producer John Fawcett: "When we were talking about the original Ginger Snaps movie, it was always to try and be as unique and original as possible. So coming out with a sequel, it was important, again, it be unique on its own. That it be a smart movie. And it was important that it didn't suck!" Mission accomplished, John. Three-for-three, in fact. Capitalizing on the breakout success of the first little-movie-that-could was a fiscal inevitability. To preserve the core creative team and produce such an engrossing, amusing and satisfying sequel is almost as implausible as lycanthropy itself. And with a prequel on the way, Mr. Fawcett and his Canadian gorehounds could easily have themselves the Lord of the Rings of menstrual werebabe movies. Why stop at mere furry feet?

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GINGER SNAP II PART 1 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GINGER SNAP II PART 2 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GINGER SNAP II PART 3 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE GINGER SNAP II PART 4 OF 4.

TAMARA NOW AVAILABLE

TAMARA NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE TAMARA FROM IMDB

Tamara is a girl who didn't quite fit in. Tamara is constantly picked on and when a couple of friends plays a joke on Tamara, it leads to her death. The friends bury her tries to make it seem that Tamara ran away. But all is not forgotten. Tamara reutrns as a sexy seductress and plans her revenge. (due to witchcraft). Well like they say: Karma's a bitch. Written by Anonymous

Tamara (Jenna Dewan) is an unattractive and not popular abused girl in a high-school. She has a crush on her Literature teacher, Mr. Bill Natolly (Matthew Marsden), and she likes witchcraft. When his teacher publishes her article about the use of steroids by the high-school athletes in the school newspaper expecting to improve her self-esteem, the matter indeed puts the students against Tamara. Three classroom mates use three other silly students to play a prank with Tamara, but they accidentally kill her. Due to a spell, Tamara returns from death and plots a lethal evil revenge against the group, and tries to take Bill from his beloved wife, since there is a bond between Bill and Tamara due to the witchcraft. Written by Claudio Carvalho, Rio de Janeiro, Brazil

HERE IS A REVIEW FOR THE MOVIE TAMARA FROM DVDTALK

The Movie

Originally destined for an unceremonious and immediate "direct-to-video" release, Tamara has earned its fair share of internet fanboy buzz earlier this year, thanks partially to the Lions Gate folks having their finger on the horror-geek pulse, but mainly because the lead actress is a stunningly sexy femme fatale who plays a murderous mega-witch super-bitch from beyond the graaaaave.

Penned by Final Destination scribe Jeffrey Reddick, Tamara is nothing more than Stephen King's (or, more specifically, Brian De Palma's) Carrie gussied up for a new generation of horror-lovin' moviegoers. As such, Tamara looks, sounds, and feels like just about every single "high school misfit wreaks unholy revenge" flick ever made, from Evilspeak to Christine and from Massacre at Central High to Laserblast -- with a few threads of I Know What You Did Last Summer tossed in to keep the horror geeks happy. (Basically: this one old-school horror concept.)

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE TAMARA 1 OF 6.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVE TAMARA 2 OF 6.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE TAMARA 3 OF 6.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE TAMARA 4 OF 6.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE TAMARA 5 OF 6.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE TAMARA 6 OF 6.

UNDERDOG NOW AVAILABLE

UNDER DOG NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE UNDERDOG FROM IMDB

A lab accident gives a hound named Shoeshine some serious superpowers -- a secret that the dog eventually shares with the young boy who becomes his owner and friend.

HERE IS A REVIEW FOR THE MOVIE UNDERDOG FROM DVDTALK

"Underdog" opens with a glimpse of the cartoon hit of the 1960s, which is a dangerous proposition. Why give audiences a peek at what they once loved only to turn it into a live-action bastardization they couldn't possibly recognize?

A disgraced police beagle, Shoeshine (Voiced by Jason Lee) has been picked up by the evil Simon Bar Sinister (Peter Dinklage) for a special experiment using enhanced DNA on dogs. Managing to escape after being doused with a special potion, Shoeshine finds his way into the home of young Jack (Alex Neuberger), who enjoys the newfound company. Now blessed with super powers, Shoeshine becomes Underdog, looking to stop crime, woo Polly Purebred (Amy Adams), and thwart Sinister's new plans to rule the city.

