Here is the summary for the movie X-Men Wolverine From imdbIn 1845 in North-Western Territory, British North America, young James Howlett (Troye Sivan) sees his father John Howlett (Peter O'Brien) killed by his friend Victor Creed's father, Thomas Logan (Aaron Jeffery). In an act of vengeance, James kills the elder Logan using bone claws which have grown out of his hands. With his dying breath, Logan tells James that he is also his son. James and Victor (Michael-James Olsen) run away, pursued by a torch-wielding mob. They promise to look out for each other.
In the years that follow, adult brothers James (Hugh Jackman) and Victor (Liev Schreiber) are seen fighting together in the American Civil War, World War I, World War II, and eventually the Vietnam War. Their regenerative powers keep them from being killed in the battlefield. James is forced to act as a check on Victor's increasing rage and ferocity. In Vietnam, Victor kills a superior officer after being stopped from raping a girl, and James and Victor are sentenced to death by firing squad, though their unique regenerative abilities keep them alive.
Major William Stryker (Danny Huston) approaches the two mutants and offers them membership in Team X, his elite group of mutants. The team consists of mutants Fred Dukes (Kevin Durand), who's super-strong and invulnerable; John Wraith (Will i Am), who can teleport; Chris Bradley (Dominic Monaghan), a.k.a. Bolt, who can control electricity; expert marksman Agent Zero (Daniel Henney); and mercenary Wade Wilson (Ryan Reynolds), an amazing swordsman who never stops talking. The brothers join the group and are sent to the team's first mission: Invade the headquarters of a diamond trafficking operation in Lagos, Nigeria, to retrieve a meteorite. Afterwards, Stryker and the team brutally interrogate people from a nearby village to learn where the meteorite was found. James is disgusted by the murders committed by his teammates and abandons the group.
Six years afterward, James -- now going by his last name, Logan -- is a lumberjack living with his girlfriend Kayla Silverfox (Lynn Collins). Meanwhile, Victor hunts down and murders Bradley, who works at a circus; Victor mentions that Wade is already dead. Stryker locates Logan and claims that someone is killing members of the now-disbanded team. Stryker asks Logan for help, but is refused. Shortly after, Silverfox is murdered by Victor. Wolverine hunts down his half-brother, but is easily defeated. Stryker once again asks Logan for help, and Logan agrees. Stryker has Logan's skeletal system reinforced with adamantium, a virtually indestructible metal retrieved from the meteorite found by Team X. Before the procedure, Logan asks for his new dog tags to say "Wolverine," a reference to a story that Kayla told him. After the procedure, Stryker orders Wolverine's memory to be erased, but Wolverine overhears this and flees. Stryker orders Agent Zero to hunt him down and take his head off.
An elderly couple, Travis (Max Cullen) and Heather Hudson (Julia Blake), see Wolverine -- who escaped in the buff -- enter their barn. They're wary but welcoming, giving him food and clothing, including a leather jacket of their son's -- and their son's motorcycle. The next morning, both are shot dead by Zero. Wolverine takes out several HMMWVs, a helicopter and Zero himself, then goes to Las Vegas. Wolverine locates former associates John Wraith and Fred Dukes (who is now massively obese from a guilt-driven eating disorder), seeking to learn the location of Stryker's new laboratory. Wolverine learns the disbanded team had been capturing young mutants for Stryker. One of them, Remy LeBeau (Taylor Kitsch), also known as Gambit, escaped the island laboratory and knows its location. Dukes tells Logan that his brother Victor is actually working for Stryker, capturing and killing mutants for him. Meanwhile, Stryker captures a teenaged Scott Summers (Tim Pocock) with Victor's aid.
Wolverine and Wraith locate Gambit in a New Orleans bar. Wolverine talks to Gambit while Wraith keeps watch outside, but Gambit suspects Wolverine was sent to recapture him and, using his ability to charge objects with kinetic energy, throws several playing cards at Wolverine that send him flying through a wall. Outside, Wolverine sees Victor has killed Wraith and taken a sample of his blood. Wolverine fights Victor, only to be interrupted by Gambit. Victor escapes, and after a brief struggle, Gambit agrees to take Wolverine to the mutant prison/laboratory on Three Mile Island. Once there, Wolverine confronts Stryker and learns Silverfox is still alive; Victor faked her death with hydrochlorothiazide. She was keeping track of the mutant to free her sister, Emma Frost (Tahyna Tozzi), who is also in the prison. Wolverine is devastated by this betrayal.
With no more quarrel with Stryker, Wolverine departs. Victor, angered that Stryker let Wolverine go, demands the adamantium procedure. Stryker, however, tells him that he won't survive the procedure and in an act of rage, Victor tries to kill Silverfox. Wolverine hears Silverfox's screams and attacks Victor. Finally having the chance to kill Victor, Wolverine chooses not to give in to his animal instincts and instead knocks him out. Silverfox shows Wolverine to the holding cells, and he frees the mutants there; among them are Emma Frost and Scott Summers.