"Underdog" comes from the limited-imagination school of "Garfield," taking a adored animated creation and turning it into a bizarre live-action situation where the purity of the source material is fogged up by the technology of the update. That said, "Underdog" is not nearly as painful as the lasagna-loving feline, but the senseless nature of the whole endeavor stinks up the film quickly. "Underdog" is one property that didn't need the CG overhaul.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.


UPDATE: HERE IS A BETTER COPY OF THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE UNDERDOG PART 1 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE UNDERDOG PART 2 OF 4.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE UNDERDOG PART 3 OF 4.

HERE IS THE D
IRECT DOWNLOAD FOR THE MOVIE UNDERDOG PART 4 OF 4.

HERE IS A GREAT QUALITY VERSION OF TRANSFORMERS

TRANSFORMERS THE MOVIE NOW AVAILABLE ONLINE

THATS RIGHT HERE IS THE MOVIE TRANSFORMERS 2007

HERE IS SOME INFO ON THE MOVIE FROM IMDB AND A FEW OTHER SITES.

A long time ago, far away on the planet of Cybertron, a war was being waged between the noble Autobots (led by the wise Optimus Prime) and the devious Decepticons (commanded by the dreaded Megatron) for control over the Allspark, a mystical talisman that would grant unlimited power to whoever possessed it. The Autobots managed to smuggle the Allspark off the planet, but Megatron blasted off in search of it. He eventually tracked it to the planet of Earth (circa 1850), but his reckless desire for power sent him right into the Arctic Ocean, and the sheer cold forced him into a paralyzed state. His body was later found by Captain Archibald Witwicky, and before going into a comatose state Megatron used the last of his energy to engrave a map, showing the location of the Allspark, into the Captain's glasses, and send a transmission to Cybertron. He is then carted away by the Captain's ship. A century later, Sam Witwicky, nicknamed Spike by his friends, buys his first car. To his shock, he discovers it to be Bumblebee, an Autobot in disguise who is to protect Spike, as he bears the Captain's glasses and the map carved on them. But Bumblebee is not the only Transformer to have arrived on Earth - in the desert of Qatar, the Decepticons Blackout and Scorponok attack a U.S. military base, causing the Pentagon to send their special Sector Seven agents to capture all "specimens of this alien race," and Spike and his girlfriend Mikaela find themselves in the middle of a grand battle between the Autobots and the Decepticons, stretching from Hoover Dam all the way to Los Angeles. Meanwhile, within the depths of the Pentagon, the cryogenically stored form of Megatron awakens... Written by Sivaji IMDBoss

High-school student Sam Witwicky buys his first car, who is actually the Autobot Bumblebee. Bumblebee defends Sam and his girlfriend Mikaela Banes from the Decepticon Barricade, before the other Autobots arrive on Earth. They are searching for the Allspark, and the war on Earth heats up as the Decepticons attack a United States military base in Qatar. Sam and Mikaela are taken by the top-secret agency Sector 7 to help stop the Decepticons, but when they learn the agency also intends to destroy the Autobots, they formulate their own plan to save the world. Written by BRUTICUS!


HERE IS A REVIEW ON THE MOVIE TRANSFORMERS FROM DVDTALK.

Has Hell actually frozen over? Are pigs now taking to the sky? I only ask because Michael Bay has achieved the unthinkable: he's directed a crushingly entertaining movie. I'm astounded the world hasn't stopped turning from the shock of it all.

Searching the galaxy for a troublesome energy cube, the Autobots, lead by Optimus Prime (voiced robustly by legend Peter Cullen), have arrived on Earth. Teaming up with a teenager named Sam (Shia LeBeouf) and innocent bystander Mikeala (Megan Fox), the Autobots set out to complete their mission; but when government agents interfere (led by John Turturro and Jon Voight, with grunts played by Josh Duhamel and Tyrese Gibson), it awakens the wrath of the Decepticons, who free their leader Megatron (Hugo Weaving) from his ice prison and put Earth in their crosshairs as they challenge Prime for control of the all-powerful cube.