Panicking, Stryker prematurely activates his newest creation, Weapon XI (Scott Adkins and Ryan Reynolds), a bald, pale-skinned and deformed Wade Wilson, lacking a mouth and with patterns on his skin marking his adamantium bone structure. As the rescue party approaches an exit, it is blocked by Weapon XI, who is under Stryker's control. Wolverine tells them to find a new exit as two blades extend from Weapon XI's arms. The blades are similar to Wolverine's claws, but more like katana swords, Wilson's weapon of choice. Wolverine realizes that this monstrosity is actually Wade Wilson. "Looks like Stryker finally found a way to shut you up," he quips.
Weapon XI, also called Deadpool, is a mutant Frankenstein's monster, with the abilities of several of the killed and captured mutants: Scott's optic blasts, Wraith's teleportation, and Wolverine's healing ability. During the escape, Silverfox is mortally wounded. The other mutants escape through the facility's tunnels, guided by Scott who is unable to tell them how he knows the way out. Emerging from the tunnel, the party encounters a helicopter. Emerging from the helicopter is a familiar figure: Professor Charles Xavier (Patrick Stewart), who has guided them to safety and offers them a home at his school.
Meanwhile, the fight between Wolverine and Weapon XI moves to the top of one of the nuclear power plant's cooling towers. Weapon XI overpowers and prepares to decapitate Wolverine, but Victor returns to aid his brother. Wolverine and Victor, now working together, are able to decapitate Weapon XI, sending its head, still firing optic blasts, down into the cooling tower. Wolverine coldly informs Victor that despite his help, their relationship is over. Victor reminds him that as brothers, they can never be finished, and jumps off the the cooling tower. The damage from the optic blasts causes the cooling tower to collapse, but Wolverine is saved by Gambit.
Wolverine asks Gambit to ensure the prisoners are safe, while he returns to find Silverfox, who stayed behind because she was wounded. As he carries her to safety, Stryker shoots him in the back with an adamantium bullet. Wolverine tries to kill him but is shot in the head, knocking him unconscious.
Silverfox uses her powers of persuasion to order Stryker to walk away until his feet bleed, then dies from her injuries. Gambit returns to assure Wolverine that the mutants are safe, but due to amnesia caused by the brain damage the adamantium bullets inflicted, Wolverine does not remember anything (this was Stryker's intention, knowing that even the adamantium bullets could not kill Logan). Gambit tries to get Wolverine to come with him, but he declines. Gambit wishes Wolverine good luck before departing, and Wolverine flees the scene as the ambulances and police arrive.
The film has several additional scenes during and after the credits. The first of these scenes plays a few seconds into the credits, and depicts William Stryker walking down a road. Due to Silverfox's order, the toes of his shoes are torn and bloody from walking for so long. A military vehicle drives up behind him and he is apprehended by military police for questioning about the death of General Munson. (Stryker murdered the general earlier in the film in order to protect his vendetta against mutants.)
Depending on which theater the movie was shown in, one of two possible endings then appears following the credits. In the first ending, Weapon XI's hand reaches out from the rubble of the nuclear complex to touch his severed head. The second alternate ending shows Logan drinking at a bar in Japan. The bartender asks if he is drinking to forget; Logan replies that he's drinking to remember.
Here is a review for the movie X-Men Wolverine from dvdtalk
The bottom line on "X-Men Origins: Wolverine" is this: if you found any morsel of entertainment value out of 2006's "X-Men: The Last Stand," then "Wolverine" will be painless to digest. If you found "Last Stand" to be a drooling cinematic rape of a near-brilliant franchise, "Wolverine" is going to feel like further salt in the wound. While I recognize the multiple fandom violations of "Last Stand," I found it to be a lively thrill ride with an abundance of mutant vs. mutant action to sufficiently numb the brain. "Wolverine" is less triumphant as multiplex junk food, but still retains a satisfying lunacy and even more mutant monkey business to relish.
Born in the 19th century, Logan/Wolverine (Hugh Jackman) has forged a life of aggression with brother Victor/Sabretooth (Liev Schreiber), taking the mutant siblings on a ride of world wars and bloody heroism, only in Victor's case, the courage has gradually twisted to villainy. When fiendish William Stryker (Danny Huston) comes calling to form a special covert team of mutants (including wil.i.am, Dominic Monaghan, and Ryan Reynolds as the sword-happy Deadpool), the brothers sign up, but Logan soon develops a distaste for governmental terrorism. Retiring to Canada with love Kayla Silverfox (Lynn Collins), Logan is pulled back into Stryker's deceptions when it's revealed that Victor has gone rogue, murdering his old mutant conspirators, with his brother next on the list. Agreeing to Stryker's demand for an excruciating adamantium makeover, Logan turns his body and bone-claws into metal, hoping his new defense will put an end to Victor's reign of terror.