The "Transformers" line of robot toys was the adolescent boy Spice Melange back in the 1980s, accompanied by a bewitching cartoon series that peaked with the release of a bizarre 1986 animated feature film. They were classic plastic creations, born of primary colors and blocky, sometimes puzzling movement, and they held the imagination of millions of children hostage all over the globe; a radiant legacy that continues to this day. Turning something this iconic and fanboy-protected (I've met some who would fall on their sword for Prime) into a hip summer popcorn product (live action no less) is an endeavor I wouldn't wish on my worst enemy. Coincidently, Bay turns out to be the right man for the job.

I've been hard on Bay in the past, but deservedly so; he works too feverishly in the area of sensory overload, thinking a sheer wall of sound will stupefy his audience long enough to swallow the Shinola he's shoveling. Bay's films are crude, self-aware, and frequently insulting, but with "Transformers," his swollen ego is tethered to radical geek expectations that he's no match for.

Granted, these aren't your granddaddy's Transformers. Souped up to resemble high-tech living robots while fighting and the latest in automobile trends in car form, Bay and the producers have mucked around considerably with the look of the Autobots and Decepticons, putting the infamous flames on Optimus Prime and turning Megatron into an alien jet. Supporters of the all-holy "G1" have every right to scoff, but "Transformers" has a wonderful way of making these ludicrous alterations fit into the bigger, slicker picture, pressing down hard on the extraterrestrial angle of our visitors. It's only a matter of moments before you buy these reinvented incarnations of popular characters and another few seconds before you start to root for their victory and defeat.

Bay being Bay, there is a small armada of Bayisms scattered throughout the picture, including a reprise of asinine gunfight camera technology that was employed in "Bad Boys 2," an obsession with tanned womanly attributes (keep in mind Fox's character is supposed to be 17 years-old), and some of the most unimaginative scoring and soundtrack selections of the year. Bay also gets predictably nutso during the combat sequences, but I was floored to see his typical edit count of a billion tempered down to a mere million. Bay respects the scope of the Transformer might, and appears willing, for the very first time in his career, to let some shots play out, allowing the viewer to get a clear gander at the enormity of the "robots in disguise" and their unholy wrath.

Bay also ropes off some space for the human factor, using Sam as a spacer in-between scenes of special effects brawling with other special effects. While LeBeouf is doing his habitual LeBeouf stammering square dance in the film, his teen distress is welcome amidst all of the intricate visual splendor, playing well off Fox and the macho military militia (a Bay staple) that swarms in the latter half of the film. The "flesh-based organisms" are here to keep the picture light and approachable, and it's amazing how well these limited actors are able to accomplish that.

Running a woozy 140 minutes, "Transformers" never runs out of juice, saving an eye-opening amount of rocket sauce for the final battle between good vs. evil. Those more accustomed to Bay's 10 Commandments of Destruction ("Thou Shall Bleedeth from the Ears," etc.) will be delighted to see the film finally go completely bonkers, wrecking entire Los Angeles city blocks and skyscrapers, killing beloved characters, and in general smashing anything that dares stand in the way. It also means a true payoff of both the seamless special effects and the Transformer design, as the Autobots and the Decepticons go medieval on each other with a thundering PG-13-bending rage. It's the kind of mayhem that a 12-year-old boy's dreams are made of, and makes for a comfortably numb viewing experience that takes a worthwhile leap of bonehead faith to fully embrace.

Frankly, I've never seen Bay share this much joy with action before. Maybe it's his distance from the source material or perhaps he wants out of the movie jail 2005's brain-dead flop "The Island" locked him in. Either way, Bay is starting to control his sinister urges little by little, and I pray it signals maturity rather than short-lived career panic.

I can't say "Transformers" ends as much as it takes a breather to wait for the box office tally to roll in. There's a promise of a sequel made at the conclusion of this breathless film; a prospect that I wouldn't mind seeing fulfilled. Sure, Michael Bay fussed hilariously with the Transformer designs and allowed Prime to utter the hacky line, "my bad," yet I can't fight the reality that he's also created a rock 'em, sock 'em piece of thunderbolt summer escapism. It doesn't wash away his past sins, but "Transformers" provides two emotions I never thought I'd feel walking out of a Michael Bay film: hope and satisfaction.