The cruel "Last Stand" comparison is an apt one to make, since the "X-Men" franchise slowly dissolved into a primitive cartoon once director Bryan Singer walked away after his virtuoso work on the first two features. Without his nuanced touch, these movies have been stripped of their regality and turned into action fodder for pre-teen boys to emulate in the backyard, and simpleton entertainment for message-board mooks to ironically mock. "Wolverine" squeezes the franchise for the basic routines of mutant combat and operatic slashes of betrayal, leaving behind any opportunity to return the series to the intelligent comic book escapism it started out as. Those days are long gone, and now all the franchise wants to do is make noise.
While crippled by severe filmmaking blunders, "Wolverine" remains a sweet piece of hard candy, nourished by an incredibly fluid summer movie pace and an edict that demands an explosion every 15 minutes. Unlikely director Gavin Hood (the sensitive "Tsotsi") is wise to keep the train moving at all costs, trusting sheer velocity might help to counteract the film's enormously inane screenplay. Credited to writers David Benioff and Skip Woods, "Wolverine" is a disaster whenever the characters pipe up, inviting monosyllabic exchanges and verbose, on-the-nose exposition that's completely unnecessary. A visual feast, the film is best communicating through sweaty body language and bountiful special effects, but Hood insists on a running commentary, and it grows progressively more infuriating as the film unspools. The dialogue is either teeming with clichés or insultingly idiotic, at times feeling like the actors are merely reading a transcription of the film's international release subtitles.
Listen, with Jackman oiled up and growly, Schreiber licking his fangs and jagged fingernails, and a host of other mutants scurrying around for screentime (the list includes Blob, Agent Zero, Emma Frost, Cyclops, Bolt, Kestral, the almighty Gambit, Kegel, Fingersnaps, and Peppers - the last three I just made up), do we really need an endless stream of one-liners and overly descriptive monologues to pad the film? "Wolverine" is a wonderfully bright and beautiful picture to watch. The garrulous dialogue just smothers any potential fun. It adds up to clumsy storytelling that kicks the legs out from under the feature.
"Wolverine" is a cluttered film, but it stays moderately focused, primarily due to the raw, knowing performance from Hugh Jackman. This is arguably his greatest screen role, and Jackman appreciates what audiences are dying to see from Wolvie, which includes the adamantium blades, partial nudity, bushy mutton chop sideburns, and a facial gallery of grimaces and grunts. The actor delivers big on the grit of the character, adding a new dimension of breathless betrayal as Wolverine is hit below the belt from all sides in this new adventure. It's a joy to watch Jackman bring the role to life again, and while this is his fourth time with the "X-Men" franchise, the actor seems more energized than ever to wrestle with stuntmen and fly through the air, slicing everything in his path. His gusto is contagious, constantly lending "Wolverine" thunderous highlights it doesn't always earn on its own.
What exactly are Stryker and Victor up to? Well, it all comes down to a mutant brawl on the lip of a nuclear reactor, which perfectly sums up the bigness Hood is searching for and occasionally achieves. Staying true to the title, "X-Men Origins: Wolverine" gives the audience a solid backstory to the character's mutation, his code name, and his lifelong pledge of solitude. There's plenty of action to gorge on too, along with a few surprises for die-hard fans. It's all so plastic and forgettable, but for the 100 claw-popping minutes immersed deep in Wolverine country, the film remains palatable. Heck, if the actors didn't bother to speak at all, I'm convinced there's a masterpiece to be found in here somewhere.
Here is the direct download for the movie X-Men Wolverine.
Director Justin Lin was responsible for the series' last entry, Tokyo Drift, a movie I was initially unimpressed by but came to like in the course of reviewing the new DVDs Universal released to promote Fast & Furious. Unfortunately, that film's appeal was in the setting: windy Mexican desert and downtown LA just aren't as interesting as the bustling metropolis of Tokyo. Lin's direction here seems strangely stunted, and I wonder if Universal placed a cap on the movie's runtime. Each dialogue-driven scene moves along just a little too quickly, as if another ten or fifteen minutes of the film hit the cutting room floor in order to make room for a few more spectacular car chases.
You get what you pay for, and Fast & Furious advertises everything it contains: fast cars, thin plot, and the reteaming of the franchise's two biggest draws. It's far from perfect, but I imagine fans of the series will be pleased enough. The film's massive opening weekend box office looks as if they'll probably try to lure some of the crew back for another go-round, and if they do, it'd be nice if it focused on Diesel and Diesel alone. I don't know if the two hours spent watching it would be worth it, but I think I could crank out another five paragraphs about it.