UPDATE: HERE IS AN ALMOST DVD QUALITY VERSION OF THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE TRANSFORMERS.


WWE RAW 08/06/07 NOW AVAILABLE


WWE RAW 08/06/07 NOW AVAILABLE ONLINE


HERE IS THE MATCHES THAT TOOK PLACE.



BATTLE ROYAL WINNER BECOMES THE GENERAL MANAGER OF RAW

RORY FROM THE HIGHLANDERS FACED SNITSKY

MICKIE JAMES VS JILLIAN HALL

JERRY "THE KING" LAWLER FACED BOOKER T WHO THINKS HE IS A KING

THEY HAD A DATING GAME SEGMENT

MAIN EVENT UMAGA VS JOHN CENA FOR THE 20TH TIME



HERE IS THE DIRECT DOWNLOAD FOR THIS WEEKS EPISODE OF WWE RAW.

Monday, August 06, 2007

NATIONAL LAMPOON'S VACATION NOW AVAILABLE

NATIONAL LAMPOON'S VACATION NOW AVAILABLE ONLINE

HERE IS THE SUMMARY FOR THE MOVIE NATIONAL LAMPOON'S VACTION FROM IMDB

The Griswold family, father Clark W., wife Ellen, daughter Audrey and son Rusty, set out in high spirit to spend their vacation driving cross-country from Chicago to a glorious climax in Walley World on the West Coast. The trip which Clark planned down to the minute, slowly loses its smoothness from the moment the first grain of sand gets in. A meeting with constantly-in-debt, simple-minded cousin Eddie results in the Griswold family giving cantankerous aunt Edna a lift to Phoenix. Of course, the Griswolds receive one strike of bad luck after another, and when they finally arrive at Walley World, they have to find out that the park is closed for maintenance. But Clark promised his beloved family the best vacation ever... Written by Julian Reischl {julianreischl@mac.com}

CLICK HERE IF YOU WANT TO READ THE REST OF THE SUMMARY FOR THIS MOVIE.

HERE IS A REVIEW FOR THE MOVIE NATIONAL LAMPOON'S VACATION FROM DVDTALK

The Movie

As a member of the "Holy Trinity" of Chevy Chase films (alongside Caddyshack and Fletch), National Lampoon's Vacation represents Chevy Chase at his all-around cinematic best. Of all the films listed on Chase's r�sum�, there is none other that encapsulates what makes Chase one of the best comedic talents of his era. To wit: for as much as I positively worship at the feet of Caddyshack, the film is basically a "Clash of the Titans" between Rodney Dangerfield's sarcastic, acerbic one-liners and the brilliant, seething slow-burn of the late, great Ted Knight. Fletch is a comedy classic, and Chase is almost pitch-perfect throughout the film, but his funnyman antics, physical comedy, piercing impersonations, and throwaway glibness seem slightly out-of-place when juxtaposed with the film's rather serious narrative.

So what makes National Lampoon's Vacation the quintessential Chevy Chase vehicle? Simply put: everything. Even if you remove Chase from the equation, the film boasts a promising pedigree. The film was directed by Harold Ramis, the SCTV-vet who was fresh off writing (and co-starring in) the Bill Murray smash Stripes, as well having been the writer/director behind Caddyshack and co-writer of Animal House. Ramis would also go on to direct Groundhog Day . Now let me repeat all that for effect: Stripes, Caddyshack, Animal House, and Groundhog Day. TBS owes their existence to this man, but I digress. The script was written by John Hughes, based on a short story he penned for National Lampoon magazine. This is the same John Hughes whose entire oeuvre would leave a lasting influence of a generation of movie-watchers; films like Sixteen Candles, The Breakfast Club, Weird Science, Ferris Bueller's Day Off, Pretty In Pink, and Planes, Trains, and Automobiles are his cinematic lineage. TBS owes 99.999% of their advertising revenue to this man... but again, I'm off on a tangent.

CLICK HERE IF YOU WANT TO READ THE REST OF THE REVIEW FOR THIS MOVIE.

HERE IS THE DIRECT DOWNLOAD FOR THE MOVIE NATIONAL LAMPOON'S VACATION.